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A Dash for the Timber (1889) by Frederic Remington depicts eight men on horseback pursued by a group of Native Americans. Having not yet reached the trees, with one man struck by a bullet, it is not clear who will emerge victorious. ➵

A Dash for the Timber (1889) by Frederic Remington depicts eight men on horseback pursued by a group of Native Americans. Having not yet reached the trees, with one man struck by a bullet, it is not clear who will emerge victorious. ➵

A Mexican Vaquero (1890) by Frederic Remington depicts a vaquero, a Mexican horseman similar to the American cowboys, sitting on his horse, outlined by the pale blue sky. A trip to Mexico in 1889 provided Remington with a wealth of firsthand material ➵

A Mexican Vaquero (1890) by Frederic Remington depicts a vaquero, a Mexican horseman similar to the American cowboys, sitting on his horse, outlined by the pale blue sky. A trip to Mexico in 1889 provided Remington with a wealth of firsthand material ➵

American Gothic (1930) by Grant Wood is one of the most famous American paintings of the 20th century. Wood was inspired to paint the house in Eldon, Iowa, along with "the kind of people I fancied should live in that house." The ➵

American Gothic (1930) by Grant Wood is one of the most famous American paintings of the 20th century. Wood was inspired to paint the house in Eldon, Iowa, along with "the kind of people I fancied should live in that house." The ➵

An Indian Trapper (1889) by Frederic Remington depicts a Native American man on horseback, holding a rifle, looking back down the mountain trail he is traveling. Farther up the trail are two others on horseback, transporting animal carcasses from a successful hunt. ➵

An Indian Trapper (1889) by Frederic Remington depicts a Native American man on horseback, holding a rifle, looking back down the mountain trail he is traveling. Farther up the trail are two others on horseback, transporting animal carcasses from a successful hunt. ➵

Nocturne: Blue and Silver, Chelsea (1871) by James McNeill Whistler is a view from Battersea Bridge looking across the Thames towards Chelsea. The tower of Chelsea Old Church is visible on the right, and a fisherman stands in the foreground. This is ➵

Nocturne: Blue and Silver, Chelsea (1871) by James McNeill Whistler is a view from Battersea Bridge looking across the Thames towards Chelsea. The tower of Chelsea Old Church is visible on the right, and a fisherman stands in the foreground. This is ➵

Cape Cod Evening (1939) by Edward Hopper depicts a woman and man in front of a Victorian house, surrounded by trees and long grass. The man is unsuccessfully attempting to summon a collie standing in the yard, alerted by something out of sight. ➵

Cape Cod Evening (1939) by Edward Hopper depicts a woman and man in front of a Victorian house, surrounded by trees and long grass. The man is unsuccessfully attempting to summon a collie standing in the yard, alerted by something out of ➵

Chop Suey (1929) by Edward Hopper pays particular attention to the effects of light in the scene, and similar to Nighthawks, there is an element of loneliness as each figure seems isolated and withdrawn from the others. It depicts two women seated ➵

Chop Suey (1929) by Edward Hopper pays particular attention to the effects of light in the scene, and similar to Nighthawks, there is an element of loneliness as each figure seems isolated and withdrawn from the others. It depicts two women seated ➵

Gas (1940) by Edward Hopper depicts a Mobil gas station, and an attendant working alone at the pumps as night falls. The modern details of the fuel pump, sign and electric lighting contrast with the twilight sky and dense pine forest in ➵

Gas (1940) by Edward Hopper depicts a Mobil gas station, and an attendant working alone at the pumps as night falls. The modern details of the fuel pump, sign and electric lighting contrast with the twilight sky and dense pine forest in ➵

House by the Railroad (1925) by Edward Hopper depicts a Victorian mansion isolated in an empty landscape, blocked off by railroad tracks in the foreground. He insisted that his paintings were straightforward representations of the real world, but as seen here, they ➵

House by the Railroad (1925) by Edward Hopper depicts a Victorian mansion isolated in an empty landscape, blocked off by railroad tracks in the foreground. He insisted that his paintings were straightforward representations of the real world, but as seen here, they ➵

Hunter's Supper (1909) by Frederic Remington, also known as Hunters' Camp in the Big Horn, depicts a group of frontiersmen gathered around a campfire at dusk, showing a moment of relaxation surrounded by a harsh frontier. The orange and red glow of ➵

Hunter's Supper (1909) by Frederic Remington, also known as Hunters' Camp in the Big Horn, depicts a group of frontiersmen gathered around a campfire at dusk, showing a moment of relaxation surrounded by a harsh frontier. The orange and red glow of ➵

New York Movie (1939) by Edward Hopper depicts a nearly empty movie theater with only a few moviegoers, and an usher lost in her thoughts, continuing a common theme of separation and loneliness in public places. It is one of his most ➵

New York Movie (1939) by Edward Hopper depicts a nearly empty movie theater with only a few moviegoers, and an usher lost in her thoughts, continuing a common theme of separation and loneliness in public places. It is one of his most ➵

Nighthawks (1942) by Edward Hopper is his most recognizable painting and one of the most famous in American art. Various artists have produced works that allude, parody or pay homage to it in literature, film, television, music and other paintings. It depicts ➵

Nighthawks (1942) by Edward Hopper is his most recognizable painting and one of the most famous in American art. Various artists have produced works that allude, parody or pay homage to it in literature, film, television, music and other paintings. It depicts ➵

Rose and Silver: The Princess from the Land of Porcelain (1864) by James McNeill Whistler depicts a European woman wearing a kimono in a Western manner, holding a fan, standing amidst numerous Asian art objects, including a rug, Japanese folding screen and ➵

Rose and Silver: The Princess from the Land of Porcelain (1864) by James McNeill Whistler depicts a European woman wearing a kimono in a Western manner, holding a fan, standing amidst numerous Asian art objects, including a rug, Japanese folding screen and ➵

Arrangement in Gray, Portrait of the Painter (1872) by James McNeill Whistler depicts the artist in his painters smock holding brushes. His signature butterfly is prominently featured, first developed in the 1860s out of his interest in Asian art. The stylized butterfly ➵

Arrangement in Gray, Portrait of the Painter (1872) by James McNeill Whistler depicts the artist in his painters smock holding brushes. His signature butterfly is prominently featured, first developed in the 1860s out of his interest in Asian art. The stylized butterfly ➵

Soir Bleu (1914) by Edward Hopper was painted in Paris, and titled in French (Blue Evening). It depicts an assortment of people gathered on a terrace, sitting around small tables with Chinese lanterns overhead. On the far left, a man smokes a ➵

Soir Bleu (1914) by Edward Hopper was painted in Paris, and titled in French (Blue Evening). It depicts an assortment of people gathered on a terrace, sitting around small tables with Chinese lanterns overhead. On the far left, a man smokes a ➵

Symphony in White No. 1 (1862) by James McNeill Whistler, was originally called The White Girl. Whistler later called it Symphony in White, No. 1 to emphasize his "art for art's sake" philosophy. The painting was created as a simple study in ➵

Symphony in White No. 1 (1862) by James McNeill Whistler, was originally called The White Girl. Whistler later called it Symphony in White, No. 1 to emphasize his "art for art's sake" philosophy. The painting was created as a simple study in ➵

The Blanket Signal (1896) by Frederic Remington depicts an Indian scout on horseback, holding a rifle and using a large, colorful blanket, to signal fellow tribesmen. The attention to detail in clothing and artifacts, and the dramatic composition against the land and ➵

The Blanket Signal (1896) by Frederic Remington depicts an Indian scout on horseback, holding a rifle and using a large, colorful blanket, to signal fellow tribesmen. The attention to detail in clothing and artifacts, and the dramatic composition against the land and ➵

The Buffalo Signal (1900) by Frederic Remington, also known as If Skulls Could Speak, depicts an Indian buffalo scout on horseback signaling his tribesmen. The horse rears in alarm as he has been pulled to an abrupt halt to wave the buffalo ➵

The Buffalo Signal (1900) by Frederic Remington, also known as If Skulls Could Speak, depicts an Indian buffalo scout on horseback signaling his tribesmen. The horse rears in alarm as he has been pulled to an abrupt halt to wave the buffalo ➵

The Cowboy (1902) by Frederic Remington depicts cowboy riding a horse down a steep, rocky incline. A solitary, heroic figure, symbol of the American West, the cowboy is attired in a wide-brimmed hat, chaps, and boots. Remington's fluid brushwork and focus on ➵

The Cowboy (1902) by Frederic Remington depicts cowboy riding a horse down a steep, rocky incline. A solitary, heroic figure, symbol of the American West, the cowboy is attired in a wide-brimmed hat, chaps, and boots. Remington's fluid brushwork and focus on ➵

The Fall of the Cowboy (1895) by Frederic Remington depicts two cowboys at the gate of a barbed wire fence, a ranching technology that beginning in the 1870s signaled the end of cowboy life. It divides the painting in half, symbolically fencing ➵

The Fall of the Cowboy (1895) by Frederic Remington depicts two cowboys at the gate of a barbed wire fence, a ranching technology that beginning in the 1870s signaled the end of cowboy life. It divides the painting in half, symbolically fencing ➵

Nocturne in Black and Gold: The Falling Rocket (1877) by James McNeill Whistler depicts a fireworks display in the foggy night sky, inspired by Cremorne Gardens, a celebrated resort in Chelsea, London. John Ruskin, a leading art critic of the Victorian era, ➵

Nocturne in Black and Gold: The Falling Rocket (1877) by James McNeill Whistler depicts a fireworks display in the foggy night sky, inspired by Cremorne Gardens, a celebrated resort in Chelsea, London. John Ruskin, a leading art critic of the Victorian era, ➵

The Old Stage-Coach of the Plains (1901) by Frederic Remington depicts a stagecoach led by a team of six horses, descending a steep slope, while a lookout on top of the coach, rifle in hand, looks back towards some unseen danger. The ➵

The Old Stage-Coach of the Plains (1901) by Frederic Remington depicts a stagecoach led by a team of six horses, descending a steep slope, while a lookout on top of the coach, rifle in hand, looks back towards some unseen danger. The ➵

The Outlier (1909) by Frederic Remington is one of the last works he completed before his death in 1909. It depicts a Native American man alone in the wilderness on horseback, rifle in hand, with the sun setting behind him. The United ➵