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Circus Sideshow (1888, Parade de cirque) by Georges Seurat is his first nocturnal painting and the first to depict popular entertainment. Traveling circuses made seasonal appearances in Paris, where free sideshows were staged outside the circus tent to sell tickets. This painting ➵

Circus Sideshow (1888, Parade de cirque) by Georges Seurat is his first nocturnal painting and the first to depict popular entertainment. Traveling circuses made seasonal appearances in Paris, where free sideshows were staged outside the circus tent to sell tickets. This painting ➵

Edam Windmill (1896, Moulin d'Edam) by Paul Signac depicts a windmill towering above the flat Dutch countryside. Signac was exploring a looser, more rectangular brushstroke similar to a mosaic, as opposed to the precise dots common in pointillism. Here with dense layers ➵

Edam Windmill (1896, Moulin d'Edam) by Paul Signac depicts a windmill towering above the flat Dutch countryside. Signac was exploring a looser, more rectangular brushstroke similar to a mosaic, as opposed to the precise dots common in pointillism. Here with dense layers ➵

Eiffel Tower (1889) by Georges Seurat is one of about seventy oil studies, or "croquetons" (little sketches), he made on small wood panels. The panels were easily transported and ideal for outdoor painting. Here his subject is the tower built by Gustave ➵

Eiffel Tower (1889) by Georges Seurat is one of about seventy oil studies, or "croquetons" (little sketches), he made on small wood panels. The panels were easily transported and ideal for outdoor painting. Here his subject is the tower built by Gustave ➵

Entrance to the Grand Canal, Venice (1905, Le Grand Canal à Venise) by Paul Signac depicts the waters of the Grand Canal lined with many gondolas, and the Dogana da Mar and Santa Maria della Salute in the background. While Seurat applied ➵

Entrance to the Grand Canal, Venice (1905, Le Grand Canal à Venise) by Paul Signac depicts the waters of the Grand Canal lined with many gondolas, and the Dogana da Mar and Santa Maria della Salute in the background. While Seurat applied ➵

La Cité, Paris (1934) by Paul Signac depicts the Quai de Montebello, one of the many bridges over the Seine, the trees along the bank, and Notre-Dame in the background. Signac's signature pointillist style was inspired by Georges Seurat in 1884, and ➵

La Cité, Paris (1934) by Paul Signac depicts the Quai de Montebello, one of the many bridges over the Seine, the trees along the bank, and Notre-Dame in the background. Signac's signature pointillist style was inspired by Georges Seurat in 1884, and ➵

Models (1888) by Georges Seurat, also known as The Three Models and Les Poseuses, is notable for recreating an existing painting: the left background is part of his painting A Sunday Afternoon on the Island of La Grande Jatte. This painting was ➵

Models (1888) by Georges Seurat, also known as The Three Models and Les Poseuses, is notable for recreating an existing painting: the left background is part of his painting A Sunday Afternoon on the Island of La Grande Jatte. This painting was ➵

Entrance to the port of La Rochelle (1921, Entrée du port de La Rochelle) by Paul Signac depicts boats alongside the port's towers, remnants of medieval maritime fortifications. The interplay of sunlight and shadow brings the scene to life, with reflections on ➵

Entrance to the port of La Rochelle (1921, Entrée du port de La Rochelle) by Paul Signac depicts boats alongside the port's towers, remnants of medieval maritime fortifications. The interplay of sunlight and shadow brings the scene to life, with reflections on ➵

Opus 217, Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon (1890) by Paul Signac depicts the French art critic Félix Fénéon standing in front of a swirling, kaleidoscope background. Fénéon and ➵

Opus 217, Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon (1890) by Paul Signac depicts the French art critic Félix Fénéon standing in front of a swirling, kaleidoscope background. Fénéon and ➵

A Sunday Afternoon on the Island of La Grande Jatte (1886) by Georges Seurat is his most famous painting, and a major example of pointillism. The painting depicts Parisians at a park on the banks of the River Seine. Some of the ➵

A Sunday Afternoon on the Island of La Grande Jatte (1886) by Georges Seurat is his most famous painting, and a major example of pointillism. The painting depicts Parisians at a park on the banks of the River Seine. Some of the ➵

A Sunday Afternoon on the Island of La Grande Jatte (1886) by Georges Seurat is his most famous painting, and a major example of pointillism. The painting depicts Parisians at a park on the banks of the River Seine. Some of the ➵

Opus 239, The Bonaventure Pine (1893) by Paul Signac depicts an umbrella pine in Saint-Tropez, France. Painted in the pointillist style developed by Signac and Georges Seurat, it is his most famous painting, one of many he painted of the seaside town. ➵

Opus 239, The Bonaventure Pine (1893) by Paul Signac depicts an umbrella pine in Saint-Tropez, France. Painted in the pointillist style developed by Signac and Georges Seurat, it is his most famous painting, one of many he painted of the seaside town. ➵

The Circus (1891, Le Cirque) by Georges Seurat is his third major work on the theme of the circus, and his last painting, unfinished at his death in March 1891 at age 31. It depicts a female acrobat performing on a horse ➵

The Circus (1891, Le Cirque) by Georges Seurat is his third major work on the theme of the circus, and his last painting, unfinished at his death in March 1891 at age 31. It depicts a female acrobat performing on a horse ➵

The Golden Horn, Constantinople (1907, La Corne d'Or, Constantinople) by Paul Signac depicts the Golden Horn, the inlet that historically separated Constantinople (present day Istanbul) and kept the peninsula strategically safe from invaders. The harbor is filled with boats, and skyline filled ➵

The Golden Horn, Constantinople (1907, La Corne d'Or, Constantinople) by Paul Signac depicts the Golden Horn, the inlet that historically separated Constantinople (present day Istanbul) and kept the peninsula strategically safe from invaders. The harbor is filled with boats, and skyline filled ➵

The Pine Tree at Saint Tropez (1909, Le pin, Saint-Tropez) by Paul Signac, also know as Bertaud Gassin's Pine (Le Pin de Bertaud Gassin), depicts a pine tree set against the backdrop of a sunny Saint-Tropez landscape. Signac uses bold colors and ➵

The Pine Tree at Saint Tropez (1909, Le pin, Saint-Tropez) by Paul Signac, also know as Bertaud Gassin's Pine (Le Pin de Bertaud Gassin), depicts a pine tree set against the backdrop of a sunny Saint-Tropez landscape. Signac uses bold colors and ➵