Blue and Silver, Chelsea
- Reproduction from high resolution photos and scans of Blue and Silver, Chelsea (1871).
- Scaled to the original artwork with no distortion and minimal to no cropping.
- Giclée printed with eco-solvent inks that resist fading for 100+ years.
- Museum quality print made to last for generations, preserving the color and detail created by James McNeill Whistler.
- Satin/semigloss finish canvas is archival-grade, acid-free polycotton fabric.
- Solid wrap color on all four sides.
- Black backboard and hanging wire installed.
- 1.5″ deep, solid wood stretcher bars.
- Float frames available for a contemporary finishing touch to match your decor.
- Regular price
- $410
- Sale price
- $410
- Regular price
-
About Blue and Silver, Chelsea
Nocturne: Blue and Silver, Chelsea (1871) by James McNeill Whistler is a view from Battersea Bridge looking across the Thames towards Chelsea. The tower of Chelsea Old Church is visible on the right, and a fisherman stands in the foreground. This is the first of his series of Nocturnes, paintings intended to convey the beauty and tranquillity of the River Thames. The influence of Japanese woodblock prints is evident from the limited range of colors and the butterfly signature. Whistler drew inspiration from "One Hundred Famous Views of Edo" by Hiroshige.
- All sizes given are in inches (″), assembled within a ¼″ tolerance.
- Stretched canvases are assembled within a ¼″ tolerance, ex. an 8x12″ canvas's final dimensions will be ~8x12″, on 1.5″ deep stretcher bars.
- Framed canvases are ~2″ larger, ex. an 8x12″ canvas's final framed dimensions will be ~10x14″ overall.
- Float frames are ⅝″ wide viewed from the front, and 1⅞″ deep; with a visible gap ("float") between the frame and canvas of ~¼″.
- Rolled canvases have a 2″ white margin to allow for custom stretching and framing, ex. an 8x12″ print's final dimensions will be 12x16″.
Gallery Wrap
Canvas prints, or gallery wrapped canvas, combine a classic medium with a modern finish.
- Hand-stretched over solid wood like the base of traditional painting.
- Black backboard and hanging wire installed, ready to hang — without a frame.
Canvases have a mildly reflective satin finish.
Float Frame
Float frames feature a visible gap ("float") between the frame and canvas.
- Black backboard and hanging wire installed.
- No glass/glazing is used.
Canvases have a mildly reflective satin finish.
