Collection: Canvas Reproductions
Stretched canvas art is created from a giclée print on canvas (instead of paper), and like a traditional painting, the canvas is hand-stretched over a solid wood frame. It can be mounted in a float frame, or displayed on its own. The sides of the canvas are finished in a solid color that complements the artwork, creating a modern masterpiece ready to hang on your wall, without a frame.
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La Mousmé ☷ Van Gogh ☴ Canvas
La Mousmé (1888), also known as La Mousmé, Sitting in a Cane Chair, Half-Figure with a branch of oleander, by Vincent van Gogh was inspired by his fascination with Japan and the woodblock prints he collected. He imagined Japan as a land ➵◰ Canvas Reproductions
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Poplars, Pink Effect ☱ Monet ☴ Canvas
Poplars, Pink Effect (1891) by Claude Monet is from his series Les Peupliers created in the summer and fall of 1891. The trees were in a marsh along the banks of the Epte River near Giverny, upstream from Monet's home and studio. ➵◰ Canvas Reproductions
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Automat ☱ Hopper ☳ Canvas
Automat (1927) by Edward Hopper depicts a solitary woman staring into a cup of coffee in an automat, with overhead lights reflected in the window by the dark night outside. Automats were an early type of fast food restaurant where food and ➵◰ Canvas Reproductions
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Parliament, Setting Sun ☰ Monet ☲ Canvas
Parliament, Setting Sun (1903, Le Parlement, soleil couchant) by Claude Monet is from his series Views of London (Vues de Londres), which capture his passion for England's capital city with sights like Charing Cross Bridge, Waterloo Bridge, and the Houses of Parliament. ➵◰ Canvas Reproductions
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Poppy Field ☷ Monet ☴ Canvas
Poppy Field (1873) by Claude Monet is one of the world's most famous paintings, capturing the essence of a summer stroll through a field of flowers. Monet found inspiration around his home in Argenteuil with many bright landscapes which enabled him to ➵◰ Canvas Reproductions
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Portrait of Patience Escalier ☲ Van Gogh ☴ Canvas
Portrait of a Peasant (1888, Patience Escalier) by Vincent van Gogh depicts a sunburnt and weather-beaten Provençal peasant, gazing intensely out of the canvas. Patience Escalier, "formerly a cowhand in the Camargue, now a gardener at one of the farms in La ➵◰ Canvas Reproductions
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Olive Trees with Yellow Sky and Sun ☲ Van Gogh ☷ Canvas
Olive Trees with Yellow Sky and Sun (1889) by Vincent van Gogh is one at least 15 paintings of olive trees created during his time in the Saint-Rémy-de-Provence asylum. He painted the asylum gardens, and nearby olive trees, cypresses and wheat fields ➵◰ Canvas Reproductions
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Myself, Portrait-Landscape ☷ Rousseau ☰ Canvas
Myself, Portrait-Landscape (1890, Moi-même, portrait-paysage) by Henri Rousseau is a self-portrait titled to claim equal status between the typically distinct genres of portraits and landscapes. Rousseau is wearing the insignia of the Ordre des Palmes académiques as a buttonhole pin, which was ➵◰ Canvas Reproductions
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Carnival Evening ☰ Rousseau ☴ Canvas
Carnival Evening (1886) by Henri Rousseau depicts a couple dressed in carnival costumes, standing in front of a barren forest. The figures almost seem to glow as the moonlight behind them leaves the forest in total darkness. A strange face stares out ➵◰ Canvas Reproductions
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Tiger in a Tropical Storm ☳ Rousseau ☵ Canvas
Tiger in a Tropical Storm or Surprised! (1891) by Henri Rousseau is the first of the jungle paintings for which he is primarily known. It depicts a tiger stalking its prey during a raging storm, illuminated by a flash of lightning. As ➵◰ Canvas Reproductions
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Ship in the Storm ☵ Rousseau ☳ Canvas
Ship in the Storm (1899, Navire dans la Tempête) by Henri Rousseau appears to be based on a combination of different ships, featuring portholes like an ocean liner, and a cutwater like a battleship. Rough gray waves and darkened sky contrast with ➵◰ Canvas Reproductions
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The Dream ☱ Rousseau ☷ Canvas
The Dream (1910, Le Rêve) by Henri Rousseau is one of more than 25 jungle scenes he painted. It is a surreal portrait of Yadwigha, Rousseau's Polish mistress from his youth, lying naked on a divan. She gazes over a landscape of ➵◰ Canvas Reproductions
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A Centennial of Independence ☳ Rousseau ☵ Canvas
A Centennial of Independence (1892) by Henri Rousseau commemorates the 100th anniversary of the first French Republic formed in 1792. Peasants dance the farandole, a popular southern French dance, around three liberty trees with two female figures representing the First and Third ➵◰ Canvas Reproductions
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Indian Struggling with a Gorilla ☳ Rousseau ☵ Canvas
Tropical Landscape: American Indian Struggling with a Gorilla (1910) by Henri Rousseau is emblematic of his characteristically inaccurate depictions and mixing of exotic peoples, animals and plant life. It depicts an American Indian fighting a gorilla in a lush, tropical jungle setting, ➵◰ Canvas Reproductions
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The Hungry Lion ☵ Rousseau ☳ Canvas
The Hungry Lion Throws Itself on the Antelope (1905, Le lion ayant faim se jette sur l'antilope) by Henri Rousseau depicts a jungle scene of thick green foliage lit by a deep red setting sun. In the foreground, a lion bites into ➵◰ Canvas Reproductions
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The Sleeping Gypsy ☷ Rousseau ☶ Canvas
The Sleeping Gypsy (1897) by Henri Rousseau depicts a woman sleeping in the desert, with mountains in the background, under a dark sky with a few stars and a full moon. She is wearing a colorful long robe, holding a staff, next ➵◰ Canvas Reproductions
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The Mulberry Tree ☴ Van Gogh ☷ Canvas
The Mulberry Tree (1889) by Vincent van Gogh depicts a lone mulberry tree on a rocky hillside, with yellowing autumn leaves framed by a blue sky. Van Gogh found a deep connection with the expressive qualities of trees, viewing them with human ➵◰ Canvas Reproductions
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The Thanksgiving Picture ☲ Rockwell ☷ Canvas
Freedom from Want (1943) by Normal Rockwell, also known as The Thanksgiving Picture or I'll Be Home for Christmas, is the third of the Four Freedoms series inspired by FDR's 1941 State of the Union Address, known as Four Freedoms. It was ➵◰ Canvas Reproductions
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Self-Portrait (Green) ☴ Van Gogh ☶ Canvas
Self-Portrait (1887) by Vincent van Gogh is one of about 32 produced over a 10 year period, an important part of his work as he often lacked the money to pay models. He painted his first known self-portrait in 1886, following the ➵◰ Canvas Reproductions
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Redheaded Girl in Evening Dress ☲ Modigliani ☳ Canvas
Redheaded Girl in Evening Dress (1918) by Amadeo Modigliani depicts a young woman in a strapless dress, representative of bold new fashions that emerged as women experienced new freedom in the early 20th century. Draping her shoulder over the chair, she addresses ➵◰ Canvas Reproductions
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Forest Interior by Moonlight ☲ Friedrich ☴ Canvas
Forest Interior by Moonlight (1830) by Caspar David Friedrich contrasts the struggles of human life with the beauty and solace of nature on a moonlit night. It depicts a forest landscape where a man and a woman have taken refuge in a ➵◰ Canvas Reproductions
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Gas ☲ Hopper ☰ Canvas
Gas (1940) by Edward Hopper depicts a Mobil gas station, and an attendant working alone at the pumps as night falls. The modern details of the fuel pump, sign and electric lighting contrast with the twilight sky and dense pine forest in ➵◰ Canvas Reproductions
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The Scream (1910) ☲ Munch ☵ Canvas
The Scream (1910) by Edvard Munch is one of the most iconic images in art, symbolizing anxiety, surprise, shock, terror and despair. The Norwegian name is Skrik (Scream), and the German title when first exhibited was Der Schrei der Natur (The Scream ➵◰ Canvas Reproductions
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View of Delft ☵ Vermeer ☰ Canvas
View of Delft (1661, Gezicht op Delft) by Johannes Vermeer is his only cityscape, and one of his most famous paintings. Vermeer has only three known paintings of Delft, View of Delft, The Little Street, and the lost painting House Standing in ➵◰ Canvas Reproductions
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The Little Street ☴ Vermeer ☷ Canvas
The Little Street (1658, Het Straatje) by Johannes Vermeer depicts a quiet street on a day in the life in a Delft. One of Vermeer's three known paintings of Delft, the other two being View of Delft, and the lost House Standing ➵◰ Canvas Reproductions
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The Allegory of Faith ☷ Vermeer ☰ Canvas
The Allegory of Faith (1672) by Johannes Vermeer, also known as Allegory of the Catholic Faith, is rich in symbolism, sharing several elements with The Art of Painting, both differing greatly in style and purpose from his other works that depict everyday ➵◰ Canvas Reproductions
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At Eternity's Gate ☴ Van Gogh ☶ Canvas
At Eternity's Gate, or Sorrowing Old Man (1890) by Vincent van Gogh depicts an old man with his elbows on his knees, head in his hands, sitting in a chair by a fireplace. Based on an earlier lithograph from 1882, it was ➵◰ Canvas Reproductions
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Irises ☷ Van Gogh ☶ Canvas
Irises (1889) by Vincent van Gogh depicts vibrant blooming irises with lush green leaves, red-orange earth, and yellow flowers in the background. He painted several variations of irises during his stay at the Saint-Paul-de-Mausole asylum, working from nature in the hospital garden. ➵◰ Canvas Reproductions
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Adoration of the Mystic Lamb ☰ Van Eyck ☲ Canvas
The Ghent Altarpiece (1432, De aanbidding van het Lam Gods) by brothers Jan and Hubert van Eyck, also known as the Adoration of the Mystic Lamb, is a large and complex polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. The altarpiece is ➵◰ Canvas Reproductions
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A Dash for the Timber ☳ Remington ☵ Canvas
A Dash for the Timber (1889) by Frederic Remington depicts eight men on horseback pursued by a group of Native Americans. Having not yet reached the trees, with one man struck by a bullet, it is not clear who will emerge victorious. ➵◰ Canvas Reproductions
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Hunter's Supper ☲ Remington ☶ Canvas
Hunter's Supper (1909) by Frederic Remington, also known as Hunters' Camp in the Big Horn, depicts a group of frontiersmen gathered around a campfire at dusk, showing a moment of relaxation surrounded by a harsh frontier. The orange and red glow of ➵◰ Canvas Reproductions
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The Buffalo Signal ☴ Remington ☳ Canvas
The Buffalo Signal (1900) by Frederic Remington, also known as If Skulls Could Speak, depicts an Indian buffalo scout on horseback signaling his tribesmen. The horse rears in alarm as he has been pulled to an abrupt halt to wave the buffalo ➵◰ Canvas Reproductions
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A Mexican Vaquero ☶ Remington ☰ Canvas
A Mexican Vaquero (1890) by Frederic Remington depicts a vaquero, a Mexican horseman similar to the American cowboys, sitting on his horse, outlined by the pale blue sky. A trip to Mexico in 1889 provided Remington with a wealth of firsthand material ➵◰ Canvas Reproductions
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The Cowboy ☷ Remington ☳ Canvas
The Cowboy (1902) by Frederic Remington depicts cowboy riding a horse down a steep, rocky incline. A solitary, heroic figure, symbol of the American West, the cowboy is attired in a wide-brimmed hat, chaps, and boots. Remington's fluid brushwork and focus on ➵◰ Canvas Reproductions
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The Old Stage-Coach of the Plains ☵ Remington ☳ Canvas
The Old Stage-Coach of the Plains (1901) by Frederic Remington depicts a stagecoach led by a team of six horses, descending a steep slope, while a lookout on top of the coach, rifle in hand, looks back towards some unseen danger. The ➵◰ Canvas Reproductions
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An Indian Trapper ☴ Remington ☶ Canvas
An Indian Trapper (1889) by Frederic Remington depicts a Native American man on horseback, holding a rifle, looking back down the mountain trail he is traveling. Farther up the trail are two others on horseback, transporting animal carcasses from a successful hunt. ➵◰ Canvas Reproductions
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The Blanket Signal ☴ Remington ☷ Canvas
The Blanket Signal (1896) by Frederic Remington depicts an Indian scout on horseback, holding a rifle and using a large, colorful blanket, to signal fellow tribesmen. The attention to detail in clothing and artifacts, and the dramatic composition against the land and ➵◰ Canvas Reproductions
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Hell ☲ Bosch ☵ Canvas
Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵◰ Canvas Reproductions
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Fall of the Damned ☳ Bosch ☲ Canvas
Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵◰ Canvas Reproductions
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Terrestrial Paradise ☷ Bosch ☷ Canvas
Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵◰ Canvas Reproductions
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Ascent of the Blessed ☰ Bosch ☰ Canvas
Visions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵◰ Canvas Reproductions
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Garden of Earthly Delights ☰ Bosch ☵ Canvas
The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵◰ Canvas Reproductions
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Garden of Eden ☰ Bosch ☷ Canvas
The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵◰ Canvas Reproductions
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Last Judgment ☰ Bosch ☲ Canvas
The Garden of Earthly Delights (1510, De tuin der lusten) by Hieronymus Bosch is a religious triptych warning against the perils of temptation. Triptychs from this period were generally read left to right, here the left panel portrays The Garden of Eden ➵◰ Canvas Reproductions
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Edam Windmill ☴ Signac ☷ Canvas
Edam Windmill (1896, Moulin d'Edam) by Paul Signac depicts a windmill towering above the flat Dutch countryside. Signac was exploring a looser, more rectangular brushstroke similar to a mosaic, as opposed to the precise dots common in pointillism. Here with dense layers ➵◰ Canvas Reproductions
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