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A Walk at Dusk (1835) by Caspar David Friedrich explores the spiritual elements of nature alongside the themes of life and death. It depicts a man in red robes walking alone towards a megalithic tomb, surrounded by leafless trees. A waxing moon ➵

A Walk at Dusk (1835) by Caspar David Friedrich explores the spiritual elements of nature alongside the themes of life and death. It depicts a man in red robes walking alone towards a megalithic tomb, surrounded by leafless trees. A waxing moon ➵

Man and Woman Contemplating the Moon (1824, Mann und Frau in Betrachtung des Mondes) by Caspar David Friedrich depicts a woman and man in a forest at night. The woman rests her hand on the man's shoulder as they observe the waxing ➵

Man and Woman Contemplating the Moon (1824, Mann und Frau in Betrachtung des Mondes) by Caspar David Friedrich depicts a woman and man in a forest at night. The woman rests her hand on the man's shoulder as they observe the waxing ➵

Forest Interior by Moonlight (1830) by Caspar David Friedrich contrasts the struggles of human life with the beauty and solace of nature on a moonlit night. It depicts a forest landscape where a man and a woman have taken refuge in a ➵

Forest Interior by Moonlight (1830) by Caspar David Friedrich contrasts the struggles of human life with the beauty and solace of nature on a moonlit night. It depicts a forest landscape where a man and a woman have taken refuge in a ➵

Meadows near Greifswald (1822, Wiesen bei Greifswald) by Caspar David Friedrich depicts horses in a meadow in front of the cityscape of Greifswald, Germany. The churches, windmills and houses of the city are wedged between a giant open sky and a large ➵

Meadows near Greifswald (1822, Wiesen bei Greifswald) by Caspar David Friedrich depicts horses in a meadow in front of the cityscape of Greifswald, Germany. The churches, windmills and houses of the city are wedged between a giant open sky and a large ➵

The Sea of Ice (1824, Das Eismeer) by Caspar David Friedrich depicts a vast Arctic ice floe, formed from layers of crushed ice. Although Friedrich never traveled to the Arctic, he conducted extensive studies of ice on the River Elbe near Dresden ➵

The Sea of Ice (1824, Das Eismeer) by Caspar David Friedrich depicts a vast Arctic ice floe, formed from layers of crushed ice. Although Friedrich never traveled to the Arctic, he conducted extensive studies of ice on the River Elbe near Dresden ➵

Wanderer above the Sea of Fog (1818, Wanderer über dem Nebelmeer) by Casper David Friedrich is possibly a self-portrait, interpreted as an emblem of self-reflection and contemplation of life's path. The painting is a significant example of Rückenfigur (a rear-facing figure that ➵

Wanderer above the Sea of Fog (1818, Wanderer über dem Nebelmeer) by Casper David Friedrich is possibly a self-portrait, interpreted as an emblem of self-reflection and contemplation of life's path. The painting is a significant example of Rückenfigur (a rear-facing figure that ➵

Woman in front of the Setting Sun (1818, Frau vor der untergehenden Sonne) by Casper David Friedrich, also known as Woman before the Rising Sun, is possibly the artist's wife Caroline Brommer. Friedrich makes use of Rückenfigur (a rear-facing figure that is ➵

Woman in front of the Setting Sun (1818, Frau vor der untergehenden Sonne) by Casper David Friedrich, also known as Woman before the Rising Sun, is possibly the artist's wife Caroline Brommer. Friedrich makes use of Rückenfigur (a rear-facing figure that is ➵