Stretched canvas art is created from a giclée print on canvas (instead of paper), and like a traditional painting, the canvas is hand-stretched over a solid wood frame. It can be mounted in a float frame, or displayed on its own. The sides of the canvas are finished in a solid color that complements the artwork, creating a modern masterpiece ready to hang on your wall, without a frame.
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Portrait of Patience Escalier ☲ Van Gogh ☴ CanvasPortrait of a Peasant (1888, Patience Escalier) by Vincent van Gogh depicts a sunburnt and weather-beaten Provençal peasant, gazing intensely out of the canvas. Patience Escalier, "formerly a cowhand in the Camargue, now a gardener at one of the farms in La ➵
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Olive Trees with Yellow Sky and Sun ☲ Van Gogh ☷ CanvasOlive Trees with Yellow Sky and Sun (1889) by Vincent van Gogh is one at least 15 paintings of olive trees created during his time in the Saint-Rémy-de-Provence asylum. He painted the asylum gardens, and nearby olive trees, cypresses and wheat fields ➵
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Myself, Portrait-Landscape ☷ Rousseau ☰ CanvasMyself, Portrait-Landscape (1890, Moi-même, portrait-paysage) by Henri Rousseau is a self-portrait titled to claim equal status between the typically distinct genres of portraits and landscapes. Rousseau is wearing the insignia of the Ordre des Palmes académiques as a buttonhole pin, which was ➵
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Carnival Evening ☰ Rousseau ☴ CanvasCarnival Evening (1886) by Henri Rousseau depicts a couple dressed in carnival costumes, standing in front of a barren forest. The figures almost seem to glow as the moonlight behind them leaves the forest in total darkness. A strange face stares out ➵
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Tiger in a Tropical Storm ☳ Rousseau ☵ CanvasTiger in a Tropical Storm or Surprised! (1891) by Henri Rousseau is the first of the jungle paintings for which he is primarily known. It depicts a tiger stalking its prey during a raging storm, illuminated by a flash of lightning. As ➵
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Ship in the Storm ☵ Rousseau ☳ CanvasShip in the Storm (1899, Navire dans la Tempête) by Henri Rousseau appears to be based on a combination of different ships, featuring portholes like an ocean liner, and a cutwater like a battleship. Rough gray waves and darkened sky contrast with ➵
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The Dream ☱ Rousseau ☷ CanvasThe Dream (1910, Le Rêve) by Henri Rousseau is one of more than 25 jungle scenes he painted. It is a surreal portrait of Yadwigha, Rousseau's Polish mistress from his youth, lying naked on a divan. She gazes over a landscape of ➵
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A Centennial of Independence ☳ Rousseau ☵ CanvasA Centennial of Independence (1892) by Henri Rousseau commemorates the 100th anniversary of the first French Republic formed in 1792. Peasants dance the farandole, a popular southern French dance, around three liberty trees with two female figures representing the First and Third ➵
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Indian Struggling with a Gorilla ☳ Rousseau ☵ CanvasTropical Landscape: American Indian Struggling with a Gorilla (1910) by Henri Rousseau is emblematic of his characteristically inaccurate depictions and mixing of exotic peoples, animals and plant life. It depicts an American Indian fighting a gorilla in a lush, tropical jungle setting, ➵
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The Hungry Lion ☵ Rousseau ☳ CanvasThe Hungry Lion Throws Itself on the Antelope (1905, Le lion ayant faim se jette sur l'antilope) by Henri Rousseau depicts a jungle scene of thick green foliage lit by a deep red setting sun. In the foreground, a lion bites into ➵
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The Sleeping Gypsy ☷ Rousseau ☶ CanvasThe Sleeping Gypsy (1897) by Henri Rousseau depicts a woman sleeping in the desert, with mountains in the background, under a dark sky with a few stars and a full moon. She is wearing a colorful long robe, holding a staff, next ➵
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The Mulberry Tree ☴ Van Gogh ☷ CanvasThe Mulberry Tree (1889) by Vincent van Gogh depicts a lone mulberry tree on a rocky hillside, with yellowing autumn leaves framed by a blue sky. Van Gogh found a deep connection with the expressive qualities of trees, viewing them with human ➵
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Self-Portrait (Green) ☴ Van Gogh ☶ CanvasSelf-Portrait (1887) by Vincent van Gogh is one of about 32 produced over a 10 year period, an important part of his work as he often lacked the money to pay models. He painted his first known self-portrait in 1886, following the ➵
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At Eternity's Gate ☴ Van Gogh ☶ CanvasAt Eternity's Gate, or Sorrowing Old Man (1890) by Vincent van Gogh depicts an old man with his elbows on his knees, head in his hands, sitting in a chair by a fireplace. Based on an earlier lithograph from 1882, it was ➵
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Irises ☷ Van Gogh ☶ CanvasIrises (1889) by Vincent van Gogh depicts vibrant blooming irises with lush green leaves, red-orange earth, and yellow flowers in the background. He painted several variations of irises during his stay at the Saint-Paul-de-Mausole asylum, working from nature in the hospital garden. ➵
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Man Leaning on a Parapet ☲ Seurat ☴ CanvasA Man Leaning on a Parapet (1881) by Georges Seurat appears as "panel no. 1." in the studio inventory made after his death in 1891 at age 31. As one of his earliest works, the composition reveals his talent for carefully calibrated ➵
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View of the Seine ☱ Seurat ☵ CanvasView of the Seine (1883) by Georges Seurat is one of about seventy oil studies on small wood panels, which he called croquetons (little sketches), he made at the beginning of his career. The durable boards were easily transported and held, making ➵
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Bathers at Asnières ☷ Seurat ☱ CanvasBathers at Asnières (1884, Une Baignade, Asnières) by Georges Seurat depicts bathers in the Seine at Asnières/ Courbevoie, about four miles from the center of Paris. Opposite is the island of la Grande Jatte, the east tip of which is shown as ➵
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Vision after the Sermon ☵ Gauguin ☳ CanvasVision after the Sermon (Jacob Wrestling with the Angel) (1888) by Paul Gauguin depicts a scene from the Bible in which Jacob wrestles an angel (Genesis 32:22-31), seen as a vision after a sermon in church by a group of Breton women ➵
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The Painter of Sunflowers ☰ Gauguin ☷ CanvasThe Painter of Sunflowers (1888) by Paul Gauguin depicts Vincent van Gogh at work in front of a canvas and easel, painting a vase full of sunflowers sitting on a small round table. Gauguin and van Gogh stayed together in The Yellow ➵
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The Loss of Virginity ☳ Gauguin ☲ CanvasThe Loss of Virginity (The Awakening of Spring) (1891, La Perte de Virginité, le Réveil du Printemps) by Paul Gauguin symbolically depicts a young woman's loss of virginity. The woman is laying naked in a Breton field overlooking the ocean, plucked flower ➵
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In the Waves ☵ Gauguin ☷ CanvasIn the Waves (1889, Dans les Vagues) by Paul Gauguin was created during his time in a small coastal village called Pont-Aven where he sought to immerse himself in nature and escape modern civilization. It depicts a nude figure throwing herself into ➵
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Two Tahitian Women ☷ Gauguin ☲ CanvasTwo Tahitian Women (1899) by Paul Gauguin depicts two topless women, one holding mango blossoms, surrounded by green foliage. It reflects his fascination with Tahitian culture and his exploration of beauty and femininity. Evoking classical nudes and relying on gesture and facial ➵
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Wheat Field with Crows ☵ Van Gogh ☳ CanvasWheat Field with Crows (1890) by Vincent van Gogh, considered one of his greatest works, is one of several double-square canvases he used exclusively in the last few weeks of his life. It depicts crows in a cloudy sky over a wheat ➵
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Self-Portrait with Bandaged Ear ☳ Van Gogh ☵ CanvasSelf-Portrait with Bandaged Ear (1889) by Vincent van Gogh is a self-portrait in a blue cap with black fur, a green overcoat, with a bandage covering his ear. The portrait makes it appear his right ear is bandaged, as he used a ➵
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Enclosed Field with Plowman ☷ Van Gogh ☴ CanvasEnclosed Field with Plowman (1889) by Vincent van Gogh depicts a plowman tilling a wheat field surrounded by a low stone wall under a cloudy sky, and an old farm house behind a hill. It is one of a series of paintings ➵
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Wheat Field with Reaper ☰ Van Gogh ☲ CanvasWheat Field with Reaper (1889) by Vincent van Gogh is the second in a series of three paintings of a man reaping a wheat field under the bright early-morning sun. His bedroom window at the asylum at Saint-Rémy looked out upon the ➵
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Wheat Field with Cypresses ☰ Van Gogh ☷ CanvasA Wheat Field with Cypresses (1889) by Vincent van Gogh was painted shortly after The Starry Night, when he was fascinated by the cypress seen from his window at the Saint-Rémy-de-Provence asylum. A large cypress towers over a wheat field and nearby ➵
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Twelve Sunflowers ☴ Van Gogh ☲ CanvasTwelve Sunflowers (1889) by Vincent van Gogh is one of a series, which are among his most famous works. He painted a total of five large canvases with sunflowers in a vase, with both gold backgrounds and blue backgrounds, and several repetitions ➵
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Sunflowers ☲ Van Gogh ☴ CanvasSunflowers (1889) by Vincent van Gogh is one of a series, which are among his most famous works. He painted a total of five large canvases with sunflowers in a vase, and several repetitions of the same, depicting sunflowers in all stages ➵
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Self-Portrait (Blue) ☶ Van Gogh ☴ CanvasSelf-Portrait (1889) by Vincent van Gogh is possibly his last self-portrait, painted shortly before he left Saint-Rémy-de-Provence in southern France. One of about 32 produced over a 10 year period, these portraits were an important part of his work as a painter ➵
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Country Road in Provence ☰ Van Gogh ☲ CanvasCountry Road in Provence by Night (1890) by Vincent van Gogh, also known as Road with Cypress and Star, is the last painting he made in Saint-Rémy-de-Provence. The painting is one of several that feature large cypresses, in this case extending beyond ➵
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The Church at Auvers ☳ Van Gogh ☶ CanvasThe Church at Auvers (1890) by Vincent van Gogh depicts the Église Notre-Dame-de-l'Assomption (Church of Our Lady of the Assumption) in Auvers, 17 miles northwest of Paris. The foreground is a brightly lit intersection of two paths, while the church sits in ➵
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Starry Night Over the Rhône ☵ Van Gogh ☰ CanvasStarry Night Over the Rhône (1888) by Vincent van Gogh was painted on the bank of the river a short walk from the Yellow House. Intrigued by the challenge of painting at night, the night sky and lighting effects became the subject ➵
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Portrait of Dr. Gachet ☶ Van Gogh ☰ CanvasPortrait of Dr. Gachet (1890) by Vincent van Gogh depicts Dr. Paul Gachet, a homeopathic doctor with whom he resided following his time in the asylum at Saint-Rémy-de-Provence. Gachet took care of him during the final months of his life. Van Gogh ➵
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The Red Vineyard ☲ Van Gogh ☷ CanvasThe Red Vineyards near Arles (1888) by Vincent van Gogh is the only painting that he sold in his lifetime, bought for 400 francs by Anna Boch (1848-1936). It depicts workers under the evening sun in a vineyard during autumn. The day ➵
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The Yellow House ☰ Van Gogh ☶ CanvasThe Yellow House (1888) by Vincent van Gogh depicts 2 Place Lamartine, Arles, France, where van Gogh rented four rooms in 1888 with the dream of starting an artists' studio. Two large rooms on the ground floor served as a workshop and ➵
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Self-Portrait ☷ Gauguin ☰ CanvasSelf-Portrait with Halo and Snake (1889) by Paul Gauguin is one of more than 40 self-portraits he completed during his lifetime. This portrait demonstrates his use of religious symbolism, and the influence of Japanese wood-block prints. Gauguin divides the canvas in half, ➵
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The Wave ☳ Gauguin ☵ CanvasThe Wave (1888, La Vague) by Paul Gauguin was painted during a trip to Brittany, France. It characterizes his evolving style from realistic portraits and landscapes to more symbolic representations. The perspective and scale, lack of horizon, and rainbow of color open ➵
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Whistler's Mother ☶ James McNeill Whistler ☷ CanvasArrangement in Grey and Black No. 1 (1871) by James McNeill Whistler, best known as Whistler's Mother, or Portrait of the Artist's Mother, is one of the most famous works outside the United States by an American artist. When first exhibited, the ➵
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Skeleton with Cigarette ☷ Van Gogh ☲ CanvasSkull of a Skeleton with Burning Cigarette (1886) by Vincent van Gogh is self descriptive. He depicted skeletons and skulls only a few times in his career. It is considered a memento mori, a reminder of death, at a time when he ➵
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Almond Blossom ☷ Van Gogh ☰ CanvasAlmond Blossom (1890) by Vincent van Gogh was made to celebrate the birth of his nephew and namesake, son of his brother Theo and sister-in-law Jo. The painting reflects van Gogh's interest in Japanese woodcuts. The closeup composition is unlike any of ➵
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Café Terrace at Night ☷ Van Gogh ☲ CanvasCafé Terrace at Night (1888) by Vincent van Gogh, is also known as The Cafe Terrace on the Place du Forum, and Coffeehouse in the evening (Café, le soir) when it was first exhibited in 1891. It depicts an actual cafe in ➵
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