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Boulevard des Capucines (1873) by Claude Monet depicts the view of the famous Paris boulevard as seen from the very rooms that would be used for the first Impressionist exhibition. With very little detail, Monet depicts the Parisian boulevard lined with trees ➵

Boulevard des Capucines (1873) by Claude Monet depicts the view of the famous Paris boulevard as seen from the very rooms that would be used for the first Impressionist exhibition. With very little detail, Monet depicts the Parisian boulevard lined with trees ➵

Dance at Le Moulin de la Galette (1876, Bal du Moulin de la Galette) by Pierre-Auguste Renoir is an everyday scene of real life, and one of his most celebrated masterpieces. It depicts a Sunday afternoon at the Moulin de la Galette ➵

Dance at Le Moulin de la Galette (1876, Bal du Moulin de la Galette) by Pierre-Auguste Renoir is an everyday scene of real life, and one of his most celebrated masterpieces. It depicts a Sunday afternoon at the Moulin de la Galette ➵

Hunter's Supper (1909) by Frederic Remington, also known as Hunters' Camp in the Big Horn, depicts a group of frontiersmen gathered around a campfire at dusk, showing a moment of relaxation surrounded by a harsh frontier. The orange and red glow of ➵

Hunter's Supper (1909) by Frederic Remington, also known as Hunters' Camp in the Big Horn, depicts a group of frontiersmen gathered around a campfire at dusk, showing a moment of relaxation surrounded by a harsh frontier. The orange and red glow of ➵

Impression, Sunrise (1872, Impression, soleil levant) by Claude Monet is credited with inspiring the name of the Impressionist movement. It depicts the industrialization of the port at Monet's hometown of Le Havre. The port is seen at sunrise, with two small rowboats ➵

Impression, Sunrise (1872, Impression, soleil levant) by Claude Monet is credited with inspiring the name of the Impressionist movement. It depicts the industrialization of the port at Monet's hometown of Le Havre. The port is seen at sunrise, with two small rowboats ➵

Landscape, Yellow Tree in the foreground and Sea background in the South (1914, Paysage, arbre jaune au premier plan et fond de mer dans le Midi) by Pierre-Auguste Renoir depicts the countryside surrounding Renoir's newly built home at Les Collettes on the ➵

Landscape, Yellow Tree in the foreground and Sea background in the South (1914, Paysage, arbre jaune au premier plan et fond de mer dans le Midi) by Pierre-Auguste Renoir depicts the countryside surrounding Renoir's newly built home at Les Collettes on the ➵

The Piazza San Marco, Venice (1881) by Pierre-Auguste Renoir depicts Saint Mark's Basilica (Basilica di San Marco) as well as the people and pigeons on the piazza. Renoir visited Venice on a tour of Italy, primarily painting famous sites, exploring the effects ➵

The Piazza San Marco, Venice (1881) by Pierre-Auguste Renoir depicts Saint Mark's Basilica (Basilica di San Marco) as well as the people and pigeons on the piazza. Renoir visited Venice on a tour of Italy, primarily painting famous sites, exploring the effects ➵

Place de la Trinité (1893, Trinity Square) by Pierre-Auguste Renoir depicts the busy streets and cityscape in front of the Église de la Sainte-Trinité (Church of the Holy Trinity), as seen from the rue Morlot, with the church obscured on the left. ➵

Place de la Trinité (1893, Trinity Square) by Pierre-Auguste Renoir depicts the busy streets and cityscape in front of the Église de la Sainte-Trinité (Church of the Holy Trinity), as seen from the rue Morlot, with the church obscured on the left. ➵

Shaded Path (1872, Le chemin ombragé) by Pierre-Auguste Renoir depicts a painter at work in the forest of Fontainebleau. Paths with overhanging trees allowed painters to explore light and shadow by rendering the effects of sunlight through thick foliage. The forest of ➵

Shaded Path (1872, Le chemin ombragé) by Pierre-Auguste Renoir depicts a painter at work in the forest of Fontainebleau. Paths with overhanging trees allowed painters to explore light and shadow by rendering the effects of sunlight through thick foliage. The forest of ➵

Sunset at Douarnenez (1883, Coucher de soleil à Douarnenez) by Pierre-Auguste Renoir depicts the setting sun off the Breton coast in France. Reminiscent of Monet's Impression, Sunrise, Renoir displays a strong impressionistic influence, capturing a scene of the natural world in a ➵

Sunset at Douarnenez (1883, Coucher de soleil à Douarnenez) by Pierre-Auguste Renoir depicts the setting sun off the Breton coast in France. Reminiscent of Monet's Impression, Sunrise, Renoir displays a strong impressionistic influence, capturing a scene of the natural world in a ➵

The Green Wave (1867, La vague verte) by Claude Monet depicts sailboats on the ocean, capturing the movement and energy of the waves in relation to the ships. An ocean of greens and blues dominates the scene, with a high horizon line ➵

The Green Wave (1867, La vague verte) by Claude Monet depicts sailboats on the ocean, capturing the movement and energy of the waves in relation to the ships. An ocean of greens and blues dominates the scene, with a high horizon line ➵

The Old Stage-Coach of the Plains (1901) by Frederic Remington depicts a stagecoach led by a team of six horses, descending a steep slope, while a lookout on top of the coach, rifle in hand, looks back towards some unseen danger. The ➵

The Outlier (1909) by Frederic Remington is one of the last works he completed before his death in 1909. It depicts a Native American man alone in the wilderness on horseback, rifle in hand, with the sun setting behind him. The United ➵

The Outlier (1909) by Frederic Remington is one of the last works he completed before his death in 1909. It depicts a Native American man alone in the wilderness on horseback, rifle in hand, with the sun setting behind him. The United ➵

The Swing (1876, La Balançoire) by Pierre-Auguste Renoir was painted during his time at Montmarte in Paris, created at about the same time as Dance at Le Moulin de la Galette. Another representation of everyday life, a young man seen from behind ➵

The Swing (1876, La Balançoire) by Pierre-Auguste Renoir was painted during his time at Montmarte in Paris, created at about the same time as Dance at Le Moulin de la Galette. Another representation of everyday life, a young man seen from behind ➵

Water Lilies and Japanese Bridge (1899) by Claude Monet depicts the arched Japanese-style bridge in his water garden at Giverny. By the 1890s, he had established some wealth and was able to lavish his money on his own home and garden for ➵

Water Lilies and Japanese Bridge (1899) by Claude Monet depicts the arched Japanese-style bridge in his water garden at Giverny. By the 1890s, he had established some wealth and was able to lavish his money on his own home and garden for ➵

Water Lilies (1899, Nymphéas) by Claude Monet is one of the very first paintings of his beloved water lily pond at his Giverny home. Monet began his garden at Giverny in 1893, transforming the marshy ground behind his home into a pond. ➵

Water Lilies (1899, Nymphéas) by Claude Monet is one of the very first paintings of his beloved water lily pond at his Giverny home. Monet began his garden at Giverny in 1893, transforming the marshy ground behind his home into a pond. ➵

Water Lilies, Gray Weather (1907, Nymphéas, temps gris) by Claude Monet is one of a small series that he painted in a rare vertical format to capture the spectacular effects of late afternoon light upon his beloved waterlily pond. Overall he created ➵

Water Lilies, Gray Weather (1907, Nymphéas, temps gris) by Claude Monet is one of a small series that he painted in a rare vertical format to capture the spectacular effects of late afternoon light upon his beloved waterlily pond. Overall he created ➵

Windmills near Zaandam (1871) by Claude Monet depicts the windmills at Westzijderveld as seen from a boat, an example of the looser, experimental style which he developed during the 1870s. Monet made three visits to the Netherlands, on this occasion he spent ➵

Windmills near Zaandam (1871) by Claude Monet depicts the windmills at Westzijderveld as seen from a boat, an example of the looser, experimental style which he developed during the 1870s. Monet made three visits to the Netherlands, on this occasion he spent ➵

Woman with a Parasol – Madame Monet and Her Son (1875) by Claude Monet, also known as The Stroll (La Promenade), is one of his most recognizable works, and of impressionism as a whole. It depicts his wife Camille and their son ➵

Woman with a Parasol – Madame Monet and Her Son (1875) by Claude Monet, also known as The Stroll (La Promenade), is one of his most recognizable works, and of impressionism as a whole. It depicts his wife Camille and their son ➵