Collection: Art Prints

Art Prints

Art prints are created from a giclée print on archival heavyweight paper that can be mounted in a frame. Different paper finishes allow you to customize the appearance: smooth paper maintains detail and color; textured paper slightly softens color with a traditional paper finish; and resin coated paper slightly deepens color adding a semi-gloss finish. Framed prints do not come with protective glass / glazing, to showcase the paper and reduce light reflection (it is available upon request).

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156 Results

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156 Results
  • The Thanksgiving Picture ☲ Rockwell ☷ Art Print

    The Thanksgiving Picture

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    Freedom from Want (1943) by Normal Rockwell, also known as The Thanksgiving Picture or I'll Be Home for Christmas, is the third of the Four Freedoms series inspired by FDR's 1941 State of the Union Address, known as Four Freedoms. It was ➵
  • Self-Portrait (Green) ☴ Van Gogh ☶ Art Print

    Self-Portrait (Green)

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    Self-Portrait (1887) by Vincent van Gogh is one of about 32 produced over a 10 year period, an important part of his work as he often lacked the money to pay models. He painted his first known self-portrait in 1886, following the ➵
  • Redheaded Girl in Evening Dress ☲ Modigliani ☳ Art Print

    Redheaded Girl in Evening Dress

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    Redheaded Girl in Evening Dress (1918) by Amadeo Modigliani depicts a young woman in a strapless dress, representative of bold new fashions that emerged as women experienced new freedom in the early 20th century. Draping her shoulder over the chair, she addresses ➵
  • Forest Interior by Moonlight ☲ Friedrich ☴ Art Print

    Forest Interior by Moonlight

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    Forest Interior by Moonlight (1830) by Caspar David Friedrich contrasts the struggles of human life with the beauty and solace of nature on a moonlit night. It depicts a forest landscape where a man and a woman have taken refuge in a ➵
  • Gas ☲ Hopper ☰ Art Print

    Gas

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    Gas (1940) by Edward Hopper depicts a Mobil gas station, and an attendant working alone at the pumps as night falls. The modern details of the fuel pump, sign and electric lighting contrast with the twilight sky and dense pine forest in ➵
  • The Scream (1910) ☲ Munch ☵ Art Print

    The Scream (1910)

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    The Scream (1910) by Edvard Munch is one of the most iconic images in art, symbolizing anxiety, surprise, shock, terror and despair. The Norwegian name is Skrik (Scream), and the German title when first exhibited was Der Schrei der Natur (The Scream ➵
  • View of Delft ☵ Vermeer ☰ Art Print

    View of Delft

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    View of Delft (1661, Gezicht op Delft) by Johannes Vermeer is his only cityscape, and one of his most famous paintings. Vermeer has only three known paintings of Delft, View of Delft, The Little Street, and the lost painting House Standing in ➵
  • The Little Street ☴ Vermeer ☷ Art Print

    The Little Street

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    The Little Street (1658, Het Straatje) by Johannes Vermeer depicts a quiet street on a day in the life in a Delft. One of Vermeer's three known paintings of Delft, the other two being View of Delft, and the lost House Standing ➵
  • The Allegory of Faith ☷ Vermeer ☰ Art Print

    The Allegory of Faith

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    The Allegory of Faith (1672) by Johannes Vermeer, also known as Allegory of the Catholic Faith, is rich in symbolism, sharing several elements with The Art of Painting, both differing greatly in style and purpose from his other works that depict everyday ➵
  • At Eternity's Gate ☴ Van Gogh ☶ Art Print

    At Eternity's Gate

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    At Eternity's Gate, or Sorrowing Old Man (1890) by Vincent van Gogh depicts an old man with his elbows on his knees, head in his hands, sitting in a chair by a fireplace. Based on an earlier lithograph from 1882, it was ➵
  • Irises ☷ Van Gogh ☶ Art Print

    Irises

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    Irises (1889) by Vincent van Gogh depicts vibrant blooming irises with lush green leaves, red-orange earth, and yellow flowers in the background. He painted several variations of irises during his stay at the Saint-Paul-de-Mausole asylum, working from nature in the hospital garden. ➵
  • Adoration of the Mystic Lamb ☰ Van Eyck ☲ Art Print

    Adoration of the Mystic Lamb

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    The Ghent Altarpiece (1432, De aanbidding van het Lam Gods) by brothers Jan and Hubert van Eyck, also known as the Adoration of the Mystic Lamb, is a large and complex polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. The altarpiece is ➵
  • A Dash for the Timber ☳ Remington ☵ Art Print

    A Dash for the Timber

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    A Dash for the Timber (1889) by Frederic Remington depicts eight men on horseback pursued by a group of Native Americans. Having not yet reached the trees, with one man struck by a bullet, it is not clear who will emerge victorious. ➵
  • Hunter's Supper ☲ Remington ☶ Art Print

    Hunter's Supper

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    Hunter's Supper (1909) by Frederic Remington, also known as Hunters' Camp in the Big Horn, depicts a group of frontiersmen gathered around a campfire at dusk, showing a moment of relaxation surrounded by a harsh frontier. The orange and red glow of ➵
  • The Buffalo Signal ☴ Remington ☳ Art Print

    The Buffalo Signal

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    The Buffalo Signal (1900) by Frederic Remington, also known as If Skulls Could Speak, depicts an Indian buffalo scout on horseback signaling his tribesmen. The horse rears in alarm as he has been pulled to an abrupt halt to wave the buffalo ➵
  • A Mexican Vaquero ☶ Remington ☰ Art Print

    A Mexican Vaquero

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    A Mexican Vaquero (1890) by Frederic Remington depicts a vaquero, a Mexican horseman similar to the American cowboys, sitting on his horse, outlined by the pale blue sky. A trip to Mexico in 1889 provided Remington with a wealth of firsthand material ➵
  • The Cowboy ☷ Remington ☳ Art Print

    The Cowboy

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    The Cowboy (1902) by Frederic Remington depicts cowboy riding a horse down a steep, rocky incline. A solitary, heroic figure, symbol of the American West, the cowboy is attired in a wide-brimmed hat, chaps, and boots. Remington's fluid brushwork and focus on ➵
  • The Old Stage-Coach of the Plains ☵ Remington ☳ Art Print

    The Old Stage-Coach of the Plains

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    The Old Stage-Coach of the Plains (1901) by Frederic Remington depicts a stagecoach led by a team of six horses, descending a steep slope, while a lookout on top of the coach, rifle in hand, looks back towards some unseen danger. The ➵
  • An Indian Trapper ☴ Remington ☶ Art Print

    An Indian Trapper

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    An Indian Trapper (1889) by Frederic Remington depicts a Native American man on horseback, holding a rifle, looking back down the mountain trail he is traveling. Farther up the trail are two others on horseback, transporting animal carcasses from a successful hunt. ➵
  • The Blanket Signal ☴ Remington ☷ Art Print

    The Blanket Signal

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    The Blanket Signal (1896) by Frederic Remington depicts an Indian scout on horseback, holding a rifle and using a large, colorful blanket, to signal fellow tribesmen. The attention to detail in clothing and artifacts, and the dramatic composition against the land and ➵
  • Hell ☲ Bosch ☵ Art Print

    Hell

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    Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵
  • Fall of the Damned ☳ Bosch ☲ Art Print

    Fall of the Damned

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    $30.00 - $188.00
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    Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵
  • Terrestrial Paradise ☷ Bosch ☷ Art Print

    Terrestrial Paradise

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    $30.00 - $188.00
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    (-30%)
    Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵
  • Ascent of the Blessed ☰ Bosch ☰ Art Print

    Ascent of the Blessed

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    $30.00 - $188.00
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    Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵
  • Garden of Earthly Delights ☰ Bosch ☵ Art Print

    Garden of Earthly Delights

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    $48.00 - $224.00
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    $48.00 - $224.00
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    The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵
  • Garden of Eden ☰ Bosch ☷ Art Print

    Garden of Eden

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    $30.00 - $188.00
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    The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵
  • Last Judgment ☰ Bosch ☲ Art Print

    Last Judgment

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    $30.00 - $188.00
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    The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵
  • Edam Windmill ☴ Signac ☷ Art Print

    Edam Windmill

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    Edam Windmill (1896, Moulin d'Edam) by Paul Signac depicts a windmill towering above the flat Dutch countryside. Signac was exploring a looser, more rectangular brushstroke similar to a mosaic, as opposed to the precise dots common in pointillism. Here with dense layers ➵
  • Grand Canal, Venice ☱ Signac ☵ Art Print

    Grand Canal, Venice

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    Entrance to the Grand Canal, Venice (1905, Le Grand Canal à Venise) by Paul Signac depicts the waters of the Grand Canal lined with many gondolas, and the Dogana da Mar and Santa Maria della Salute in the background. While Seurat applied ➵
  • Port of La Rochelle ☵ Signac ☱ Art Print

    Port of La Rochelle

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    Entrance to the port of La Rochelle (1921, Entrée du port de La Rochelle) by Paul Signac depicts boats alongside the port's towers, remnants of medieval maritime fortifications. The interplay of sunlight and shadow brings the scene to life, with reflections on ➵
  • The Pine Tree at Saint Tropez ☲ Signac ☷ Art Print

    Pine Tree at Saint Tropez

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    The Pine Tree at Saint Tropez (1909, Le pin, Saint-Tropez) by Paul Signac, also know as Bertaud Gassin's Pine (Le Pin de Bertaud Gassin), depicts a pine tree set against the backdrop of a sunny Saint-Tropez landscape. Signac uses bold colors and ➵
  • La Cité, Paris ☰ Signac ☵ Art Print

    La Cité, Paris

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    La Cité, Paris (1934) by Paul Signac depicts the Quai de Montebello, one of the many bridges over the Seine, the trees along the bank, and Notre-Dame in the background. Signac's signature pointillist style was inspired by Georges Seurat in 1884, and ➵
  • The Golden Horn, Constantinople ☰ Signac ☲ Art Print

    The Golden Horn, Constantinople

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    The Golden Horn, Constantinople (1907, La Corne d'Or, Constantinople) by Paul Signac depicts the Golden Horn, the inlet that historically separated Constantinople (present day Istanbul) and kept the peninsula strategically safe from invaders. The harbor is filled with boats, and skyline filled ➵
  • Sunset at Douarnenez ☲ Renoir ☵ Art Print

    Sunset at Douarnenez

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    Sunset at Douarnenez (1883, Coucher de soleil à Douarnenez) by Pierre-Auguste Renoir depicts the setting sun off the Breton coast in France. Reminiscent of Monet's Impression, Sunrise, Renoir displays a strong impressionistic influence, capturing a scene of the natural world in a ➵
  • Place de la Trinité ☱ Renoir ☵ Art Print

    Place de la Trinité

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    Place de la Trinité (1893, Trinity Square) by Pierre-Auguste Renoir depicts the busy streets and cityscape in front of the Église de la Sainte-Trinité (Church of the Holy Trinity), as seen from the rue Morlot, with the church obscured on the left. ➵
  • Piazza San Marco ☰ Renoir ☰ Art Print

    Piazza San Marco

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    The Piazza San Marco, Venice (1881) by Pierre-Auguste Renoir depicts Saint Mark's Basilica (Basilica di San Marco) as well as the people and pigeons on the piazza. Renoir visited Venice on a tour of Italy, primarily painting famous sites, exploring the effects ➵
  • Landscape, Yellow Tree ☱ Renoir ☲ Art Print

    Landscape, Yellow Tree

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    Landscape, Yellow Tree in the foreground and Sea background in the South (1914, Paysage, arbre jaune au premier plan et fond de mer dans le Midi) by Pierre-Auguste Renoir depicts the countryside surrounding Renoir's newly built home at Les Collettes on the ➵
  • Shaded Path ☷ Renoir ☶ Art Print

    Shaded Path

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    Shaded Path (1872, Le chemin ombragé) by Pierre-Auguste Renoir depicts a painter at work in the forest of Fontainebleau. Paths with overhanging trees allowed painters to explore light and shadow by rendering the effects of sunlight through thick foliage. The forest of ➵
  • Eiffel Tower ☰ Seurat ☴ Art Print

    Eiffel Tower

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    Eiffel Tower (1889) by Georges Seurat is one of about seventy oil studies, or "croquetons" (little sketches), he made on small wood panels. The panels were easily transported and ideal for outdoor painting. Here his subject is the tower built by Gustave ➵
  • Man Leaning on a Parapet ☲ Seurat ☴ Art Print

    Man Leaning on a Parapet

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    A Man Leaning on a Parapet (1881) by Georges Seurat appears as "panel no. 1." in the studio inventory made after his death in 1891 at age 31. As one of his earliest works, the composition reveals his talent for carefully calibrated ➵
  • The Circus ☳ Seurat ☰ Art Print

    The Circus

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    The Circus (1891, Le Cirque) by Georges Seurat is his third major work on the theme of the circus, and his last painting, unfinished at his death in March 1891 at age 31. It depicts a female acrobat performing on a horse ➵
  • View of the Seine ☱ Seurat ☵ Art Print

    View of the Seine

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    View of the Seine (1883) by Georges Seurat is one of about seventy oil studies on small wood panels, which he called croquetons (little sketches), he made at the beginning of his career. The durable boards were easily transported and held, making ➵
  • Circus Sideshow ☲ Seurat ☳ Art Print

    Circus Sideshow

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    Circus Sideshow (1888, Parade de cirque) by Georges Seurat is his first nocturnal painting and the first to depict popular entertainment. Traveling circuses made seasonal appearances in Paris, where free sideshows were staged outside the circus tent to sell tickets. This painting ➵
  • Bathers at Asnières ☷ Seurat ☱ Art Print

    Bathers at Asnières

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    Bathers at Asnières (1884, Une Baignade, Asnières) by Georges Seurat depicts bathers in the Seine at Asnières/ Courbevoie, about four miles from the center of Paris. Opposite is the island of la Grande Jatte, the east tip of which is shown as ➵
  • Vision after the Sermon ☵ Gauguin ☳ Art Print

    Vision after the Sermon

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    Vision after the Sermon (Jacob Wrestling with the Angel) (1888) by Paul Gauguin depicts a scene from the Bible in which Jacob wrestles an angel (Genesis 32:22-31), seen as a vision after a sermon in church by a group of Breton women ➵