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Hunter's Supper (1909) by Frederic Remington, also known as Hunters' Camp in the Big Horn, depicts a group of frontiersmen gathered around a campfire at dusk, showing a moment of relaxation surrounded by a harsh frontier. The orange and red glow of ➵

Hunter's Supper (1909) by Frederic Remington, also known as Hunters' Camp in the Big Horn, depicts a group of frontiersmen gathered around a campfire at dusk, showing a moment of relaxation surrounded by a harsh frontier. The orange and red glow of ➵

Impression, Sunrise (1872, Impression, soleil levant) by Claude Monet is credited with inspiring the name of the Impressionist movement. It depicts the industrialization of the port at Monet's hometown of Le Havre. The port is seen at sunrise, with two small rowboats ➵

Impression, Sunrise (1872, Impression, soleil levant) by Claude Monet is credited with inspiring the name of the Impressionist movement. It depicts the industrialization of the port at Monet's hometown of Le Havre. The port is seen at sunrise, with two small rowboats ➵

In the Waves (1889, Dans les Vagues) by Paul Gauguin was created during his time in a small coastal village called Pont-Aven where he sought to immerse himself in nature and escape modern civilization. It depicts a nude figure throwing herself into ➵

In the Waves (1889, Dans les Vagues) by Paul Gauguin was created during his time in a small coastal village called Pont-Aven where he sought to immerse himself in nature and escape modern civilization. It depicts a nude figure throwing herself into ➵

Interior with a Violin Case (1919) by Henri Matisse depicts a room with a large window, white curtains, heavily decorated walls and patterned floor, a dressing table with mirror, a chair and footstool, and an open violin case - with no violin. ➵

Interior with a Violin Case (1919) by Henri Matisse depicts a room with a large window, white curtains, heavily decorated walls and patterned floor, a dressing table with mirror, a chair and footstool, and an open violin case - with no violin. ➵

Female Nude (1916) by Amedeo Modigliani is a portrait of Iris Tree (27 January 1897 – 13 April 1968), an English poet, actress, and art model. She was a highly sought after model, being painted by Augustus John, simultaneously by Duncan Grant, ➵

Female Nude (1916) by Amedeo Modigliani is a portrait of Iris Tree (27 January 1897 – 13 April 1968), an English poet, actress, and art model. She was a highly sought after model, being painted by Augustus John, simultaneously by Duncan Grant, ➵

Irises (1889) by Vincent van Gogh depicts vibrant blooming irises with lush green leaves, red-orange earth, and yellow flowers in the background. He painted several variations of irises during his stay at the Saint-Paul-de-Mausole asylum, working from nature in the hospital garden. ➵

Irises (1889) by Vincent van Gogh depicts vibrant blooming irises with lush green leaves, red-orange earth, and yellow flowers in the background. He painted several variations of irises during his stay at the Saint-Paul-de-Mausole asylum, working from nature in the hospital garden. ➵

Kamakura no Gengorō Seizing Torinoumi Tasaburo (1832) by Katsushika Hokusai is a ukiyo-e woodblock print that depicts a scene from the renowned kabuki play The Chūshingura, where the heroic Minamoto warrior Kamakura no Gengorō confronts the treacherous Torinoumi Tasaburo in a thrilling ➵

Kamakura no Gengorō Seizing Torinoumi Tasaburo (1832) by Katsushika Hokusai is a ukiyo-e woodblock print that depicts a scene from the renowned kabuki play The Chūshingura, where the heroic Minamoto warrior Kamakura no Gengorō confronts the treacherous Torinoumi Tasaburo in a thrilling ➵

La Cité, Paris (1934) by Paul Signac depicts the Quai de Montebello, one of the many bridges over the Seine, the trees along the bank, and Notre-Dame in the background. Signac's signature pointillist style was inspired by Georges Seurat in 1884, and ➵

La Cité, Paris (1934) by Paul Signac depicts the Quai de Montebello, one of the many bridges over the Seine, the trees along the bank, and Notre-Dame in the background. Signac's signature pointillist style was inspired by Georges Seurat in 1884, and ➵

Landscape in the South (1919, Paysage dans le Midi) by Amedeo Modigliani depicts a landscape in southeastern France. Modigliani left Paris in early 1918, part of a mass exodus to the countryside at a time of increased danger to the city during ➵

Landscape in the South (1919, Paysage dans le Midi) by Amedeo Modigliani depicts a landscape in southeastern France. Modigliani left Paris in early 1918, part of a mass exodus to the countryside at a time of increased danger to the city during ➵

Landscape, Yellow Tree in the foreground and Sea background in the South (1914, Paysage, arbre jaune au premier plan et fond de mer dans le Midi) by Pierre-Auguste Renoir depicts the countryside surrounding Renoir's newly built home at Les Collettes on the ➵

Landscape, Yellow Tree in the foreground and Sea background in the South (1914, Paysage, arbre jaune au premier plan et fond de mer dans le Midi) by Pierre-Auguste Renoir depicts the countryside surrounding Renoir's newly built home at Les Collettes on the ➵

The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵

The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵

Portrait of the Artist Léopold Survage (1918) by Amedeo Modigliani dates from his most creative period. Léopold Survage (31 July 1879 - 31 October 1968) was a Russian-French painter who attended art school in Moscow, and moved to Paris around 1908. Survage ➵

Portrait of the Artist Léopold Survage (1918) by Amedeo Modigliani dates from his most creative period. Léopold Survage (31 July 1879 - 31 October 1968) was a Russian-French painter who attended art school in Moscow, and moved to Paris around 1908. Survage ➵

Life is a Struggle (1903) by Gustav Klimt, also known as The Golden Knight, depicts a knight in golden armor confronted by a snake. The knight and his horse are richly detailed, decorated in diamond and square patterns, against an intricate backdrop ➵

Life is a Struggle (1903) by Gustav Klimt, also known as The Golden Knight, depicts a knight in golden armor confronted by a snake. The knight and his horse are richly detailed, decorated in diamond and square patterns, against an intricate backdrop ➵

Love and Pain (1895) by Edvard Munch, also referred to as Vampire (though not by Munch), is one of six different versions created between 1893 and 1895. It depicts a woman with bright red hair embracing a man, and kissing his neck. ➵

Love and Pain (1895) by Edvard Munch, also referred to as Vampire (though not by Munch), is one of six different versions created between 1893 and 1895. It depicts a woman with bright red hair embracing a man, and kissing his neck. ➵

Madonna (1894) by Edvard Munch depicts a nude female figure, interpreted as a possible representation of the Virgin Mary, though he is not known for religious artwork. Munch created two other versions and a lithograph, and used both Loving Woman and Madonna ➵

Madonna (1894) by Edvard Munch depicts a nude female figure, interpreted as a possible representation of the Virgin Mary, though he is not known for religious artwork. Munch created two other versions and a lithograph, and used both Loving Woman and Madonna ➵

Magician of Power Môun-kokushi and Exploding Rocks (1863) by Utagawa Kunisada depicts the actor Ichikawa Kodanji IV as the magician Môun-kokushi from the kabuki drama Chin-setsu yumi-hari zuki. Môun, an evil monk, attempts to seize control of the kingdom of Ryûkyû from ➵

Magician of Power Môun-kokushi and Exploding Rocks (1863) by Utagawa Kunisada depicts the actor Ichikawa Kodanji IV as the magician Môun-kokushi from the kabuki drama Chin-setsu yumi-hari zuki. Môun, an evil monk, attempts to seize control of the kingdom of Ryûkyû from ➵

Portrait of a Man in a Red Turban (1433) by Jan van Eyck is possibly a self portrait, indicated by aspects like van Eyck's larger than usual motto on the original frame, and the subject's unusually direct and confrontational gaze. Art historians ➵

Portrait of a Man in a Red Turban (1433) by Jan van Eyck is possibly a self portrait, indicated by aspects like van Eyck's larger than usual motto on the original frame, and the subject's unusually direct and confrontational gaze. Art historians ➵

A Man Leaning on a Parapet (1881) by Georges Seurat appears as "panel no. 1." in the studio inventory made after his death in 1891 at age 31. As one of his earliest works, the composition reveals his talent for carefully calibrated ➵

A Man Leaning on a Parapet (1881) by Georges Seurat appears as "panel no. 1." in the studio inventory made after his death in 1891 at age 31. As one of his earliest works, the composition reveals his talent for carefully calibrated ➵

Portrait of a Man with a Blue Chaperon (1430) by Jan van Eyck depicts a man in a blue headdress presenting a ring. Artists did not title their works in the Northern Renaissance period, so his name and true profession have been ➵

Portrait of a Man with a Blue Chaperon (1430) by Jan van Eyck depicts a man in a blue headdress presenting a ring. Artists did not title their works in the Northern Renaissance period, so his name and true profession have been ➵

Meadows near Greifswald (1822, Wiesen bei Greifswald) by Caspar David Friedrich depicts horses in a meadow in front of the cityscape of Greifswald, Germany. The churches, windmills and houses of the city are wedged between a giant open sky and a large ➵

Meadows near Greifswald (1822, Wiesen bei Greifswald) by Caspar David Friedrich depicts horses in a meadow in front of the cityscape of Greifswald, Germany. The churches, windmills and houses of the city are wedged between a giant open sky and a large ➵

Models (1888) by Georges Seurat, also known as The Three Models and Les Poseuses, is notable for recreating an existing painting: the left background is part of his painting A Sunday Afternoon on the Island of La Grande Jatte. This painting was ➵

Models (1888) by Georges Seurat, also known as The Three Models and Les Poseuses, is notable for recreating an existing painting: the left background is part of his painting A Sunday Afternoon on the Island of La Grande Jatte. This painting was ➵

New York Movie (1939) by Edward Hopper depicts a nearly empty movie theater with only a few moviegoers, and an usher lost in her thoughts, continuing a common theme of separation and loneliness in public places. It is one of his most ➵

New York Movie (1939) by Edward Hopper depicts a nearly empty movie theater with only a few moviegoers, and an usher lost in her thoughts, continuing a common theme of separation and loneliness in public places. It is one of his most ➵

Nighthawks (1942) by Edward Hopper is his most recognizable painting and one of the most famous in American art. Various artists have produced works that allude, parody or pay homage to it in literature, film, television, music and other paintings. It depicts ➵