The Fall of the Cowboy ☰ Remington ☶ Art Print

The Fall of the Cowboy

The Fall of the Cowboy (1895) by Frederic Remington depicts two cowboys at the gate of a barbed wire fence, a ranching technology that beginning in the 1870s signaled the end of cowboy life. It divides the painting in half, symbolically fencing in the cowboys. At the suggestion of Remington, Owen Wister wrote "The Evolution of the Cow-Puncher" for Harper's Monthly in 1895, lamenting the end of the open range. Accompanying it were several illustrations by Remington, including this painting. Wister wrote, "The cow-puncher took wild pleasure in existing. No soldier of fortune ever adventured with bolder carelessness, no fiercer blood ever stained a border ... he has been dispersed, as the elk, as the buffalo, as all wild animals most inevitably will be dispersed ... all this may be summed up in the word Progress."

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The Fall of the Cowboy ☰ Remington ☶ Art PrintThe Fall of the Cowboy ☰ Remington ☶ Canvas
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The Fall of the Cowboy ☰ Remington ☶ Art Print
The Fall of the Cowboy ☰ Remington ☶ Art Print
The Fall of the Cowboy ☰ Remington ☶ Art Print
Regular price
$30.00
Sale price
$30.00
Regular price
$50.00
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Artwork Details

◰ Accurate, true to scale art print reproduction from high resolution photos and scans of The Fall of the Cowboy (1895)
  • ¾″ wide, 1⅛″ deep, solid wood frames.
  • Scaled to the original artwork with no distortion and minimal to no cropping.
  • All sizes given are in inches (″), assembled within a ¼″ tolerance.
⧈ Ready to hang — kraft paper backing and hanging wire installed
⧉ Museum quality print made to last for generations, preserving the color and detail created by Frederic Remington
  • Giclée printed with eco-solvent inks that resist fading for 100+ years.
  • Papers are archival-grade, acid-free paper or cotton rag.
  • Smooth paper is recommended to preserve detail and color.
  • Textured paper is recommended for a traditional Somerset velvet paper finish.
  • Resin coated paper is recommended for slightly deeper color and a semigloss finish.
  • Framed prints do not come with protective glass / glazing, to showcase the paper and reduce light reflection (available upon request).
⛟ Packed securely and shipped for free, tracking included
⿸ Dimensions with and without a frame
  • Unframed art prints have a ½″ white margin, ex. an 8x12″ print's final dimensions will be 9x13″.
  • Framed art prints are ~2″ larger, ex. an 8x12″ print's final framed dimensions will be ~10x14″ overall.
  • Frames are ¾″ (black) or ⅞″ (natural, espresso, gold) wide viewed from the front, and 1⅛″ deep; frames will overlap the print edges ~¼″.
With a Frame

Framed Art Prints

We offer modern frames intended to complement any art. No glass/glazing is used to showcase paper texture and avoid glare/reflectivity. Smooth paper maintains detail and color; textured paper slightly softens color with a traditional paper finish; and resin coated paper slightly deepens color adding a semi-gloss finish.

Frames are solid wood, ready to hang with kraft paper backing and hanging wire installed.

The Fall of the Cowboy ☰ Remington ☶ Art Print
High Detail / Color Accurate

Giclée Prints

Giclée prints are created on professional inkjet printers using archival quality, acid-free paper or canvas. Unlike a normal inkjet, prints are created using 12 different colors cartridges (cyan, magenta, yellow, black, matte black, light magenta, light cyan, light gray, very light gray, orange, green, and violet) to provide the best possible color reproduction.

Our art prints and canvases maintain the highest possible detail, preserving color, scale, proportions and visual textures, an accurate reproduction of the art.

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