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A Dash for the Timber (1889) by Frederic Remington depicts eight men on horseback pursued by a group of Native Americans. Having not yet reached the trees, with one man struck by a bullet, it is not clear who will emerge victorious. ➵

A Dash for the Timber (1889) by Frederic Remington depicts eight men on horseback pursued by a group of Native Americans. Having not yet reached the trees, with one man struck by a bullet, it is not clear who will emerge victorious. ➵

A Mexican Vaquero (1890) by Frederic Remington depicts a vaquero, a Mexican horseman similar to the American cowboys, sitting on his horse, outlined by the pale blue sky. A trip to Mexico in 1889 provided Remington with a wealth of firsthand material ➵

A Mexican Vaquero (1890) by Frederic Remington depicts a vaquero, a Mexican horseman similar to the American cowboys, sitting on his horse, outlined by the pale blue sky. A trip to Mexico in 1889 provided Remington with a wealth of firsthand material ➵

A Walk at Dusk (1835) by Caspar David Friedrich explores the spiritual elements of nature alongside the themes of life and death. It depicts a man in red robes walking alone towards a megalithic tomb, surrounded by leafless trees. A waxing moon ➵

A Walk at Dusk (1835) by Caspar David Friedrich explores the spiritual elements of nature alongside the themes of life and death. It depicts a man in red robes walking alone towards a megalithic tomb, surrounded by leafless trees. A waxing moon ➵

Portrait of Adele Bloch-Bauer I (1907) by Gustav Klimt, also called The Lady in Gold or The Woman in Gold, depicts Adele Bloch-Bauer in a dress adorned with different mosaics, sitting on a golden throne, in front of a golden background. It ➵

Portrait of Adele Bloch-Bauer I (1907) by Gustav Klimt, also called The Lady in Gold or The Woman in Gold, depicts Adele Bloch-Bauer in a dress adorned with different mosaics, sitting on a golden throne, in front of a golden background. It ➵

The Adoration of the Magi (1475) by Hieronymus Bosch is an unusual depiction of a popular religious theme, the three magi bearing gifts of gold, frankincense, and myrrh to the Virgin Mary and Christ Child (Matthew 2:11). It is staged in the ➵

The Adoration of the Magi (1475) by Hieronymus Bosch is an unusual depiction of a popular religious theme, the three magi bearing gifts of gold, frankincense, and myrrh to the Virgin Mary and Christ Child (Matthew 2:11). It is staged in the ➵

The Ghent Altarpiece (1432, De aanbidding van het Lam Gods) by brothers Jan and Hubert van Eyck, also known as the Adoration of the Mystic Lamb, is a large and complex polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. The altarpiece is ➵

The Ghent Altarpiece (1432, De aanbidding van het Lam Gods) by brothers Jan and Hubert van Eyck, also known as the Adoration of the Mystic Lamb, is a large and complex polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. The altarpiece is ➵

Almond Blossom (1890) by Vincent van Gogh was made to celebrate the birth of his nephew and namesake, son of his brother Theo and sister-in-law Jo. The painting reflects van Gogh's interest in Japanese woodcuts. The closeup composition is unlike any of ➵

Almond Blossom (1890) by Vincent van Gogh was made to celebrate the birth of his nephew and namesake, son of his brother Theo and sister-in-law Jo. The painting reflects van Gogh's interest in Japanese woodcuts. The closeup composition is unlike any of ➵

Almond Blossom (1890) by Vincent van Gogh was made to celebrate the birth of his nephew and namesake, son of his brother Theo and sister-in-law Jo. The painting reflects van Gogh's interest in Japanese woodcuts. The closeup composition is unlike any of ➵

American Gothic (1930) by Grant Wood is one of the most famous American paintings of the 20th century. Wood was inspired to paint the house in Eldon, Iowa, along with "the kind of people I fancied should live in that house." The ➵

American Gothic (1930) by Grant Wood is one of the most famous American paintings of the 20th century. Wood was inspired to paint the house in Eldon, Iowa, along with "the kind of people I fancied should live in that house." The ➵

An Indian Trapper (1889) by Frederic Remington depicts a Native American man on horseback, holding a rifle, looking back down the mountain trail he is traveling. Farther up the trail are two others on horseback, transporting animal carcasses from a successful hunt. ➵

An Indian Trapper (1889) by Frederic Remington depicts a Native American man on horseback, holding a rifle, looking back down the mountain trail he is traveling. Farther up the trail are two others on horseback, transporting animal carcasses from a successful hunt. ➵

Anxiety (1894) by Edvard Munch is one of several similar works depicting a strong emotional reaction to a sunset overlooking the Oslo fjord. Going for a walk at sunset, Munch saw the setting sun turn the clouds red: "the sunset was particularly ➵

Anxiety (1894) by Edvard Munch is one of several similar works depicting a strong emotional reaction to a sunset overlooking the Oslo fjord. Going for a walk at sunset, Munch saw the setting sun turn the clouds red: "the sunset was particularly ➵

Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵

Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵

At Eternity's Gate, or Sorrowing Old Man (1890) by Vincent van Gogh depicts an old man with his elbows on his knees, head in his hands, sitting in a chair by a fireplace. Based on an earlier lithograph from 1882, it was ➵

At Eternity's Gate, or Sorrowing Old Man (1890) by Vincent van Gogh depicts an old man with his elbows on his knees, head in his hands, sitting in a chair by a fireplace. Based on an earlier lithograph from 1882, it was ➵

Bathers at Asnières (1884, Une Baignade, Asnières) by Georges Seurat depicts bathers in the Seine at Asnières/ Courbevoie, about four miles from the center of Paris. Opposite is the island of la Grande Jatte, the east tip of which is shown as ➵

Bathers at Asnières (1884, Une Baignade, Asnières) by Georges Seurat depicts bathers in the Seine at Asnières/ Courbevoie, about four miles from the center of Paris. Opposite is the island of la Grande Jatte, the east tip of which is shown as ➵

Beech Grove I (1902) by Gustav Klimt depicts a dense grove of beech trees. Klimt is not primarily known for landscapes, and as it lacks a vanishing point, this is not a traditional landscape. The tree trunks are adorned with intricate patterns ➵

Beech Grove I (1902) by Gustav Klimt depicts a dense grove of beech trees. Klimt is not primarily known for landscapes, and as it lacks a vanishing point, this is not a traditional landscape. The tree trunks are adorned with intricate patterns ➵

Nocturne: Blue and Silver, Chelsea (1871) by James McNeill Whistler is a view from Battersea Bridge looking across the Thames towards Chelsea. The tower of Chelsea Old Church is visible on the right, and a fisherman stands in the foreground. This is ➵

Nocturne: Blue and Silver, Chelsea (1871) by James McNeill Whistler is a view from Battersea Bridge looking across the Thames towards Chelsea. The tower of Chelsea Old Church is visible on the right, and a fisherman stands in the foreground. This is ➵

Boulevard des Capucines (1873) by Claude Monet depicts the view of the famous Paris boulevard as seen from the very rooms that would be used for the first Impressionist exhibition. With very little detail, Monet depicts the Parisian boulevard lined with trees ➵

Boulevard des Capucines (1873) by Claude Monet depicts the view of the famous Paris boulevard as seen from the very rooms that would be used for the first Impressionist exhibition. With very little detail, Monet depicts the Parisian boulevard lined with trees ➵

Café Terrace at Night (1888) by Vincent van Gogh, is also known as The Cafe Terrace on the Place du Forum, and Coffeehouse in the evening (Café, le soir) when it was first exhibited in 1891. It depicts an actual cafe in ➵

Café Terrace at Night (1888) by Vincent van Gogh, is also known as The Cafe Terrace on the Place du Forum, and Coffeehouse in the evening (Café, le soir) when it was first exhibited in 1891. It depicts an actual cafe in ➵

Cape Cod Evening (1939) by Edward Hopper depicts a woman and man in front of a Victorian house, surrounded by trees and long grass. The man is unsuccessfully attempting to summon a collie standing in the yard, alerted by something out of sight. ➵

Cape Cod Evening (1939) by Edward Hopper depicts a woman and man in front of a Victorian house, surrounded by trees and long grass. The man is unsuccessfully attempting to summon a collie standing in the yard, alerted by something out of ➵

Chop Suey (1929) by Edward Hopper pays particular attention to the effects of light in the scene, and similar to Nighthawks, there is an element of loneliness as each figure seems isolated and withdrawn from the others. It depicts two women seated ➵

Chop Suey (1929) by Edward Hopper pays particular attention to the effects of light in the scene, and similar to Nighthawks, there is an element of loneliness as each figure seems isolated and withdrawn from the others. It depicts two women seated ➵

Circus Sideshow (1888, Parade de cirque) by Georges Seurat is his first nocturnal painting and the first to depict popular entertainment. Traveling circuses made seasonal appearances in Paris, where free sideshows were staged outside the circus tent to sell tickets. This painting ➵

Circus Sideshow (1888, Parade de cirque) by Georges Seurat is his first nocturnal painting and the first to depict popular entertainment. Traveling circuses made seasonal appearances in Paris, where free sideshows were staged outside the circus tent to sell tickets. This painting ➵

Man and Woman Contemplating the Moon (1824, Mann und Frau in Betrachtung des Mondes) by Caspar David Friedrich depicts a woman and man in a forest at night. The woman rests her hand on the man's shoulder as they observe the waxing ➵

Man and Woman Contemplating the Moon (1824, Mann und Frau in Betrachtung des Mondes) by Caspar David Friedrich depicts a woman and man in a forest at night. The woman rests her hand on the man's shoulder as they observe the waxing ➵

Country Road in Provence by Night (1890) by Vincent van Gogh, also known as Road with Cypress and Star, is the last painting he made in Saint-Rémy-de-Provence. The painting is one of several that feature large cypresses, in this case extending beyond ➵

Country Road in Provence by Night (1890) by Vincent van Gogh, also known as Road with Cypress and Star, is the last painting he made in Saint-Rémy-de-Provence. The painting is one of several that feature large cypresses, in this case extending beyond ➵