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The Adoration of the Magi (1475) by Hieronymus Bosch is an unusual depiction of a popular religious theme, the three magi bearing gifts of gold, frankincense, and myrrh to the Virgin Mary and Christ Child (Matthew 2:11). It is staged in the ➵

The Adoration of the Magi (1475) by Hieronymus Bosch is an unusual depiction of a popular religious theme, the three magi bearing gifts of gold, frankincense, and myrrh to the Virgin Mary and Christ Child (Matthew 2:11). It is staged in the ➵

The Ghent Altarpiece (1432, De aanbidding van het Lam Gods) by brothers Jan and Hubert van Eyck, also known as the Adoration of the Mystic Lamb, is a large and complex polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. The altarpiece is ➵

The Ghent Altarpiece (1432, De aanbidding van het Lam Gods) by brothers Jan and Hubert van Eyck, also known as the Adoration of the Mystic Lamb, is a large and complex polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. The altarpiece is ➵

Almond Blossom (1890) by Vincent van Gogh was made to celebrate the birth of his nephew and namesake, son of his brother Theo and sister-in-law Jo. The painting reflects van Gogh's interest in Japanese woodcuts. The closeup composition is unlike any of ➵

Almond Blossom (1890) by Vincent van Gogh was made to celebrate the birth of his nephew and namesake, son of his brother Theo and sister-in-law Jo. The painting reflects van Gogh's interest in Japanese woodcuts. The closeup composition is unlike any of ➵

Almond Blossom (1890) by Vincent van Gogh was made to celebrate the birth of his nephew and namesake, son of his brother Theo and sister-in-law Jo. The painting reflects van Gogh's interest in Japanese woodcuts. The closeup composition is unlike any of ➵

Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵

Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵

At Eternity's Gate, or Sorrowing Old Man (1890) by Vincent van Gogh depicts an old man with his elbows on his knees, head in his hands, sitting in a chair by a fireplace. Based on an earlier lithograph from 1882, it was ➵

At Eternity's Gate, or Sorrowing Old Man (1890) by Vincent van Gogh depicts an old man with his elbows on his knees, head in his hands, sitting in a chair by a fireplace. Based on an earlier lithograph from 1882, it was ➵

Café Terrace at Night (1888) by Vincent van Gogh, is also known as The Cafe Terrace on the Place du Forum, and Coffeehouse in the evening (Café, le soir) when it was first exhibited in 1891. It depicts an actual cafe in ➵

Café Terrace at Night (1888) by Vincent van Gogh, is also known as The Cafe Terrace on the Place du Forum, and Coffeehouse in the evening (Café, le soir) when it was first exhibited in 1891. It depicts an actual cafe in ➵

Country Road in Provence by Night (1890) by Vincent van Gogh, also known as Road with Cypress and Star, is the last painting he made in Saint-Rémy-de-Provence. The painting is one of several that feature large cypresses, in this case extending beyond ➵

Country Road in Provence by Night (1890) by Vincent van Gogh, also known as Road with Cypress and Star, is the last painting he made in Saint-Rémy-de-Provence. The painting is one of several that feature large cypresses, in this case extending beyond ➵

Enclosed Field with Plowman (1889) by Vincent van Gogh depicts a plowman tilling a wheat field surrounded by a low stone wall under a cloudy sky, and an old farm house behind a hill. It is one of a series of paintings ➵

Enclosed Field with Plowman (1889) by Vincent van Gogh depicts a plowman tilling a wheat field surrounded by a low stone wall under a cloudy sky, and an old farm house behind a hill. It is one of a series of paintings ➵

Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵

Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵

The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵

The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵

The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵

The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵

Girl with a Pearl Earring (1665) by Johannes Vermeer, also know as Girl with a Turban, was widely exhibited throughout the 20th century, making it one of the world's most recognizable paintings. Technically not a portrait, it is a "tronie" - not ➵

Girl with a Pearl Earring (1665) by Johannes Vermeer, also know as Girl with a Turban, was widely exhibited throughout the 20th century, making it one of the world's most recognizable paintings. Technically not a portrait, it is a "tronie" - not ➵

Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵

Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵

Irises (1889) by Vincent van Gogh depicts vibrant blooming irises with lush green leaves, red-orange earth, and yellow flowers in the background. He painted several variations of irises during his stay at the Saint-Paul-de-Mausole asylum, working from nature in the hospital garden. ➵

Irises (1889) by Vincent van Gogh depicts vibrant blooming irises with lush green leaves, red-orange earth, and yellow flowers in the background. He painted several variations of irises during his stay at the Saint-Paul-de-Mausole asylum, working from nature in the hospital garden. ➵

The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵

The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵

Portrait of a Man in a Red Turban (1433) by Jan van Eyck is possibly a self portrait, indicated by aspects like van Eyck's larger than usual motto on the original frame, and the subject's unusually direct and confrontational gaze. Art historians ➵

Portrait of a Man in a Red Turban (1433) by Jan van Eyck is possibly a self portrait, indicated by aspects like van Eyck's larger than usual motto on the original frame, and the subject's unusually direct and confrontational gaze. Art historians ➵

Portrait of a Man with a Blue Chaperon (1430) by Jan van Eyck depicts a man in a blue headdress presenting a ring. Artists did not title their works in the Northern Renaissance period, so his name and true profession have been ➵

Portrait of a Man with a Blue Chaperon (1430) by Jan van Eyck depicts a man in a blue headdress presenting a ring. Artists did not title their works in the Northern Renaissance period, so his name and true profession have been ➵

Bust of an Old Man with Turban (1628) by Rembrandt van Rijn depicts an unnamed man in a decorative turban, making it a "tronie" or character study not intended to depict a specific person. Pictures of imaginary Persian or Ottoman princes were ➵

Bust of an Old Man with Turban (1628) by Rembrandt van Rijn depicts an unnamed man in a decorative turban, making it a "tronie" or character study not intended to depict a specific person. Pictures of imaginary Persian or Ottoman princes were ➵

Plowman in a Field (1889) by Vincent van Gogh depicts a plowman tilling a wheat field surrounded by a low stone wall, poplar trees, and an old farm house in the distance. It is one of a series of paintings of the ➵

Plowman in a Field (1889) by Vincent van Gogh depicts a plowman tilling a wheat field surrounded by a low stone wall, poplar trees, and an old farm house in the distance. It is one of a series of paintings of the ➵

Portrait of Dr. Gachet (1890) by Vincent van Gogh depicts Dr. Paul Gachet, a homeopathic doctor with whom he resided following his time in the asylum at Saint-Rémy-de-Provence. Gachet took care of him during the final months of his life. Van Gogh ➵

Portrait of Dr. Gachet (1890) by Vincent van Gogh depicts Dr. Paul Gachet, a homeopathic doctor with whom he resided following his time in the asylum at Saint-Rémy-de-Provence. Gachet took care of him during the final months of his life. Van Gogh ➵

Self-Portrait (1889) by Vincent van Gogh is possibly his last self-portrait, painted shortly before he left Saint-Rémy-de-Provence in southern France. One of about 32 produced over a 10 year period, these portraits were an important part of his work as a painter ➵

Self-Portrait (1889) by Vincent van Gogh is possibly his last self-portrait, painted shortly before he left Saint-Rémy-de-Provence in southern France. One of about 32 produced over a 10 year period, these portraits were an important part of his work as a painter ➵

Self-Portrait (1887) by Vincent van Gogh is one of about 32 produced over a 10 year period, an important part of his work as he often lacked the money to pay models. He painted his first known self-portrait in 1886, following the ➵

Self-Portrait (1887) by Vincent van Gogh is one of about 32 produced over a 10 year period, an important part of his work as he often lacked the money to pay models. He painted his first known self-portrait in 1886, following the ➵