








Last Judgment
The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden and the right panel the Last Judgment. The central panel and main subject, The Garden of Earthly Delights, is either a moral warning, or symbolic of paradise lost. The intricacy of the symbolism has led to a wide range of interpretations over the centuries.
The left panel (sometimes known as the Joining of Adam and Eve) depicts a scene from paradise, the Garden of Eden, and the moment when God presents Eve to Adam. The background reveals exotic animals for the period, including a giraffe, a monkey riding an elephant, and a lion. Birds and winged animals, some realistic, some fantastic, and other amalgams of real and imaginary creatures fill the scene.
The center panel depicts not the biblical paradise shown on the left, but a fantastical paradise teeming with male and female nudes, together with various animals, plants, and fruits. Humans riding horses, donkeys, unicorns, camels, alongside other exotic and fanciful creatures, all partaking in sensory pleasures.
The right panel depicts Hell (The Last Judgment), a world in which humans have succumbed to temptations that led to evil and reap eternal damnation. In a single, densely detailed scene, there are cities on fire, war, torture chambers, infernal caverns, demons and mutated animals feeding on human flesh. Animals punish humans, subjecting them to nightmarish torments that symbolize the seven deadly sins, matching the torment to the sin.



- Regular price
- $30.00
- Sale price
- $30.00
- Regular price
-
$50.00
Artwork Details
- ¾″ wide, 1⅛″ deep, solid wood frames.
- Scaled to the original artwork with no distortion and minimal to no cropping.
- All sizes given are in inches (″), assembled within a ¼″ tolerance.
- Giclée printed with eco-solvent inks that resist fading for 100+ years.
- Papers are archival-grade, acid-free paper or cotton rag.
- Smooth paper is recommended to preserve detail and color.
- Textured paper is recommended for a traditional Somerset velvet paper finish.
- Resin coated paper is recommended for slightly deeper color and a semigloss finish.
- Framed prints do not come with protective glass / glazing, to showcase the paper and reduce light reflection (available upon request).
- Unframed art prints have a ½″ white margin, ex. an 8x12″ print's final dimensions will be 9x13″.
- Framed art prints are ~2″ larger, ex. an 8x12″ print's final framed dimensions will be ~10x14″ overall.
- Frames are ¾″ (black) or ⅞″ (natural, espresso, gold) wide viewed from the front, and 1⅛″ deep; frames will overlap the print edges ~¼″.


Framed Art Prints
We offer modern frames intended to complement any art. No glass/glazing is used to showcase paper texture and avoid glare/reflectivity. Smooth paper maintains detail and color; textured paper slightly softens color with a traditional paper finish; and resin coated paper slightly deepens color adding a semi-gloss finish.
Frames are solid wood, ready to hang with kraft paper backing and hanging wire installed.

Giclée Prints
Giclée prints are created on professional inkjet printers using archival quality, acid-free paper or canvas. Unlike a normal inkjet, prints are created using 12 different colors cartridges (cyan, magenta, yellow, black, matte black, light magenta, light cyan, light gray, very light gray, orange, green, and violet) to provide the best possible color reproduction.
Our art prints and canvases maintain the highest possible detail, preserving color, scale, proportions and visual textures, an accurate reproduction of the art.