Collection: Canvas Reproductions
Stretched canvas art is created from a giclée print on canvas (instead of paper), and like a traditional painting, the canvas is hand-stretched over a solid wood frame. It can be mounted in a float frame, or displayed on its own. The sides of the canvas are finished in a solid color that complements the artwork, creating a modern masterpiece ready to hang on your wall, without a frame.
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Grand Canal, Venice ☱ Signac ☵ Canvas
Entrance to the Grand Canal, Venice (1905, Le Grand Canal à Venise) by Paul Signac depicts the waters of the Grand Canal lined with many gondolas, and the Dogana da Mar and Santa Maria della Salute in the background. While Seurat applied ➵◰ Canvas Reproductions
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Port of La Rochelle ☵ Signac ☱ Canvas
Entrance to the port of La Rochelle (1921, Entrée du port de La Rochelle) by Paul Signac depicts boats alongside the port's towers, remnants of medieval maritime fortifications. The interplay of sunlight and shadow brings the scene to life, with reflections on ➵◰ Canvas Reproductions
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The Pine Tree at Saint Tropez ☲ Signac ☷ Canvas
The Pine Tree at Saint Tropez (1909, Le pin, Saint-Tropez) by Paul Signac, also know as Bertaud Gassin's Pine (Le Pin de Bertaud Gassin), depicts a pine tree set against the backdrop of a sunny Saint-Tropez landscape. Signac uses bold colors and ➵◰ Canvas Reproductions
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La Cité, Paris ☰ Signac ☵ Canvas
La Cité, Paris (1934) by Paul Signac depicts the Quai de Montebello, one of the many bridges over the Seine, the trees along the bank, and Notre-Dame in the background. Signac's signature pointillist style was inspired by Georges Seurat in 1884, and ➵◰ Canvas Reproductions
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The Golden Horn, Constantinople ☰ Signac ☲ Canvas
The Golden Horn, Constantinople (1907, La Corne d'Or, Constantinople) by Paul Signac depicts the Golden Horn, the inlet that historically separated Constantinople (present day Istanbul) and kept the peninsula strategically safe from invaders. The harbor is filled with boats, and skyline filled ➵◰ Canvas Reproductions
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Sunset at Douarnenez ☲ Renoir ☵ Canvas
Sunset at Douarnenez (1883, Coucher de soleil à Douarnenez) by Pierre-Auguste Renoir depicts the setting sun off the Breton coast in France. Reminiscent of Monet's Impression, Sunrise, Renoir displays a strong impressionistic influence, capturing a scene of the natural world in a ➵◰ Canvas Reproductions
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Place de la Trinité ☱ Renoir ☵ Canvas
Place de la Trinité (1893, Trinity Square) by Pierre-Auguste Renoir depicts the busy streets and cityscape in front of the Église de la Sainte-Trinité (Church of the Holy Trinity), as seen from the rue Morlot, with the church obscured on the left. ➵◰ Canvas Reproductions
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Piazza San Marco ☰ Renoir ☰ Canvas
The Piazza San Marco, Venice (1881) by Pierre-Auguste Renoir depicts Saint Mark's Basilica (Basilica di San Marco) as well as the people and pigeons on the piazza. Renoir visited Venice on a tour of Italy, primarily painting famous sites, exploring the effects ➵◰ Canvas Reproductions
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Landscape, Yellow Tree ☱ Renoir ☲ Canvas
Landscape, Yellow Tree in the foreground and Sea background in the South (1914, Paysage, arbre jaune au premier plan et fond de mer dans le Midi) by Pierre-Auguste Renoir depicts the countryside surrounding Renoir's newly built home at Les Collettes on the ➵◰ Canvas Reproductions
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Shaded Path ☷ Renoir ☶ Canvas
Shaded Path (1872, Le chemin ombragé) by Pierre-Auguste Renoir depicts a painter at work in the forest of Fontainebleau. Paths with overhanging trees allowed painters to explore light and shadow by rendering the effects of sunlight through thick foliage. The forest of ➵◰ Canvas Reproductions
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Eiffel Tower ☰ Seurat ☴ Canvas
Eiffel Tower (1889) by Georges Seurat is one of about seventy oil studies, or "croquetons" (little sketches), he made on small wood panels. The panels were easily transported and ideal for outdoor painting. Here his subject is the tower built by Gustave ➵◰ Canvas Reproductions
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Man Leaning on a Parapet ☲ Seurat ☴ Canvas
A Man Leaning on a Parapet (1881) by Georges Seurat appears as "panel no. 1." in the studio inventory made after his death in 1891 at age 31. As one of his earliest works, the composition reveals his talent for carefully calibrated ➵◰ Canvas Reproductions
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View of the Seine ☱ Seurat ☵ Canvas
View of the Seine (1883) by Georges Seurat is one of about seventy oil studies on small wood panels, which he called croquetons (little sketches), he made at the beginning of his career. The durable boards were easily transported and held, making ➵◰ Canvas Reproductions
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Circus Sideshow ☲ Seurat ☳ Canvas
Circus Sideshow (1888, Parade de cirque) by Georges Seurat is his first nocturnal painting and the first to depict popular entertainment. Traveling circuses made seasonal appearances in Paris, where free sideshows were staged outside the circus tent to sell tickets. This painting ➵◰ Canvas Reproductions
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Bathers at Asnières ☷ Seurat ☱ Canvas
Bathers at Asnières (1884, Une Baignade, Asnières) by Georges Seurat depicts bathers in the Seine at Asnières/ Courbevoie, about four miles from the center of Paris. Opposite is the island of la Grande Jatte, the east tip of which is shown as ➵◰ Canvas Reproductions
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Vision after the Sermon ☵ Gauguin ☳ Canvas
Vision after the Sermon (Jacob Wrestling with the Angel) (1888) by Paul Gauguin depicts a scene from the Bible in which Jacob wrestles an angel (Genesis 32:22-31), seen as a vision after a sermon in church by a group of Breton women ➵◰ Canvas Reproductions
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The Painter of Sunflowers ☰ Gauguin ☷ Canvas
The Painter of Sunflowers (1888) by Paul Gauguin depicts Vincent van Gogh at work in front of a canvas and easel, painting a vase full of sunflowers sitting on a small round table. Gauguin and van Gogh stayed together in The Yellow ➵◰ Canvas Reproductions
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The Loss of Virginity ☳ Gauguin ☲ Canvas
The Loss of Virginity (The Awakening of Spring) (1891, La Perte de Virginité, le Réveil du Printemps) by Paul Gauguin symbolically depicts a young woman's loss of virginity. The woman is laying naked in a Breton field overlooking the ocean, plucked flower ➵◰ Canvas Reproductions
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In the Waves ☵ Gauguin ☷ Canvas
In the Waves (1889, Dans les Vagues) by Paul Gauguin was created during his time in a small coastal village called Pont-Aven where he sought to immerse himself in nature and escape modern civilization. It depicts a nude figure throwing herself into ➵◰ Canvas Reproductions
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Two Tahitian Women ☷ Gauguin ☲ Canvas
Two Tahitian Women (1899) by Paul Gauguin depicts two topless women, one holding mango blossoms, surrounded by green foliage. It reflects his fascination with Tahitian culture and his exploration of beauty and femininity. Evoking classical nudes and relying on gesture and facial ➵◰ Canvas Reproductions
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Reclining Nude ☲ Modigliani ☳ Canvas
Reclining Nude (1917, Nu couché) by Amedeo Modigliani, also known as Red Nude, is one of his most widely reproduced and exhibited paintings. One of a series of nudes that he painted in 1917, it was included in his first and only ➵◰ Canvas Reproductions
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Landscape in the South ☶ Modigliani ☷ Canvas
Landscape in the South (1919, Paysage dans le Midi) by Amedeo Modigliani depicts a landscape in southeastern France. Modigliani left Paris in early 1918, part of a mass exodus to the countryside at a time of increased danger to the city during ➵◰ Canvas Reproductions
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Young Woman with a Rose ☲ Modigliani ☴ Canvas
Young Woman with a Rose (1916, La jeune femme à la rose) by Amadeo Modigliani depicts a frontally posed figure in black dress, holding a rose. The dark haired and brown-eyed young woman is only identified as Margherita, the name of Modigliani's ➵◰ Canvas Reproductions
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Girl in a Sailor's Blouse ☴ Modigliani ☲ Canvas
Girl in a Sailor's Blouse (1918) by Amedeo Modigliani was painted during his time in the south of France at the end of World War I, where he employed local young servants, shopgirls, and children as models. His quintessential female depiction, long ➵◰ Canvas Reproductions
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Water Lilies, Gray Weather ☱ Monet ☳ Canvas
Water Lilies, Gray Weather (1907, Nymphéas, temps gris) by Claude Monet is one of a small series that he painted in a rare vertical format to capture the spectacular effects of late afternoon light upon his beloved waterlily pond. Overall he created ➵◰ Canvas Reproductions
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Windmills near Zaandam ☴ Monet ☰ Canvas
Windmills near Zaandam (1871) by Claude Monet depicts the windmills at Westzijderveld as seen from a boat, an example of the looser, experimental style which he developed during the 1870s. Monet made three visits to the Netherlands, on this occasion he spent ➵◰ Canvas Reproductions
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Water Lilies ☱ Monet ☰ Canvas
Water Lilies (1899, Nymphéas) by Claude Monet is one of the very first paintings of his beloved water lily pond at his Giverny home. Monet began his garden at Giverny in 1893, transforming the marshy ground behind his home into a pond. ➵◰ Canvas Reproductions
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The Green Wave ☵ Monet ☳ Canvas
The Green Wave (1867, La vague verte) by Claude Monet depicts sailboats on the ocean, capturing the movement and energy of the waves in relation to the ships. An ocean of greens and blues dominates the scene, with a high horizon line ➵◰ Canvas Reproductions
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Water Lilies and Japanese Bridge ☱ Monet ☲ Canvas
Water Lilies and Japanese Bridge (1899) by Claude Monet depicts the arched Japanese-style bridge in his water garden at Giverny. By the 1890s, he had established some wealth and was able to lavish his money on his own home and garden for ➵◰ Canvas Reproductions
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Woman with a Parasol ☰ Monet ☴ Canvas
Woman with a Parasol – Madame Monet and Her Son (1875) by Claude Monet, also known as The Stroll (La Promenade), is one of his most recognizable works, and of impressionism as a whole. It depicts his wife Camille and their son ➵◰ Canvas Reproductions
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Dawn at Futamigaura ☵ Kunisada ☲ Canvas
Dawn at Futamigaura (1832) by Utagawa Kunisada depicts the "wedded rocks" representing Izanagi and Izanami, the creation deities (kami) in Japanese mythology, joined by thick straw rope to demarcate a Shinto sacred space. The rocks tower above the beach, several travelers rest ➵◰ Canvas Reproductions
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The Poet Hitomaro ☴ Kunisada ☱ Canvas
The Poet Hitomaro at the Beach of Akashi (1832) by Utagawa Kunisada depicts the poet on the beach observing salt water gatherers under the setting sun. Kakinomoto no Hitomaro (c. 653-710) was a Japanese waka poet and aristocrat of the late Asuka period, ➵◰ Canvas Reproductions
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Magician of Power ☳ Kunisada ☰ Canvas
Magician of Power Môun-kokushi and Exploding Rocks (1863) by Utagawa Kunisada depicts the actor Ichikawa Kodanji IV as the magician Môun-kokushi from the kabuki drama Chin-setsu yumi-hari zuki. Môun, an evil monk, attempts to seize control of the kingdom of Ryûkyû from ➵◰ Canvas Reproductions
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Ghost Rising from a Swamp ☳ Kunisada ☱ Canvas
Onoe Baiko as a Female Ghost Rising from a Swamp (1838) by Utagawa Kunisada depicts the kabuki actor Onoe Baiko, renowned for his skill at portraying ghosts. The character may be the ghost of the wife of Kohada Koheiji in the play ➵◰ Canvas Reproductions
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Ghost of Kohada Koheiji ☳ Hokusai ☴ Canvas
The Ghost of Kohada Koheiji (1832) by Katsushika Hokusai is from his ukiyo-e woodblock series One Hundred Ghost Stories, although only five prints are known to exist. This print depicts a scene from the story of Kohada Koheiji, a kabuki actor who ➵◰ Canvas Reproductions
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Kamakura no Gengorō ☳ Hokusai ☵ Canvas
Kamakura no Gengorō Seizing Torinoumi Tasaburo (1832) by Katsushika Hokusai is a ukiyo-e woodblock print that depicts a scene from the renowned kabuki play The Chūshingura, where the heroic Minamoto warrior Kamakura no Gengorō confronts the treacherous Torinoumi Tasaburo in a thrilling ➵◰ Canvas Reproductions
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The Good Samaritan ☰ Rembrandt ☷ Canvas
Landscape with the Good Samaritan (1638) by Rembrandt van Rijn depicts the biblical parable of the Good Samaritan, a compassionate figure tending to a wounded traveler on the side of a road. The scene shows the Samaritan bandaging the man's wounds while ➵◰ Canvas Reproductions
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The Night Watch ☲ Rembrandt ☳ Canvas
The Night Watch (1642) by Rembrandt van Rijn, alternatively titled Militia Company of District II under the Command of Captain Frans Banninck Cocq, is one of the most famous Dutch Golden Age paintings. It depicts a group of Kloveniers, a civic guard, ➵◰ Canvas Reproductions
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Old Man with Turban ☶ Rembrandt ☶ Canvas
Bust of an Old Man with Turban (1628) by Rembrandt van Rijn depicts an unnamed man in a decorative turban, making it a "tronie" or character study not intended to depict a specific person. Pictures of imaginary Persian or Ottoman princes were ➵◰ Canvas Reproductions
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Self-Portrait with Beret ☴ Rembrandt ☷ Canvas
Self-Portrait with Beret and Turned-Up Collar (1659) by Rembrandt van Rijn is one of over 40 self-portraits he created. Rembrandt is seated, wearing a fur cloak, his hands clasped in his lap. His face is well lit with detailed brushwork, while his ➵◰ Canvas Reproductions
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Anxiety ☳ Munch ☵ Canvas
Anxiety (1894) by Edvard Munch is one of several similar works depicting a strong emotional reaction to a sunset overlooking the Oslo fjord. Going for a walk at sunset, Munch saw the setting sun turn the clouds red: "the sunset was particularly ➵◰ Canvas Reproductions
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Love and Pain ☲ Munch ☵ Canvas
Love and Pain (1895) by Edvard Munch, also referred to as Vampire (though not by Munch), is one of six different versions created between 1893 and 1895. It depicts a woman with bright red hair embracing a man, and kissing his neck. ➵◰ Canvas Reproductions
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