Collection: Artwork
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Man with a Blue Chaperon ☶ Van Eyck ☴ Canvas
Portrait of a Man with a Blue Chaperon (1430) by Jan van Eyck depicts a man in a blue headdress presenting a ring. Artists did not title their works in the Northern Renaissance period, so his name and true profession have been ➵◰ Canvas Reproductions
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Meadows near Greifswald ☷ Friedrich ☷ Art Print
Meadows near Greifswald (1822, Wiesen bei Greifswald) by Caspar David Friedrich depicts horses in a meadow in front of the cityscape of Greifswald, Germany. The churches, windmills and houses of the city are wedged between a giant open sky and a large ➵◰ Canvas Reproductions
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Meadows near Greifswald ☷ Friedrich ☷ Canvas
Meadows near Greifswald (1822, Wiesen bei Greifswald) by Caspar David Friedrich depicts horses in a meadow in front of the cityscape of Greifswald, Germany. The churches, windmills and houses of the city are wedged between a giant open sky and a large ➵◰ Canvas Reproductions
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Models ☶ Seurat ☳ Art Print
Models (1888) by Georges Seurat, also known as The Three Models and Les Poseuses, is notable for recreating an existing painting: the left background is part of his painting A Sunday Afternoon on the Island of La Grande Jatte. This painting was ➵◰ Canvas Reproductions
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Models ☶ Seurat ☳ Canvas
Models (1888) by Georges Seurat, also known as The Three Models and Les Poseuses, is notable for recreating an existing painting: the left background is part of his painting A Sunday Afternoon on the Island of La Grande Jatte. This painting was ➵◰ Canvas Reproductions
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Myself, Portrait-Landscape ☷ Rousseau ☰ Art Print
Myself, Portrait-Landscape (1890, Moi-même, portrait-paysage) by Henri Rousseau is a self-portrait titled to claim equal status between the typically distinct genres of portraits and landscapes. Rousseau is wearing the insignia of the Ordre des Palmes académiques as a buttonhole pin, which was ➵◰ Canvas Reproductions
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Myself, Portrait-Landscape ☷ Rousseau ☰ Canvas
Myself, Portrait-Landscape (1890, Moi-même, portrait-paysage) by Henri Rousseau is a self-portrait titled to claim equal status between the typically distinct genres of portraits and landscapes. Rousseau is wearing the insignia of the Ordre des Palmes académiques as a buttonhole pin, which was ➵◰ Canvas Reproductions
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New York Movie ☱ Hopper ☴ Art Print
New York Movie (1939) by Edward Hopper depicts a nearly empty movie theater with only a few moviegoers, and an usher lost in her thoughts, continuing a common theme of separation and loneliness in public places. It is one of his most ➵◰ Canvas Reproductions
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New York Movie ☱ Hopper ☴ Canvas
New York Movie (1939) by Edward Hopper depicts a nearly empty movie theater with only a few moviegoers, and an usher lost in her thoughts, continuing a common theme of separation and loneliness in public places. It is one of his most ➵◰ Canvas Reproductions
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Nighthawks ☷ Hopper ☲ Art Print
Nighthawks (1942) by Edward Hopper is his most recognizable painting and one of the most famous in American art. Various artists have produced works that allude, parody or pay homage to it in literature, film, television, music and other paintings. It depicts ➵◰ Canvas Reproductions
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Nighthawks ☷ Hopper ☲ Canvas
Nighthawks (1942) by Edward Hopper is his most recognizable painting and one of the most famous in American art. Various artists have produced works that allude, parody or pay homage to it in literature, film, television, music and other paintings. It depicts ➵◰ Canvas Reproductions
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Odalisque with a Tambourine ☶ Matisse ☴ Art Print
Odalisque with a Tambourine (1926) by Henri Matisse depicts a nude female figure reclining in a chair in front of an open window. An odalisque is a female slave or concubine in a harem. Here she is surrounded by vibrant colors, the ➵◰ Canvas Reproductions
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Odalisque with a Tambourine ☶ Matisse ☴ Canvas
Odalisque with a Tambourine (1926) by Henri Matisse depicts a nude female figure reclining in a chair in front of an open window. An odalisque is a female slave or concubine in a harem. Here she is surrounded by vibrant colors, the ➵◰ Canvas Reproductions
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Old Man with Turban ☶ Rembrandt ☶ Art Print
Bust of an Old Man with Turban (1628) by Rembrandt van Rijn depicts an unnamed man in a decorative turban, making it a "tronie" or character study not intended to depict a specific person. Pictures of imaginary Persian or Ottoman princes were ➵◰ Canvas Reproductions
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Old Man with Turban ☶ Rembrandt ☶ Canvas
Bust of an Old Man with Turban (1628) by Rembrandt van Rijn depicts an unnamed man in a decorative turban, making it a "tronie" or character study not intended to depict a specific person. Pictures of imaginary Persian or Ottoman princes were ➵◰ Canvas Reproductions
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Olive Trees with Yellow Sky and Sun ☲ Van Gogh ☷ Art Print
Olive Trees with Yellow Sky and Sun (1889) by Vincent van Gogh is one at least 15 paintings of olive trees created during his time in the Saint-Rémy-de-Provence asylum. He painted the asylum gardens, and nearby olive trees, cypresses and wheat fields ➵◰ Canvas Reproductions
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Olive Trees with Yellow Sky and Sun ☲ Van Gogh ☷ Canvas
Olive Trees with Yellow Sky and Sun (1889) by Vincent van Gogh is one at least 15 paintings of olive trees created during his time in the Saint-Rémy-de-Provence asylum. He painted the asylum gardens, and nearby olive trees, cypresses and wheat fields ➵◰ Canvas Reproductions
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Open Window, Collioure ☱ Matisse ☴ Art Print
Open Window, Collioure (1905) by Henri Matisse is a prime example of Fauvism, a style of art that he was instrumental in developing, noted for bold and bright colors used to express emotion over realism. Matisse loved painting open windows, here depicting ➵◰ Canvas Reproductions
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Open Window, Collioure ☱ Matisse ☴ Canvas
Open Window, Collioure (1905) by Henri Matisse is a prime example of Fauvism, a style of art that he was instrumental in developing, noted for bold and bright colors used to express emotion over realism. Matisse loved painting open windows, here depicting ➵◰ Canvas Reproductions
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Parliament, Setting Sun ☰ Monet ☲ Art Print
Parliament, Setting Sun (1903, Le Parlement, soleil couchant) by Claude Monet is from his series Views of London (Vues de Londres), which capture his passion for England's capital city with sights like Charing Cross Bridge, Waterloo Bridge, and the Houses of Parliament. ➵◰ Canvas Reproductions
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Parliament, Setting Sun ☰ Monet ☲ Canvas
Parliament, Setting Sun (1903, Le Parlement, soleil couchant) by Claude Monet is from his series Views of London (Vues de Londres), which capture his passion for England's capital city with sights like Charing Cross Bridge, Waterloo Bridge, and the Houses of Parliament. ➵◰ Canvas Reproductions
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Piazza San Marco ☰ Renoir ☰ Art Print
The Piazza San Marco, Venice (1881) by Pierre-Auguste Renoir depicts Saint Mark's Basilica (Basilica di San Marco) as well as the people and pigeons on the piazza. Renoir visited Venice on a tour of Italy, primarily painting famous sites, exploring the effects ➵◰ Canvas Reproductions
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Piazza San Marco ☰ Renoir ☰ Canvas
The Piazza San Marco, Venice (1881) by Pierre-Auguste Renoir depicts Saint Mark's Basilica (Basilica di San Marco) as well as the people and pigeons on the piazza. Renoir visited Venice on a tour of Italy, primarily painting famous sites, exploring the effects ➵◰ Canvas Reproductions
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Place de la Trinité ☱ Renoir ☵ Art Print
Place de la Trinité (1893, Trinity Square) by Pierre-Auguste Renoir depicts the busy streets and cityscape in front of the Église de la Sainte-Trinité (Church of the Holy Trinity), as seen from the rue Morlot, with the church obscured on the left. ➵◰ Canvas Reproductions
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Place de la Trinité ☱ Renoir ☵ Canvas
Place de la Trinité (1893, Trinity Square) by Pierre-Auguste Renoir depicts the busy streets and cityscape in front of the Église de la Sainte-Trinité (Church of the Holy Trinity), as seen from the rue Morlot, with the church obscured on the left. ➵◰ Canvas Reproductions
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Poplars, Pink Effect ☱ Monet ☴ Art Print
Poplars, Pink Effect (1891) by Claude Monet is from his series Les Peupliers created in the summer and fall of 1891. The trees were in a marsh along the banks of the Epte River near Giverny, upstream from Monet's home and studio. ➵◰ Canvas Reproductions
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Poplars, Pink Effect ☱ Monet ☴ Canvas
Poplars, Pink Effect (1891) by Claude Monet is from his series Les Peupliers created in the summer and fall of 1891. The trees were in a marsh along the banks of the Epte River near Giverny, upstream from Monet's home and studio. ➵◰ Canvas Reproductions
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Poppy Field ☷ Monet ☴ Art Print
Poppy Field (1873) by Claude Monet is one of the world's most famous paintings, capturing the essence of a summer stroll through a field of flowers. Monet found inspiration around his home in Argenteuil with many bright landscapes which enabled him to ➵◰ Canvas Reproductions
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Poppy Field ☷ Monet ☴ Canvas
Poppy Field (1873) by Claude Monet is one of the world's most famous paintings, capturing the essence of a summer stroll through a field of flowers. Monet found inspiration around his home in Argenteuil with many bright landscapes which enabled him to ➵◰ Canvas Reproductions
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Port of La Rochelle ☵ Signac ☱ Art Print
Entrance to the port of La Rochelle (1921, Entrée du port de La Rochelle) by Paul Signac depicts boats alongside the port's towers, remnants of medieval maritime fortifications. The interplay of sunlight and shadow brings the scene to life, with reflections on ➵◰ Canvas Reproductions
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Port of La Rochelle ☵ Signac ☱ Canvas
Entrance to the port of La Rochelle (1921, Entrée du port de La Rochelle) by Paul Signac depicts boats alongside the port's towers, remnants of medieval maritime fortifications. The interplay of sunlight and shadow brings the scene to life, with reflections on ➵◰ Canvas Reproductions
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Portrait of Dr. Gachet ☶ Van Gogh ☰ Art Print
Portrait of Dr. Gachet (1890) by Vincent van Gogh depicts Dr. Paul Gachet, a homeopathic doctor with whom he resided following his time in the asylum at Saint-Rémy-de-Provence. Gachet took care of him during the final months of his life. Van Gogh ➵◰ Canvas Reproductions
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Portrait of Dr. Gachet ☶ Van Gogh ☰ Canvas
Portrait of Dr. Gachet (1890) by Vincent van Gogh depicts Dr. Paul Gachet, a homeopathic doctor with whom he resided following his time in the asylum at Saint-Rémy-de-Provence. Gachet took care of him during the final months of his life. Van Gogh ➵◰ Canvas Reproductions
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Portrait of Félix Fénéon ☲ Signac ☴ Art Print
Opus 217, Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon (1890) by Paul Signac depicts the French art critic Félix Fénéon standing in front of a swirling, kaleidoscope background. Fénéon and ➵◰ Canvas Reproductions
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Portrait of Félix Fénéon ☲ Signac ☴ Canvas
Opus 217, Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon (1890) by Paul Signac depicts the French art critic Félix Fénéon standing in front of a swirling, kaleidoscope background. Fénéon and ➵◰ Canvas Reproductions
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Portrait of Patience Escalier ☲ Van Gogh ☴ Art Print
Portrait of a Peasant (1888, Patience Escalier) by Vincent van Gogh depicts a sunburnt and weather-beaten Provençal peasant, gazing intensely out of the canvas. Patience Escalier, "formerly a cowhand in the Camargue, now a gardener at one of the farms in La ➵◰ Canvas Reproductions
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Portrait of Patience Escalier ☲ Van Gogh ☴ Canvas
Portrait of a Peasant (1888, Patience Escalier) by Vincent van Gogh depicts a sunburnt and weather-beaten Provençal peasant, gazing intensely out of the canvas. Patience Escalier, "formerly a cowhand in the Camargue, now a gardener at one of the farms in La ➵◰ Canvas Reproductions
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Princess from the Land of Porcelain ☲ Whistler ☱ Art Print
Rose and Silver: The Princess from the Land of Porcelain (1864) by James McNeill Whistler depicts a European woman wearing a kimono in a Western manner, holding a fan, standing amidst numerous Asian art objects, including a rug, Japanese folding screen and ➵◰ Canvas Reproductions
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Princess from the Land of Porcelain ☲ Whistler ☱ Canvas
Rose and Silver: The Princess from the Land of Porcelain (1864) by James McNeill Whistler depicts a European woman wearing a kimono in a Western manner, holding a fan, standing amidst numerous Asian art objects, including a rug, Japanese folding screen and ➵◰ Canvas Reproductions
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Reclining Nude ☲ Modigliani ☳ Art Print
Reclining Nude (1917, Nu couché) by Amedeo Modigliani, also known as Red Nude, is one of his most widely reproduced and exhibited paintings. One of a series of nudes that he painted in 1917, it was included in his first and only ➵◰ Canvas Reproductions
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Reclining Nude ☲ Modigliani ☳ Canvas
Reclining Nude (1917, Nu couché) by Amedeo Modigliani, also known as Red Nude, is one of his most widely reproduced and exhibited paintings. One of a series of nudes that he painted in 1917, it was included in his first and only ➵◰ Canvas Reproductions
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Red Fuji ☶ Hokusai ☰ Art Print
Red Fuji (1832) by Katsushika Hokusai, officially titled Fine Wind, Clear Morning (凱風快晴, Gaifū Kaisei), is a Japanese ukiyo-e woodblock print from Hokusai's series Thirty-six Views of Mount Fuji. This print prominently depicts a snow-capped Mount Fuji surrounded by trees and clouds, ➵◰ Canvas Reproductions
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Red Fuji ☶ Hokusai ☰ Canvas
Red Fuji (1832) by Katsushika Hokusai, officially titled Fine Wind, Clear Morning (凱風快晴, Gaifū Kaisei), is a Japanese ukiyo-e woodblock print from Hokusai's series Thirty-six Views of Mount Fuji. This print prominently depicts a snow-capped Mount Fuji surrounded by trees and clouds, ➵◰ Canvas Reproductions
⧈ Framed Art Prints
