Stretched canvas art is created from a giclée print on canvas (instead of paper), and like a traditional painting, the canvas is hand-stretched over a solid wood frame. It can be mounted in a float frame, or displayed on its own. The sides of the canvas are finished in a solid color that complements the artwork, creating a modern masterpiece ready to hang on your wall, without a frame.
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Redheaded Girl in Evening Dress ☲ Modigliani ☳ CanvasRedheaded Girl in Evening Dress (1918) by Amadeo Modigliani depicts a young woman in a strapless dress, representative of bold new fashions that emerged as women experienced new freedom in the early 20th century. Draping her shoulder over the chair, she addresses ➵
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Reclining Nude ☲ Modigliani ☳ CanvasReclining Nude (1917, Nu couché) by Amedeo Modigliani, also known as Red Nude, is one of his most widely reproduced and exhibited paintings. One of a series of nudes that he painted in 1917, it was included in his first and only ➵
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Landscape in the South ☶ Modigliani ☷ CanvasLandscape in the South (1919, Paysage dans le Midi) by Amedeo Modigliani depicts a landscape in southeastern France. Modigliani left Paris in early 1918, part of a mass exodus to the countryside at a time of increased danger to the city during ➵
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Young Woman with a Rose ☲ Modigliani ☴ CanvasYoung Woman with a Rose (1916, La jeune femme à la rose) by Amadeo Modigliani depicts a frontally posed figure in black dress, holding a rose. The dark haired and brown-eyed young woman is only identified as Margherita, the name of Modigliani's ➵
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Girl in a Sailor's Blouse ☴ Modigliani ☲ CanvasGirl in a Sailor's Blouse (1918) by Amedeo Modigliani was painted during his time in the south of France at the end of World War I, where he employed local young servants, shopgirls, and children as models. His quintessential female depiction, long ➵
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Odalisque with a Tambourine ☶ Matisse ☴ CanvasOdalisque with a Tambourine (1926) by Henri Matisse depicts a nude female figure reclining in a chair in front of an open window. An odalisque is a female slave or concubine in a harem. Here she is surrounded by vibrant colors, the ➵
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The Musketeer ☳ Matisse ☳ CanvasThe Musketeer (1903) by Henri Matisse depicts a man dressed in traditional musketeer attire, posing with one arm resting on a sword. The musketeer is comprised of expressive brushstrokes in vibrant oranges, deep reds, with contrasting white highlights, against a dark, green ➵
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Interior with a Violin Case ☱ Matisse ☰ CanvasInterior with a Violin Case (1919) by Henri Matisse depicts a room with a large window, white curtains, heavily decorated walls and patterned floor, a dressing table with mirror, a chair and footstool, and an open violin case - with no violin. ➵
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Woman Beside the Water ☱ Matisse ☱ CanvasLa Japonaise: Woman Beside the Water (1905) by Henri Matisse was created in Collioure, a small Mediterranean fishing port near the border with Spain. Matisse began to explore what he later described as "construction by means of color" in his paintings while ➵
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Léopold Survage ☰ Modigliani ☷ CanvasPortrait of the Artist Léopold Survage (1918) by Amedeo Modigliani dates from his most creative period. Léopold Survage (31 July 1879 - 31 October 1968) was a Russian-French painter who attended art school in Moscow, and moved to Paris around 1908. Survage ➵
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Iris Tree ☱ Modigliani ☴ CanvasFemale Nude (1916) by Amedeo Modigliani is a portrait of Iris Tree (27 January 1897 – 13 April 1968), an English poet, actress, and art model. She was a highly sought after model, being painted by Augustus John, simultaneously by Duncan Grant, ➵
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The Goldfish ☱ Matisse ☵ CanvasThe Goldfish (1912) by Henri Matisse is part of a series that he produced between the spring and early summer of 1912. Goldfish became a recurring subject after his visit to Tangier, Morocco, where he noted how locals would day-dream while gazing ➵
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Open Window, Collioure ☱ Matisse ☴ CanvasOpen Window, Collioure (1905) by Henri Matisse is a prime example of Fauvism, a style of art that he was instrumental in developing, noted for bold and bright colors used to express emotion over realism. Matisse loved painting open windows, here depicting ➵
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