Collection: Products

Nighthawks (1942) by Edward Hopper is his most recognizable painting and one of the most famous in American art. Various artists have produced works that allude, parody or pay homage to it in literature, film, television, music and other paintings. It depicts ➵

Odalisque with a Tambourine (1926) by Henri Matisse depicts a nude female figure reclining in a chair in front of an open window. An odalisque is a female slave or concubine in a harem. Here she is surrounded by vibrant colors, the ➵

Odalisque with a Tambourine (1926) by Henri Matisse depicts a nude female figure reclining in a chair in front of an open window. An odalisque is a female slave or concubine in a harem. Here she is surrounded by vibrant colors, the ➵

Bust of an Old Man with Turban (1628) by Rembrandt van Rijn depicts an unnamed man in a decorative turban, making it a "tronie" or character study not intended to depict a specific person. Pictures of imaginary Persian or Ottoman princes were ➵

Bust of an Old Man with Turban (1628) by Rembrandt van Rijn depicts an unnamed man in a decorative turban, making it a "tronie" or character study not intended to depict a specific person. Pictures of imaginary Persian or Ottoman princes were ➵

Open Window, Collioure (1905) by Henri Matisse is a prime example of Fauvism, a style of art that he was instrumental in developing, noted for bold and bright colors used to express emotion over realism. Matisse loved painting open windows, here depicting ➵

Open Window, Collioure (1905) by Henri Matisse is a prime example of Fauvism, a style of art that he was instrumental in developing, noted for bold and bright colors used to express emotion over realism. Matisse loved painting open windows, here depicting ➵

The Piazza San Marco, Venice (1881) by Pierre-Auguste Renoir depicts Saint Mark's Basilica (Basilica di San Marco) as well as the people and pigeons on the piazza. Renoir visited Venice on a tour of Italy, primarily painting famous sites, exploring the effects ➵

The Piazza San Marco, Venice (1881) by Pierre-Auguste Renoir depicts Saint Mark's Basilica (Basilica di San Marco) as well as the people and pigeons on the piazza. Renoir visited Venice on a tour of Italy, primarily painting famous sites, exploring the effects ➵

Place de la Trinité (1893, Trinity Square) by Pierre-Auguste Renoir depicts the busy streets and cityscape in front of the Église de la Sainte-Trinité (Church of the Holy Trinity), as seen from the rue Morlot, with the church obscured on the left. ➵

Place de la Trinité (1893, Trinity Square) by Pierre-Auguste Renoir depicts the busy streets and cityscape in front of the Église de la Sainte-Trinité (Church of the Holy Trinity), as seen from the rue Morlot, with the church obscured on the left. ➵

Plowman in a Field (1889) by Vincent van Gogh depicts a plowman tilling a wheat field surrounded by a low stone wall, poplar trees, and an old farm house in the distance. It is one of a series of paintings of the ➵

Plowman in a Field (1889) by Vincent van Gogh depicts a plowman tilling a wheat field surrounded by a low stone wall, poplar trees, and an old farm house in the distance. It is one of a series of paintings of the ➵

Entrance to the port of La Rochelle (1921, Entrée du port de La Rochelle) by Paul Signac depicts boats alongside the port's towers, remnants of medieval maritime fortifications. The interplay of sunlight and shadow brings the scene to life, with reflections on ➵

Entrance to the port of La Rochelle (1921, Entrée du port de La Rochelle) by Paul Signac depicts boats alongside the port's towers, remnants of medieval maritime fortifications. The interplay of sunlight and shadow brings the scene to life, with reflections on ➵

Portrait of Dr. Gachet (1890) by Vincent van Gogh depicts Dr. Paul Gachet, a homeopathic doctor with whom he resided following his time in the asylum at Saint-Rémy-de-Provence. Gachet took care of him during the final months of his life. Van Gogh ➵

Portrait of Dr. Gachet (1890) by Vincent van Gogh depicts Dr. Paul Gachet, a homeopathic doctor with whom he resided following his time in the asylum at Saint-Rémy-de-Provence. Gachet took care of him during the final months of his life. Van Gogh ➵

Opus 217, Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon (1890) by Paul Signac depicts the French art critic Félix Fénéon standing in front of a swirling, kaleidoscope background. Fénéon and ➵

Opus 217, Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon (1890) by Paul Signac depicts the French art critic Félix Fénéon standing in front of a swirling, kaleidoscope background. Fénéon and ➵

Rose and Silver: The Princess from the Land of Porcelain (1864) by James McNeill Whistler depicts a European woman wearing a kimono in a Western manner, holding a fan, standing amidst numerous Asian art objects, including a rug, Japanese folding screen and ➵

Rose and Silver: The Princess from the Land of Porcelain (1864) by James McNeill Whistler depicts a European woman wearing a kimono in a Western manner, holding a fan, standing amidst numerous Asian art objects, including a rug, Japanese folding screen and ➵

Reclining Nude (1917, Nu couché) by Amedeo Modigliani, also known as Red Nude, is one of his most widely reproduced and exhibited paintings. One of a series of nudes that he painted in 1917, it was included in his first and only ➵

Reclining Nude (1917, Nu couché) by Amedeo Modigliani, also known as Red Nude, is one of his most widely reproduced and exhibited paintings. One of a series of nudes that he painted in 1917, it was included in his first and only ➵

Red Fuji (1832) by Katsushika Hokusai, officially titled Fine Wind, Clear Morning (凱風快晴, Gaifū Kaisei), is a Japanese ukiyo-e woodblock print from Hokusai's series Thirty-six Views of Mount Fuji. This print prominently depicts a snow-capped Mount Fuji surrounded by trees and clouds, ➵

Red Fuji (1832) by Katsushika Hokusai, officially titled Fine Wind, Clear Morning (凱風快晴, Gaifū Kaisei), is a Japanese ukiyo-e woodblock print from Hokusai's series Thirty-six Views of Mount Fuji. This print prominently depicts a snow-capped Mount Fuji surrounded by trees and clouds, ➵

Redheaded Girl in Evening Dress (1918) by Amadeo Modigliani depicts a young woman in a strapless dress, representative of bold new fashions that emerged as women experienced new freedom in the early 20th century. Draping her shoulder over the chair, she addresses ➵

Redheaded Girl in Evening Dress (1918) by Amadeo Modigliani depicts a young woman in a strapless dress, representative of bold new fashions that emerged as women experienced new freedom in the early 20th century. Draping her shoulder over the chair, she addresses ➵

Salvator Mundi (1510) by Leonardo da Vinci, is Latin for "Savior of the World." Thought to be a copy of a lost original veiled with overpainting, it was rediscovered, restored, and included in an exhibition of Leonardo's work at the National Gallery, ➵

Salvator Mundi (1510) by Leonardo da Vinci, is Latin for "Savior of the World." Thought to be a copy of a lost original veiled with overpainting, it was rediscovered, restored, and included in an exhibition of Leonardo's work at the National Gallery, ➵

The Sea of Ice (1824, Das Eismeer) by Caspar David Friedrich depicts a vast Arctic ice floe, formed from layers of crushed ice. Although Friedrich never traveled to the Arctic, he conducted extensive studies of ice on the River Elbe near Dresden ➵

The Sea of Ice (1824, Das Eismeer) by Caspar David Friedrich depicts a vast Arctic ice floe, formed from layers of crushed ice. Although Friedrich never traveled to the Arctic, he conducted extensive studies of ice on the River Elbe near Dresden ➵

Self-Portrait (1889) by Vincent van Gogh is possibly his last self-portrait, painted shortly before he left Saint-Rémy-de-Provence in southern France. One of about 32 produced over a 10 year period, these portraits were an important part of his work as a painter ➵

Self-Portrait (1889) by Vincent van Gogh is possibly his last self-portrait, painted shortly before he left Saint-Rémy-de-Provence in southern France. One of about 32 produced over a 10 year period, these portraits were an important part of his work as a painter ➵

Self-Portrait (1887) by Vincent van Gogh is one of about 32 produced over a 10 year period, an important part of his work as he often lacked the money to pay models. He painted his first known self-portrait in 1886, following the ➵

Self-Portrait (1887) by Vincent van Gogh is one of about 32 produced over a 10 year period, an important part of his work as he often lacked the money to pay models. He painted his first known self-portrait in 1886, following the ➵

Self-Portrait with Bandaged Ear (1889) by Vincent van Gogh is a self-portrait in a blue cap with black fur, a green overcoat, with a bandage covering his ear. The portrait makes it appear his right ear is bandaged, as he used a ➵

Self-Portrait with Bandaged Ear (1889) by Vincent van Gogh is a self-portrait in a blue cap with black fur, a green overcoat, with a bandage covering his ear. The portrait makes it appear his right ear is bandaged, as he used a ➵

Self-Portrait with Beret and Turned-Up Collar (1659) by Rembrandt van Rijn is one of over 40 self-portraits he created. Rembrandt is seated, wearing a fur cloak, his hands clasped in his lap. His face is well lit with detailed brushwork, while his ➵

Self-Portrait with Beret and Turned-Up Collar (1659) by Rembrandt van Rijn is one of over 40 self-portraits he created. Rembrandt is seated, wearing a fur cloak, his hands clasped in his lap. His face is well lit with detailed brushwork, while his ➵

Arrangement in Gray, Portrait of the Painter (1872) by James McNeill Whistler depicts the artist in his painters smock holding brushes. His signature butterfly is prominently featured, first developed in the 1860s out of his interest in Asian art. The stylized butterfly ➵

Arrangement in Gray, Portrait of the Painter (1872) by James McNeill Whistler depicts the artist in his painters smock holding brushes. His signature butterfly is prominently featured, first developed in the 1860s out of his interest in Asian art. The stylized butterfly ➵

Self-Portrait with Halo and Snake (1889) by Paul Gauguin is one of more than 40 self-portraits he completed during his lifetime. This portrait demonstrates his use of religious symbolism, and the influence of Japanese wood-block prints. Gauguin divides the canvas in half, ➵

Self-Portrait with Halo and Snake (1889) by Paul Gauguin is one of more than 40 self-portraits he completed during his lifetime. This portrait demonstrates his use of religious symbolism, and the influence of Japanese wood-block prints. Gauguin divides the canvas in half, ➵

Shaded Path (1872, Le chemin ombragé) by Pierre-Auguste Renoir depicts a painter at work in the forest of Fontainebleau. Paths with overhanging trees allowed painters to explore light and shadow by rendering the effects of sunlight through thick foliage. The forest of ➵

Shaded Path (1872, Le chemin ombragé) by Pierre-Auguste Renoir depicts a painter at work in the forest of Fontainebleau. Paths with overhanging trees allowed painters to explore light and shadow by rendering the effects of sunlight through thick foliage. The forest of ➵