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Almond Blossom (1890) by Vincent van Gogh was made to celebrate the birth of his nephew and namesake, son of his brother Theo and sister-in-law Jo. The painting reflects van Gogh's interest in Japanese woodcuts. The closeup composition is unlike any of ➵

Almond Blossom (1890) by Vincent van Gogh was made to celebrate the birth of his nephew and namesake, son of his brother Theo and sister-in-law Jo. The painting reflects van Gogh's interest in Japanese woodcuts. The closeup composition is unlike any of ➵

Almond Blossom (1890) by Vincent van Gogh was made to celebrate the birth of his nephew and namesake, son of his brother Theo and sister-in-law Jo. The painting reflects van Gogh's interest in Japanese woodcuts. The closeup composition is unlike any of ➵

At Eternity's Gate, or Sorrowing Old Man (1890) by Vincent van Gogh depicts an old man with his elbows on his knees, head in his hands, sitting in a chair by a fireplace. Based on an earlier lithograph from 1882, it was ➵

At Eternity's Gate, or Sorrowing Old Man (1890) by Vincent van Gogh depicts an old man with his elbows on his knees, head in his hands, sitting in a chair by a fireplace. Based on an earlier lithograph from 1882, it was ➵

Bathers at Asnières (1884, Une Baignade, Asnières) by Georges Seurat depicts bathers in the Seine at Asnières/ Courbevoie, about four miles from the center of Paris. Opposite is the island of la Grande Jatte, the east tip of which is shown as ➵

Bathers at Asnières (1884, Une Baignade, Asnières) by Georges Seurat depicts bathers in the Seine at Asnières/ Courbevoie, about four miles from the center of Paris. Opposite is the island of la Grande Jatte, the east tip of which is shown as ➵

Café Terrace at Night (1888) by Vincent van Gogh, is also known as The Cafe Terrace on the Place du Forum, and Coffeehouse in the evening (Café, le soir) when it was first exhibited in 1891. It depicts an actual cafe in ➵

Café Terrace at Night (1888) by Vincent van Gogh, is also known as The Cafe Terrace on the Place du Forum, and Coffeehouse in the evening (Café, le soir) when it was first exhibited in 1891. It depicts an actual cafe in ➵

Country Road in Provence by Night (1890) by Vincent van Gogh, also known as Road with Cypress and Star, is the last painting he made in Saint-Rémy-de-Provence. The painting is one of several that feature large cypresses, in this case extending beyond ➵

Country Road in Provence by Night (1890) by Vincent van Gogh, also known as Road with Cypress and Star, is the last painting he made in Saint-Rémy-de-Provence. The painting is one of several that feature large cypresses, in this case extending beyond ➵

Enclosed Field with Plowman (1889) by Vincent van Gogh depicts a plowman tilling a wheat field surrounded by a low stone wall under a cloudy sky, and an old farm house behind a hill. It is one of a series of paintings ➵

Enclosed Field with Plowman (1889) by Vincent van Gogh depicts a plowman tilling a wheat field surrounded by a low stone wall under a cloudy sky, and an old farm house behind a hill. It is one of a series of paintings ➵

In the Waves (1889, Dans les Vagues) by Paul Gauguin was created during his time in a small coastal village called Pont-Aven where he sought to immerse himself in nature and escape modern civilization. It depicts a nude figure throwing herself into ➵

In the Waves (1889, Dans les Vagues) by Paul Gauguin was created during his time in a small coastal village called Pont-Aven where he sought to immerse himself in nature and escape modern civilization. It depicts a nude figure throwing herself into ➵

Irises (1889) by Vincent van Gogh depicts vibrant blooming irises with lush green leaves, red-orange earth, and yellow flowers in the background. He painted several variations of irises during his stay at the Saint-Paul-de-Mausole asylum, working from nature in the hospital garden. ➵

Irises (1889) by Vincent van Gogh depicts vibrant blooming irises with lush green leaves, red-orange earth, and yellow flowers in the background. He painted several variations of irises during his stay at the Saint-Paul-de-Mausole asylum, working from nature in the hospital garden. ➵

A Man Leaning on a Parapet (1881) by Georges Seurat appears as "panel no. 1." in the studio inventory made after his death in 1891 at age 31. As one of his earliest works, the composition reveals his talent for carefully calibrated ➵

A Man Leaning on a Parapet (1881) by Georges Seurat appears as "panel no. 1." in the studio inventory made after his death in 1891 at age 31. As one of his earliest works, the composition reveals his talent for carefully calibrated ➵

Plowman in a Field (1889) by Vincent van Gogh depicts a plowman tilling a wheat field surrounded by a low stone wall, poplar trees, and an old farm house in the distance. It is one of a series of paintings of the ➵

Plowman in a Field (1889) by Vincent van Gogh depicts a plowman tilling a wheat field surrounded by a low stone wall, poplar trees, and an old farm house in the distance. It is one of a series of paintings of the ➵

Portrait of Dr. Gachet (1890) by Vincent van Gogh depicts Dr. Paul Gachet, a homeopathic doctor with whom he resided following his time in the asylum at Saint-Rémy-de-Provence. Gachet took care of him during the final months of his life. Van Gogh ➵

Portrait of Dr. Gachet (1890) by Vincent van Gogh depicts Dr. Paul Gachet, a homeopathic doctor with whom he resided following his time in the asylum at Saint-Rémy-de-Provence. Gachet took care of him during the final months of his life. Van Gogh ➵

Self-Portrait (1889) by Vincent van Gogh is possibly his last self-portrait, painted shortly before he left Saint-Rémy-de-Provence in southern France. One of about 32 produced over a 10 year period, these portraits were an important part of his work as a painter ➵

Self-Portrait (1889) by Vincent van Gogh is possibly his last self-portrait, painted shortly before he left Saint-Rémy-de-Provence in southern France. One of about 32 produced over a 10 year period, these portraits were an important part of his work as a painter ➵

Self-Portrait (1887) by Vincent van Gogh is one of about 32 produced over a 10 year period, an important part of his work as he often lacked the money to pay models. He painted his first known self-portrait in 1886, following the ➵

Self-Portrait (1887) by Vincent van Gogh is one of about 32 produced over a 10 year period, an important part of his work as he often lacked the money to pay models. He painted his first known self-portrait in 1886, following the ➵

Self-Portrait with Bandaged Ear (1889) by Vincent van Gogh is a self-portrait in a blue cap with black fur, a green overcoat, with a bandage covering his ear. The portrait makes it appear his right ear is bandaged, as he used a ➵

Self-Portrait with Bandaged Ear (1889) by Vincent van Gogh is a self-portrait in a blue cap with black fur, a green overcoat, with a bandage covering his ear. The portrait makes it appear his right ear is bandaged, as he used a ➵

Self-Portrait with Halo and Snake (1889) by Paul Gauguin is one of more than 40 self-portraits he completed during his lifetime. This portrait demonstrates his use of religious symbolism, and the influence of Japanese wood-block prints. Gauguin divides the canvas in half, ➵

Self-Portrait with Halo and Snake (1889) by Paul Gauguin is one of more than 40 self-portraits he completed during his lifetime. This portrait demonstrates his use of religious symbolism, and the influence of Japanese wood-block prints. Gauguin divides the canvas in half, ➵

Skull of a Skeleton with Burning Cigarette (1886) by Vincent van Gogh is self descriptive. He depicted skeletons and skulls only a few times in his career. It is considered a memento mori, a reminder of death, at a time when he ➵

Skull of a Skeleton with Burning Cigarette (1886) by Vincent van Gogh is self descriptive. He depicted skeletons and skulls only a few times in his career. It is considered a memento mori, a reminder of death, at a time when he ➵

Skull of a Skeleton with Burning Cigarette (1886) by Vincent van Gogh is self descriptive. He depicted skeletons and skulls only a few times in his career. It is considered a memento mori, a reminder of death, at a time when he ➵

Starry Night Over the Rhône (1888) by Vincent van Gogh was painted on the bank of the river a short walk from the Yellow House. Intrigued by the challenge of painting at night, the night sky and lighting effects became the subject ➵

Starry Night Over the Rhône (1888) by Vincent van Gogh was painted on the bank of the river a short walk from the Yellow House. Intrigued by the challenge of painting at night, the night sky and lighting effects became the subject ➵

The Starry Night (1889) by Vincent van Gogh is one of the most recognizable paintings in Western art. It depicts the view from his asylum room at Saint-Rémy-de-Provence. Van Gogh voluntarily admitted himself to the asylum after the breakdown that resulted in ➵

The Starry Night (1889) by Vincent van Gogh is one of the most recognizable paintings in Western art. It depicts the view from his asylum room at Saint-Rémy-de-Provence. Van Gogh voluntarily admitted himself to the asylum after the breakdown that resulted in ➵

The Starry Night (1889) by Vincent van Gogh is one of the most recognizable paintings in Western art. It depicts the view from his asylum room at Saint-Rémy-de-Provence. Van Gogh voluntarily admitted himself to the asylum after the breakdown that resulted in ➵

Sunflowers (1889) by Vincent van Gogh is one of a series, which are among his most famous works. He painted a total of five large canvases with sunflowers in a vase, and several repetitions of the same, depicting sunflowers in all stages ➵

Sunflowers (1889) by Vincent van Gogh is one of a series, which are among his most famous works. He painted a total of five large canvases with sunflowers in a vase, and several repetitions of the same, depicting sunflowers in all stages ➵

The Church at Auvers (1890) by Vincent van Gogh depicts the Église Notre-Dame-de-l'Assomption (Church of Our Lady of the Assumption) in Auvers, 17 miles northwest of Paris. The foreground is a brightly lit intersection of two paths, while the church sits in ➵

The Church at Auvers (1890) by Vincent van Gogh depicts the Église Notre-Dame-de-l'Assomption (Church of Our Lady of the Assumption) in Auvers, 17 miles northwest of Paris. The foreground is a brightly lit intersection of two paths, while the church sits in ➵

The Large Tree (1891, Le Grand Arbre) by Paul Gauguin depicts a tropical scene of four women in the shade of a large tree while a fifth woman rests in the doorway of a thatched-roof hut in the background. The words "Te ➵

The Large Tree (1891, Le Grand Arbre) by Paul Gauguin depicts a tropical scene of four women in the shade of a large tree while a fifth woman rests in the doorway of a thatched-roof hut in the background. The words "Te ➵