Stretched canvas art is created from a giclée print on canvas (instead of paper), and like a traditional painting, the canvas is hand-stretched over a solid wood frame. It can be mounted in a float frame, or displayed on its own. The sides of the canvas are finished in a solid color that complements the artwork, creating a modern masterpiece ready to hang on your wall, without a frame.
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Edam Windmill ☴ Signac ☷ CanvasEdam Windmill (1896, Moulin d'Edam) by Paul Signac depicts a windmill towering above the flat Dutch countryside. Signac was exploring a looser, more rectangular brushstroke similar to a mosaic, as opposed to the precise dots common in pointillism. Here with dense layers ➵
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Grand Canal, Venice ☱ Signac ☵ CanvasEntrance to the Grand Canal, Venice (1905, Le Grand Canal à Venise) by Paul Signac depicts the waters of the Grand Canal lined with many gondolas, and the Dogana da Mar and Santa Maria della Salute in the background. While Seurat applied ➵
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Port of La Rochelle ☵ Signac ☱ CanvasEntrance to the port of La Rochelle (1921, Entrée du port de La Rochelle) by Paul Signac depicts boats alongside the port's towers, remnants of medieval maritime fortifications. The interplay of sunlight and shadow brings the scene to life, with reflections on ➵
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The Pine Tree at Saint Tropez ☲ Signac ☷ CanvasThe Pine Tree at Saint Tropez (1909, Le pin, Saint-Tropez) by Paul Signac, also know as Bertaud Gassin's Pine (Le Pin de Bertaud Gassin), depicts a pine tree set against the backdrop of a sunny Saint-Tropez landscape. Signac uses bold colors and ➵
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La Cité, Paris ☰ Signac ☵ CanvasLa Cité, Paris (1934) by Paul Signac depicts the Quai de Montebello, one of the many bridges over the Seine, the trees along the bank, and Notre-Dame in the background. Signac's signature pointillist style was inspired by Georges Seurat in 1884, and ➵
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The Golden Horn, Constantinople ☰ Signac ☲ CanvasThe Golden Horn, Constantinople (1907, La Corne d'Or, Constantinople) by Paul Signac depicts the Golden Horn, the inlet that historically separated Constantinople (present day Istanbul) and kept the peninsula strategically safe from invaders. The harbor is filled with boats, and skyline filled ➵
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Eiffel Tower ☰ Seurat ☴ CanvasEiffel Tower (1889) by Georges Seurat is one of about seventy oil studies, or "croquetons" (little sketches), he made on small wood panels. The panels were easily transported and ideal for outdoor painting. Here his subject is the tower built by Gustave ➵
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Circus Sideshow ☲ Seurat ☳ CanvasCircus Sideshow (1888, Parade de cirque) by Georges Seurat is his first nocturnal painting and the first to depict popular entertainment. Traveling circuses made seasonal appearances in Paris, where free sideshows were staged outside the circus tent to sell tickets. This painting ➵
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The Bonaventure Pine ☰ Signac ☷ CanvasOpus 239, The Bonaventure Pine (1893) by Paul Signac depicts an umbrella pine in Saint-Tropez, France. Painted in the pointillist style developed by Signac and Georges Seurat, it is his most famous painting, one of many he painted of the seaside town. ➵
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Portrait of Félix Fénéon ☲ Signac ☴ CanvasOpus 217, Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon (1890) by Paul Signac depicts the French art critic Félix Fénéon standing in front of a swirling, kaleidoscope background. Fénéon and ➵
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Models ☶ Seurat ☳ CanvasModels (1888) by Georges Seurat, also known as The Three Models and Les Poseuses, is notable for recreating an existing painting: the left background is part of his painting A Sunday Afternoon on the Island of La Grande Jatte. This painting was ➵
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Sunday Afternoon ☷ Seurat ☵ CanvasA Sunday Afternoon on the Island of La Grande Jatte (1886) by Georges Seurat is his most famous painting, and a major example of pointillism. The painting depicts Parisians at a park on the banks of the River Seine. Some of the ➵
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