Collection: Products

A Sunday Afternoon on the Island of La Grande Jatte (1886) by Georges Seurat is his most famous painting, and a major example of pointillism. The painting depicts Parisians at a park on the banks of the River Seine. Some of the ➵

A Sunday Afternoon on the Island of La Grande Jatte (1886) by Georges Seurat is his most famous painting, and a major example of pointillism. The painting depicts Parisians at a park on the banks of the River Seine. Some of the ➵

Sunset at Douarnenez (1883, Coucher de soleil à Douarnenez) by Pierre-Auguste Renoir depicts the setting sun off the Breton coast in France. Reminiscent of Monet's Impression, Sunrise, Renoir displays a strong impressionistic influence, capturing a scene of the natural world in a ➵

Sunset at Douarnenez (1883, Coucher de soleil à Douarnenez) by Pierre-Auguste Renoir depicts the setting sun off the Breton coast in France. Reminiscent of Monet's Impression, Sunrise, Renoir displays a strong impressionistic influence, capturing a scene of the natural world in a ➵

Opus 239, The Bonaventure Pine (1893) by Paul Signac depicts an umbrella pine in Saint-Tropez, France. Painted in the pointillist style developed by Signac and Georges Seurat, it is his most famous painting, one of many he painted of the seaside town. ➵

Opus 239, The Bonaventure Pine (1893) by Paul Signac depicts an umbrella pine in Saint-Tropez, France. Painted in the pointillist style developed by Signac and Georges Seurat, it is his most famous painting, one of many he painted of the seaside town. ➵

The Circus (1891, Le Cirque) by Georges Seurat is his third major work on the theme of the circus, and his last painting, unfinished at his death in March 1891 at age 31. It depicts a female acrobat performing on a horse ➵

The Circus (1891, Le Cirque) by Georges Seurat is his third major work on the theme of the circus, and his last painting, unfinished at his death in March 1891 at age 31. It depicts a female acrobat performing on a horse ➵

The Golden Horn, Constantinople (1907, La Corne d'Or, Constantinople) by Paul Signac depicts the Golden Horn, the inlet that historically separated Constantinople (present day Istanbul) and kept the peninsula strategically safe from invaders. The harbor is filled with boats, and skyline filled ➵

The Golden Horn, Constantinople (1907, La Corne d'Or, Constantinople) by Paul Signac depicts the Golden Horn, the inlet that historically separated Constantinople (present day Istanbul) and kept the peninsula strategically safe from invaders. The harbor is filled with boats, and skyline filled ➵

The Goldfish (1912) by Henri Matisse is part of a series that he produced between the spring and early summer of 1912. Goldfish became a recurring subject after his visit to Tangier, Morocco, where he noted how locals would day-dream while gazing ➵

The Goldfish (1912) by Henri Matisse is part of a series that he produced between the spring and early summer of 1912. Goldfish became a recurring subject after his visit to Tangier, Morocco, where he noted how locals would day-dream while gazing ➵

The Green Wave (1867, La vague verte) by Claude Monet depicts sailboats on the ocean, capturing the movement and energy of the waves in relation to the ships. An ocean of greens and blues dominates the scene, with a high horizon line ➵

The Green Wave (1867, La vague verte) by Claude Monet depicts sailboats on the ocean, capturing the movement and energy of the waves in relation to the ships. An ocean of greens and blues dominates the scene, with a high horizon line ➵

The Large Tree (1891, Le Grand Arbre) by Paul Gauguin depicts a tropical scene of four women in the shade of a large tree while a fifth woman rests in the doorway of a thatched-roof hut in the background. The words "Te ➵

The Large Tree (1891, Le Grand Arbre) by Paul Gauguin depicts a tropical scene of four women in the shade of a large tree while a fifth woman rests in the doorway of a thatched-roof hut in the background. The words "Te ➵

The Loss of Virginity (The Awakening of Spring) (1891, La Perte de Virginité, le Réveil du Printemps) by Paul Gauguin symbolically depicts a young woman's loss of virginity. The woman is laying naked in a Breton field overlooking the ocean, plucked flower ➵

The Loss of Virginity (The Awakening of Spring) (1891, La Perte de Virginité, le Réveil du Printemps) by Paul Gauguin symbolically depicts a young woman's loss of virginity. The woman is laying naked in a Breton field overlooking the ocean, plucked flower ➵

The Musketeer (1903) by Henri Matisse depicts a man dressed in traditional musketeer attire, posing with one arm resting on a sword. The musketeer is comprised of expressive brushstrokes in vibrant oranges, deep reds, with contrasting white highlights, against a dark, green ➵

The Musketeer (1903) by Henri Matisse depicts a man dressed in traditional musketeer attire, posing with one arm resting on a sword. The musketeer is comprised of expressive brushstrokes in vibrant oranges, deep reds, with contrasting white highlights, against a dark, green ➵

The Painter of Sunflowers (1888) by Paul Gauguin depicts Vincent van Gogh at work in front of a canvas and easel, painting a vase full of sunflowers sitting on a small round table. Gauguin and van Gogh stayed together in The Yellow ➵

The Painter of Sunflowers (1888) by Paul Gauguin depicts Vincent van Gogh at work in front of a canvas and easel, painting a vase full of sunflowers sitting on a small round table. Gauguin and van Gogh stayed together in The Yellow ➵

The Pine Tree at Saint Tropez (1909, Le pin, Saint-Tropez) by Paul Signac, also know as Bertaud Gassin's Pine (Le Pin de Bertaud Gassin), depicts a pine tree set against the backdrop of a sunny Saint-Tropez landscape. Signac uses bold colors and ➵

The Pine Tree at Saint Tropez (1909, Le pin, Saint-Tropez) by Paul Signac, also know as Bertaud Gassin's Pine (Le Pin de Bertaud Gassin), depicts a pine tree set against the backdrop of a sunny Saint-Tropez landscape. Signac uses bold colors and ➵

The Swing (1876, La Balançoire) by Pierre-Auguste Renoir was painted during his time at Montmarte in Paris, created at about the same time as Dance at Le Moulin de la Galette. Another representation of everyday life, a young man seen from behind ➵

The Swing (1876, La Balançoire) by Pierre-Auguste Renoir was painted during his time at Montmarte in Paris, created at about the same time as Dance at Le Moulin de la Galette. Another representation of everyday life, a young man seen from behind ➵

The Wave (1888, La Vague) by Paul Gauguin was painted during a trip to Brittany, France. It characterizes his evolving style from realistic portraits and landscapes to more symbolic representations. The perspective and scale, lack of horizon, and rainbow of color open ➵

The Wave (1888, La Vague) by Paul Gauguin was painted during a trip to Brittany, France. It characterizes his evolving style from realistic portraits and landscapes to more symbolic representations. The perspective and scale, lack of horizon, and rainbow of color open ➵

Two Tahitian Women (1899) by Paul Gauguin depicts two topless women, one holding mango blossoms, surrounded by green foliage. It reflects his fascination with Tahitian culture and his exploration of beauty and femininity. Evoking classical nudes and relying on gesture and facial ➵

Two Tahitian Women (1899) by Paul Gauguin depicts two topless women, one holding mango blossoms, surrounded by green foliage. It reflects his fascination with Tahitian culture and his exploration of beauty and femininity. Evoking classical nudes and relying on gesture and facial ➵

View of the Seine (1883) by Georges Seurat is one of about seventy oil studies on small wood panels, which he called croquetons (little sketches), he made at the beginning of his career. The durable boards were easily transported and held, making ➵

View of the Seine (1883) by Georges Seurat is one of about seventy oil studies on small wood panels, which he called croquetons (little sketches), he made at the beginning of his career. The durable boards were easily transported and held, making ➵

Vision after the Sermon (Jacob Wrestling with the Angel) (1888) by Paul Gauguin depicts a scene from the Bible in which Jacob wrestles an angel (Genesis 32:22-31), seen as a vision after a sermon in church by a group of Breton women ➵

Vision after the Sermon (Jacob Wrestling with the Angel) (1888) by Paul Gauguin depicts a scene from the Bible in which Jacob wrestles an angel (Genesis 32:22-31), seen as a vision after a sermon in church by a group of Breton women ➵

Water Lilies and Japanese Bridge (1899) by Claude Monet depicts the arched Japanese-style bridge in his water garden at Giverny. By the 1890s, he had established some wealth and was able to lavish his money on his own home and garden for ➵

Water Lilies and Japanese Bridge (1899) by Claude Monet depicts the arched Japanese-style bridge in his water garden at Giverny. By the 1890s, he had established some wealth and was able to lavish his money on his own home and garden for ➵

Water Lilies (1899, Nymphéas) by Claude Monet is one of the very first paintings of his beloved water lily pond at his Giverny home. Monet began his garden at Giverny in 1893, transforming the marshy ground behind his home into a pond. ➵

Water Lilies (1899, Nymphéas) by Claude Monet is one of the very first paintings of his beloved water lily pond at his Giverny home. Monet began his garden at Giverny in 1893, transforming the marshy ground behind his home into a pond. ➵

Water Lilies, Gray Weather (1907, Nymphéas, temps gris) by Claude Monet is one of a small series that he painted in a rare vertical format to capture the spectacular effects of late afternoon light upon his beloved waterlily pond. Overall he created ➵

Water Lilies, Gray Weather (1907, Nymphéas, temps gris) by Claude Monet is one of a small series that he painted in a rare vertical format to capture the spectacular effects of late afternoon light upon his beloved waterlily pond. Overall he created ➵

Windmills near Zaandam (1871) by Claude Monet depicts the windmills at Westzijderveld as seen from a boat, an example of the looser, experimental style which he developed during the 1870s. Monet made three visits to the Netherlands, on this occasion he spent ➵

Windmills near Zaandam (1871) by Claude Monet depicts the windmills at Westzijderveld as seen from a boat, an example of the looser, experimental style which he developed during the 1870s. Monet made three visits to the Netherlands, on this occasion he spent ➵

La Japonaise: Woman Beside the Water (1905) by Henri Matisse was created in Collioure, a small Mediterranean fishing port near the border with Spain. Matisse began to explore what he later described as "construction by means of color" in his paintings while ➵

La Japonaise: Woman Beside the Water (1905) by Henri Matisse was created in Collioure, a small Mediterranean fishing port near the border with Spain. Matisse began to explore what he later described as "construction by means of color" in his paintings while ➵

Woman with a Parasol – Madame Monet and Her Son (1875) by Claude Monet, also known as The Stroll (La Promenade), is one of his most recognizable works, and of impressionism as a whole. It depicts his wife Camille and their son ➵