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Bathers at Asnières (1884, Une Baignade, Asnières) by Georges Seurat depicts bathers in the Seine at Asnières/ Courbevoie, about four miles from the center of Paris. Opposite is the island of la Grande Jatte, the east tip of which is shown as ➵

Bathers at Asnières (1884, Une Baignade, Asnières) by Georges Seurat depicts bathers in the Seine at Asnières/ Courbevoie, about four miles from the center of Paris. Opposite is the island of la Grande Jatte, the east tip of which is shown as ➵

Boulevard des Capucines (1873) by Claude Monet depicts the view of the famous Paris boulevard as seen from the very rooms that would be used for the first Impressionist exhibition. With very little detail, Monet depicts the Parisian boulevard lined with trees ➵

Boulevard des Capucines (1873) by Claude Monet depicts the view of the famous Paris boulevard as seen from the very rooms that would be used for the first Impressionist exhibition. With very little detail, Monet depicts the Parisian boulevard lined with trees ➵

Circus Sideshow (1888, Parade de cirque) by Georges Seurat is his first nocturnal painting and the first to depict popular entertainment. Traveling circuses made seasonal appearances in Paris, where free sideshows were staged outside the circus tent to sell tickets. This painting ➵

Circus Sideshow (1888, Parade de cirque) by Georges Seurat is his first nocturnal painting and the first to depict popular entertainment. Traveling circuses made seasonal appearances in Paris, where free sideshows were staged outside the circus tent to sell tickets. This painting ➵

Dance at Le Moulin de la Galette (1876, Bal du Moulin de la Galette) by Pierre-Auguste Renoir is an everyday scene of real life, and one of his most celebrated masterpieces. It depicts a Sunday afternoon at the Moulin de la Galette ➵

Dance at Le Moulin de la Galette (1876, Bal du Moulin de la Galette) by Pierre-Auguste Renoir is an everyday scene of real life, and one of his most celebrated masterpieces. It depicts a Sunday afternoon at the Moulin de la Galette ➵

Edam Windmill (1896, Moulin d'Edam) by Paul Signac depicts a windmill towering above the flat Dutch countryside. Signac was exploring a looser, more rectangular brushstroke similar to a mosaic, as opposed to the precise dots common in pointillism. Here with dense layers ➵

Edam Windmill (1896, Moulin d'Edam) by Paul Signac depicts a windmill towering above the flat Dutch countryside. Signac was exploring a looser, more rectangular brushstroke similar to a mosaic, as opposed to the precise dots common in pointillism. Here with dense layers ➵

Eiffel Tower (1889) by Georges Seurat is one of about seventy oil studies, or "croquetons" (little sketches), he made on small wood panels. The panels were easily transported and ideal for outdoor painting. Here his subject is the tower built by Gustave ➵

Eiffel Tower (1889) by Georges Seurat is one of about seventy oil studies, or "croquetons" (little sketches), he made on small wood panels. The panels were easily transported and ideal for outdoor painting. Here his subject is the tower built by Gustave ➵

Entrance to the Grand Canal, Venice (1905, Le Grand Canal à Venise) by Paul Signac depicts the waters of the Grand Canal lined with many gondolas, and the Dogana da Mar and Santa Maria della Salute in the background. While Seurat applied ➵

Entrance to the Grand Canal, Venice (1905, Le Grand Canal à Venise) by Paul Signac depicts the waters of the Grand Canal lined with many gondolas, and the Dogana da Mar and Santa Maria della Salute in the background. While Seurat applied ➵

Impression, Sunrise (1872, Impression, soleil levant) by Claude Monet is credited with inspiring the name of the Impressionist movement. It depicts the industrialization of the port at Monet's hometown of Le Havre. The port is seen at sunrise, with two small rowboats ➵

Impression, Sunrise (1872, Impression, soleil levant) by Claude Monet is credited with inspiring the name of the Impressionist movement. It depicts the industrialization of the port at Monet's hometown of Le Havre. The port is seen at sunrise, with two small rowboats ➵

In the Waves (1889, Dans les Vagues) by Paul Gauguin was created during his time in a small coastal village called Pont-Aven where he sought to immerse himself in nature and escape modern civilization. It depicts a nude figure throwing herself into ➵

In the Waves (1889, Dans les Vagues) by Paul Gauguin was created during his time in a small coastal village called Pont-Aven where he sought to immerse himself in nature and escape modern civilization. It depicts a nude figure throwing herself into ➵

Interior with a Violin Case (1919) by Henri Matisse depicts a room with a large window, white curtains, heavily decorated walls and patterned floor, a dressing table with mirror, a chair and footstool, and an open violin case - with no violin. ➵

Interior with a Violin Case (1919) by Henri Matisse depicts a room with a large window, white curtains, heavily decorated walls and patterned floor, a dressing table with mirror, a chair and footstool, and an open violin case - with no violin. ➵

La Cité, Paris (1934) by Paul Signac depicts the Quai de Montebello, one of the many bridges over the Seine, the trees along the bank, and Notre-Dame in the background. Signac's signature pointillist style was inspired by Georges Seurat in 1884, and ➵

La Cité, Paris (1934) by Paul Signac depicts the Quai de Montebello, one of the many bridges over the Seine, the trees along the bank, and Notre-Dame in the background. Signac's signature pointillist style was inspired by Georges Seurat in 1884, and ➵

Landscape, Yellow Tree in the foreground and Sea background in the South (1914, Paysage, arbre jaune au premier plan et fond de mer dans le Midi) by Pierre-Auguste Renoir depicts the countryside surrounding Renoir's newly built home at Les Collettes on the ➵

Landscape, Yellow Tree in the foreground and Sea background in the South (1914, Paysage, arbre jaune au premier plan et fond de mer dans le Midi) by Pierre-Auguste Renoir depicts the countryside surrounding Renoir's newly built home at Les Collettes on the ➵

A Man Leaning on a Parapet (1881) by Georges Seurat appears as "panel no. 1." in the studio inventory made after his death in 1891 at age 31. As one of his earliest works, the composition reveals his talent for carefully calibrated ➵

A Man Leaning on a Parapet (1881) by Georges Seurat appears as "panel no. 1." in the studio inventory made after his death in 1891 at age 31. As one of his earliest works, the composition reveals his talent for carefully calibrated ➵

Models (1888) by Georges Seurat, also known as The Three Models and Les Poseuses, is notable for recreating an existing painting: the left background is part of his painting A Sunday Afternoon on the Island of La Grande Jatte. This painting was ➵

Models (1888) by Georges Seurat, also known as The Three Models and Les Poseuses, is notable for recreating an existing painting: the left background is part of his painting A Sunday Afternoon on the Island of La Grande Jatte. This painting was ➵

Odalisque with a Tambourine (1926) by Henri Matisse depicts a nude female figure reclining in a chair in front of an open window. An odalisque is a female slave or concubine in a harem. Here she is surrounded by vibrant colors, the ➵

Odalisque with a Tambourine (1926) by Henri Matisse depicts a nude female figure reclining in a chair in front of an open window. An odalisque is a female slave or concubine in a harem. Here she is surrounded by vibrant colors, the ➵

Open Window, Collioure (1905) by Henri Matisse is a prime example of Fauvism, a style of art that he was instrumental in developing, noted for bold and bright colors used to express emotion over realism. Matisse loved painting open windows, here depicting ➵

Open Window, Collioure (1905) by Henri Matisse is a prime example of Fauvism, a style of art that he was instrumental in developing, noted for bold and bright colors used to express emotion over realism. Matisse loved painting open windows, here depicting ➵

The Piazza San Marco, Venice (1881) by Pierre-Auguste Renoir depicts Saint Mark's Basilica (Basilica di San Marco) as well as the people and pigeons on the piazza. Renoir visited Venice on a tour of Italy, primarily painting famous sites, exploring the effects ➵

The Piazza San Marco, Venice (1881) by Pierre-Auguste Renoir depicts Saint Mark's Basilica (Basilica di San Marco) as well as the people and pigeons on the piazza. Renoir visited Venice on a tour of Italy, primarily painting famous sites, exploring the effects ➵

Place de la Trinité (1893, Trinity Square) by Pierre-Auguste Renoir depicts the busy streets and cityscape in front of the Église de la Sainte-Trinité (Church of the Holy Trinity), as seen from the rue Morlot, with the church obscured on the left. ➵

Place de la Trinité (1893, Trinity Square) by Pierre-Auguste Renoir depicts the busy streets and cityscape in front of the Église de la Sainte-Trinité (Church of the Holy Trinity), as seen from the rue Morlot, with the church obscured on the left. ➵

Entrance to the port of La Rochelle (1921, Entrée du port de La Rochelle) by Paul Signac depicts boats alongside the port's towers, remnants of medieval maritime fortifications. The interplay of sunlight and shadow brings the scene to life, with reflections on ➵

Entrance to the port of La Rochelle (1921, Entrée du port de La Rochelle) by Paul Signac depicts boats alongside the port's towers, remnants of medieval maritime fortifications. The interplay of sunlight and shadow brings the scene to life, with reflections on ➵

Opus 217, Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon (1890) by Paul Signac depicts the French art critic Félix Fénéon standing in front of a swirling, kaleidoscope background. Fénéon and ➵

Opus 217, Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon (1890) by Paul Signac depicts the French art critic Félix Fénéon standing in front of a swirling, kaleidoscope background. Fénéon and ➵

Self-Portrait with Halo and Snake (1889) by Paul Gauguin is one of more than 40 self-portraits he completed during his lifetime. This portrait demonstrates his use of religious symbolism, and the influence of Japanese wood-block prints. Gauguin divides the canvas in half, ➵

Self-Portrait with Halo and Snake (1889) by Paul Gauguin is one of more than 40 self-portraits he completed during his lifetime. This portrait demonstrates his use of religious symbolism, and the influence of Japanese wood-block prints. Gauguin divides the canvas in half, ➵

Shaded Path (1872, Le chemin ombragé) by Pierre-Auguste Renoir depicts a painter at work in the forest of Fontainebleau. Paths with overhanging trees allowed painters to explore light and shadow by rendering the effects of sunlight through thick foliage. The forest of ➵

Shaded Path (1872, Le chemin ombragé) by Pierre-Auguste Renoir depicts a painter at work in the forest of Fontainebleau. Paths with overhanging trees allowed painters to explore light and shadow by rendering the effects of sunlight through thick foliage. The forest of ➵

A Sunday Afternoon on the Island of La Grande Jatte (1886) by Georges Seurat is his most famous painting, and a major example of pointillism. The painting depicts Parisians at a park on the banks of the River Seine. Some of the ➵