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Dance at Le Moulin de la Galette (1876, Bal du Moulin de la Galette) by Pierre-Auguste Renoir is an everyday scene of real life, and one of his most celebrated masterpieces. It depicts a Sunday afternoon at the Moulin de la Galette ➵

Dance at Le Moulin de la Galette (1876, Bal du Moulin de la Galette) by Pierre-Auguste Renoir is an everyday scene of real life, and one of his most celebrated masterpieces. It depicts a Sunday afternoon at the Moulin de la Galette ➵

Dawn at Futamigaura (1832) by Utagawa Kunisada depicts the "wedded rocks" representing Izanagi and Izanami, the creation deities (kami) in Japanese mythology, joined by thick straw rope to demarcate a Shinto sacred space. The rocks tower above the beach, several travelers rest ➵

Dawn at Futamigaura (1832) by Utagawa Kunisada depicts the "wedded rocks" representing Izanagi and Izanami, the creation deities (kami) in Japanese mythology, joined by thick straw rope to demarcate a Shinto sacred space. The rocks tower above the beach, several travelers rest ➵

Death and Life (1915) by Gustav Klimt is regarded as one of his greatest allegories - he described it as his most important figurative work. A menacing Grim Reaper with cudgel watches over a vibrant display of all stages of life, including ➵

Death and Life (1915) by Gustav Klimt is regarded as one of his greatest allegories - he described it as his most important figurative work. A menacing Grim Reaper with cudgel watches over a vibrant display of all stages of life, including ➵

Death and Life (1915) by Gustav Klimt is regarded as one of his greatest allegories - he described it as his most important figurative work. A menacing Grim Reaper with cudgel watches over a vibrant display of all stages of life, including ➵

Despair (1894) by Edvard Munch is one of several works of similar composition depicting the Oslo fjord, the most famous of which being The Scream. The works relate back to a very strong experience of his when going for a walk at ➵

Despair (1894) by Edvard Munch is one of several works of similar composition depicting the Oslo fjord, the most famous of which being The Scream. The works relate back to a very strong experience of his when going for a walk at ➵

Edam Windmill (1896, Moulin d'Edam) by Paul Signac depicts a windmill towering above the flat Dutch countryside. Signac was exploring a looser, more rectangular brushstroke similar to a mosaic, as opposed to the precise dots common in pointillism. Here with dense layers ➵

Edam Windmill (1896, Moulin d'Edam) by Paul Signac depicts a windmill towering above the flat Dutch countryside. Signac was exploring a looser, more rectangular brushstroke similar to a mosaic, as opposed to the precise dots common in pointillism. Here with dense layers ➵

Eiffel Tower (1889) by Georges Seurat is one of about seventy oil studies, or "croquetons" (little sketches), he made on small wood panels. The panels were easily transported and ideal for outdoor painting. Here his subject is the tower built by Gustave ➵

Eiffel Tower (1889) by Georges Seurat is one of about seventy oil studies, or "croquetons" (little sketches), he made on small wood panels. The panels were easily transported and ideal for outdoor painting. Here his subject is the tower built by Gustave ➵

Enclosed Field with Plowman (1889) by Vincent van Gogh depicts a plowman tilling a wheat field surrounded by a low stone wall under a cloudy sky, and an old farm house behind a hill. It is one of a series of paintings ➵

Enclosed Field with Plowman (1889) by Vincent van Gogh depicts a plowman tilling a wheat field surrounded by a low stone wall under a cloudy sky, and an old farm house behind a hill. It is one of a series of paintings ➵

Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵

Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵

Flowering Poppies (1907) by Gustav Klimt, also known as Poppy Field, depicts a meadow filled with red poppies, which includes several fruit trees that visually merge with the dominant poppy field. The dense foreground gives way to a panoramic horizon, with a ➵

Flowering Poppies (1907) by Gustav Klimt, also known as Poppy Field, depicts a meadow filled with red poppies, which includes several fruit trees that visually merge with the dominant poppy field. The dense foreground gives way to a panoramic horizon, with a ➵

Forest Interior by Moonlight (1830) by Caspar David Friedrich contrasts the struggles of human life with the beauty and solace of nature on a moonlit night. It depicts a forest landscape where a man and a woman have taken refuge in a ➵

Forest Interior by Moonlight (1830) by Caspar David Friedrich contrasts the struggles of human life with the beauty and solace of nature on a moonlit night. It depicts a forest landscape where a man and a woman have taken refuge in a ➵

Portrait of Fräulein Lieser (1917) by Gustav Klimt was left unsigned in his studio when he died in 1918. The background of the painting has faintly pencilled shapes, suggesting that he intended to continue making elaborations. It was presumed lost until it ➵

Portrait of Fräulein Lieser (1917) by Gustav Klimt was left unsigned in his studio when he died in 1918. The background of the painting has faintly pencilled shapes, suggesting that he intended to continue making elaborations. It was presumed lost until it ➵

The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵

The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵

The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵

The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵

Gas (1940) by Edward Hopper depicts a Mobil gas station, and an attendant working alone at the pumps as night falls. The modern details of the fuel pump, sign and electric lighting contrast with the twilight sky and dense pine forest in ➵

Gas (1940) by Edward Hopper depicts a Mobil gas station, and an attendant working alone at the pumps as night falls. The modern details of the fuel pump, sign and electric lighting contrast with the twilight sky and dense pine forest in ➵

The Ghost of Kohada Koheiji (1832) by Katsushika Hokusai is from his ukiyo-e woodblock series One Hundred Ghost Stories, although only five prints are known to exist. This print depicts a scene from the story of Kohada Koheiji, a kabuki actor who ➵

The Ghost of Kohada Koheiji (1832) by Katsushika Hokusai is from his ukiyo-e woodblock series One Hundred Ghost Stories, although only five prints are known to exist. This print depicts a scene from the story of Kohada Koheiji, a kabuki actor who ➵

Onoe Baiko as a Female Ghost Rising from a Swamp (1838) by Utagawa Kunisada depicts the kabuki actor Onoe Baiko, renowned for his skill at portraying ghosts. The character may be the ghost of the wife of Kohada Koheiji in the play ➵

Onoe Baiko as a Female Ghost Rising from a Swamp (1838) by Utagawa Kunisada depicts the kabuki actor Onoe Baiko, renowned for his skill at portraying ghosts. The character may be the ghost of the wife of Kohada Koheiji in the play ➵

Girl in a Sailor's Blouse (1918) by Amedeo Modigliani was painted during his time in the south of France at the end of World War I, where he employed local young servants, shopgirls, and children as models. His quintessential female depiction, long ➵

Girl in a Sailor's Blouse (1918) by Amedeo Modigliani was painted during his time in the south of France at the end of World War I, where he employed local young servants, shopgirls, and children as models. His quintessential female depiction, long ➵

Girl with a Pearl Earring (1665) by Johannes Vermeer, also know as Girl with a Turban, was widely exhibited throughout the 20th century, making it one of the world's most recognizable paintings. Technically not a portrait, it is a "tronie" - not ➵

Girl with a Pearl Earring (1665) by Johannes Vermeer, also know as Girl with a Turban, was widely exhibited throughout the 20th century, making it one of the world's most recognizable paintings. Technically not a portrait, it is a "tronie" - not ➵

Entrance to the Grand Canal, Venice (1905, Le Grand Canal à Venise) by Paul Signac depicts the waters of the Grand Canal lined with many gondolas, and the Dogana da Mar and Santa Maria della Salute in the background. While Seurat applied ➵

Entrance to the Grand Canal, Venice (1905, Le Grand Canal à Venise) by Paul Signac depicts the waters of the Grand Canal lined with many gondolas, and the Dogana da Mar and Santa Maria della Salute in the background. While Seurat applied ➵

Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵

Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵

Hope II (1908) by Gustav Klimt was the second of his works to focus on a pregnant woman, both depicting Herma, one of his favorite models. She is wearing a cloak decorated with a mosaic of circle and oval shapes, bowing her ➵

Hope II (1908) by Gustav Klimt was the second of his works to focus on a pregnant woman, both depicting Herma, one of his favorite models. She is wearing a cloak decorated with a mosaic of circle and oval shapes, bowing her ➵

House by the Railroad (1925) by Edward Hopper depicts a Victorian mansion isolated in an empty landscape, blocked off by railroad tracks in the foreground. He insisted that his paintings were straightforward representations of the real world, but as seen here, they ➵

House by the Railroad (1925) by Edward Hopper depicts a Victorian mansion isolated in an empty landscape, blocked off by railroad tracks in the foreground. He insisted that his paintings were straightforward representations of the real world, but as seen here, they ➵