Collection: Canvas Reproductions
Stretched canvas art is created from a giclée print on canvas (instead of paper), and like a traditional painting, the canvas is hand-stretched over a solid wood frame. It can be mounted in a float frame, or displayed on its own. The sides of the canvas are finished in a solid color that complements the artwork, creating a modern masterpiece ready to hang on your wall, without a frame.
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Odalisque with a Tambourine ☶ Matisse ☴ Canvas
Odalisque with a Tambourine (1926) by Henri Matisse depicts a nude female figure reclining in a chair in front of an open window. An odalisque is a female slave or concubine in a harem. Here she is surrounded by vibrant colors, the ➵◰ Canvas Reproductions
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The Musketeer ☳ Matisse ☳ Canvas
The Musketeer (1903) by Henri Matisse depicts a man dressed in traditional musketeer attire, posing with one arm resting on a sword. The musketeer is comprised of expressive brushstrokes in vibrant oranges, deep reds, with contrasting white highlights, against a dark, green ➵◰ Canvas Reproductions
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Interior with a Violin Case ☱ Matisse ☰ Canvas
Interior with a Violin Case (1919) by Henri Matisse depicts a room with a large window, white curtains, heavily decorated walls and patterned floor, a dressing table with mirror, a chair and footstool, and an open violin case - with no violin. ➵◰ Canvas Reproductions
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Woman Beside the Water ☱ Matisse ☱ Canvas
La Japonaise: Woman Beside the Water (1905) by Henri Matisse was created in Collioure, a small Mediterranean fishing port near the border with Spain. Matisse began to explore what he later described as "construction by means of color" in his paintings while ➵◰ Canvas Reproductions
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Life is a Struggle ☵ Klimt ☲ Canvas
Life is a Struggle (1903) by Gustav Klimt, also known as The Golden Knight, depicts a knight in golden armor confronted by a snake. The knight and his horse are richly detailed, decorated in diamond and square patterns, against an intricate backdrop ➵◰ Canvas Reproductions
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Flowering Poppies ☲ Klimt ☷ Canvas
Flowering Poppies (1907) by Gustav Klimt, also known as Poppy Field, depicts a meadow filled with red poppies, which includes several fruit trees that visually merge with the dominant poppy field. The dense foreground gives way to a panoramic horizon, with a ➵◰ Canvas Reproductions
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Adele Bloch-Bauer I ☶ Klimt ☲ Canvas
Portrait of Adele Bloch-Bauer I (1907) by Gustav Klimt, also called The Lady in Gold or The Woman in Gold, depicts Adele Bloch-Bauer in a dress adorned with different mosaics, sitting on a golden throne, in front of a golden background. It ➵◰ Canvas Reproductions
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Beech Grove I ☷ Klimt ☴ Canvas
Beech Grove I (1902) by Gustav Klimt depicts a dense grove of beech trees. Klimt is not primarily known for landscapes, and as it lacks a vanishing point, this is not a traditional landscape. The tree trunks are adorned with intricate patterns ➵◰ Canvas Reproductions
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Fräulein Lieser ☴ Klimt ☶ Canvas
Portrait of Fräulein Lieser (1917) by Gustav Klimt was left unsigned in his studio when he died in 1918. The background of the painting has faintly pencilled shapes, suggesting that he intended to continue making elaborations. It was presumed lost until it ➵◰ Canvas Reproductions
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Contemplating the Moon ☰ Friedrich ☲ Canvas
Man and Woman Contemplating the Moon (1824, Mann und Frau in Betrachtung des Mondes) by Caspar David Friedrich depicts a woman and man in a forest at night. The woman rests her hand on the man's shoulder as they observe the waxing ➵◰ Canvas Reproductions
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A Walk at Dusk ☱ Friedrich ☴ Canvas
A Walk at Dusk (1835) by Caspar David Friedrich explores the spiritual elements of nature alongside the themes of life and death. It depicts a man in red robes walking alone towards a megalithic tomb, surrounded by leafless trees. A waxing moon ➵◰ Canvas Reproductions
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Sea of Ice ☵ Friedrich ☵ Canvas
The Sea of Ice (1824, Das Eismeer) by Caspar David Friedrich depicts a vast Arctic ice floe, formed from layers of crushed ice. Although Friedrich never traveled to the Arctic, he conducted extensive studies of ice on the River Elbe near Dresden ➵◰ Canvas Reproductions
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Meadows near Greifswald ☷ Friedrich ☷ Canvas
Meadows near Greifswald (1822, Wiesen bei Greifswald) by Caspar David Friedrich depicts horses in a meadow in front of the cityscape of Greifswald, Germany. The churches, windmills and houses of the city are wedged between a giant open sky and a large ➵◰ Canvas Reproductions
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Soir Bleu ☳ Hopper ☵ Canvas
Soir Bleu (1914) by Edward Hopper was painted in Paris, and titled in French (Blue Evening). It depicts an assortment of people gathered on a terrace, sitting around small tables with Chinese lanterns overhead. On the far left, a man smokes a ➵◰ Canvas Reproductions
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Cape Cod Evening ☵ Hopper ☳ Canvas
Cape Cod Evening (1939) by Edward Hopper depicts a woman and man in front of a Victorian house, surrounded by trees and long grass. The man is unsuccessfully attempting to summon a collie standing in the yard, alerted by something out of ➵◰ Canvas Reproductions
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New York Movie ☱ Hopper ☴ Canvas
New York Movie (1939) by Edward Hopper depicts a nearly empty movie theater with only a few moviegoers, and an usher lost in her thoughts, continuing a common theme of separation and loneliness in public places. It is one of his most ➵◰ Canvas Reproductions
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House by the Railroad ☳ Hopper ☶ Canvas
House by the Railroad (1925) by Edward Hopper depicts a Victorian mansion isolated in an empty landscape, blocked off by railroad tracks in the foreground. He insisted that his paintings were straightforward representations of the real world, but as seen here, they ➵◰ Canvas Reproductions
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Blue and Silver, Chelsea ☱ Whistler ☱ Canvas
Nocturne: Blue and Silver, Chelsea (1871) by James McNeill Whistler is a view from Battersea Bridge looking across the Thames towards Chelsea. The tower of Chelsea Old Church is visible on the right, and a fisherman stands in the foreground. This is ➵◰ Canvas Reproductions
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The Falling Rocket ☰ Whistler ☲ Canvas
Nocturne in Black and Gold: The Falling Rocket (1877) by James McNeill Whistler depicts a fireworks display in the foggy night sky, inspired by Cremorne Gardens, a celebrated resort in Chelsea, London. John Ruskin, a leading art critic of the Victorian era, ➵◰ Canvas Reproductions
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Self-Portrait ☶ Whistler ☰ Canvas
Arrangement in Gray, Portrait of the Painter (1872) by James McNeill Whistler depicts the artist in his painters smock holding brushes. His signature butterfly is prominently featured, first developed in the 1860s out of his interest in Asian art. The stylized butterfly ➵◰ Canvas Reproductions
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Princess from the Land of Porcelain ☲ Whistler ☱ Canvas
Rose and Silver: The Princess from the Land of Porcelain (1864) by James McNeill Whistler depicts a European woman wearing a kimono in a Western manner, holding a fan, standing amidst numerous Asian art objects, including a rug, Japanese folding screen and ➵◰ Canvas Reproductions
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The Art of Painting ☰ Vermeer ☷ Canvas
The Art of Painting (1668) by Johannes Vermeer, also known as The Allegory of Painting, or Painter in his Studio, depicts an artist painting a woman dressed in blue. Rich in iconography, it is considered his most complex work. The model is ➵◰ Canvas Reproductions
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The Astronomer ☶ Vermeer ☷ Canvas
The Astronomer (1668) by Johannes Vermeer depicts an astronomer looking at a globe. It is closely paired with The Geographer, which used the same model, and canvas from the same bolt of material. The astronomer's profession is indicated by the celestial globe ➵◰ Canvas Reproductions
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Wheat Field with Crows ☵ Van Gogh ☳ Canvas
Wheat Field with Crows (1890) by Vincent van Gogh, considered one of his greatest works, is one of several double-square canvases he used exclusively in the last few weeks of his life. It depicts crows in a cloudy sky over a wheat ➵◰ Canvas Reproductions
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Self-Portrait with Bandaged Ear ☳ Van Gogh ☵ Canvas
Self-Portrait with Bandaged Ear (1889) by Vincent van Gogh is a self-portrait in a blue cap with black fur, a green overcoat, with a bandage covering his ear. The portrait makes it appear his right ear is bandaged, as he used a ➵◰ Canvas Reproductions
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Enclosed Field with Plowman ☷ Van Gogh ☴ Canvas
Enclosed Field with Plowman (1889) by Vincent van Gogh depicts a plowman tilling a wheat field surrounded by a low stone wall under a cloudy sky, and an old farm house behind a hill. It is one of a series of paintings ➵◰ Canvas Reproductions
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Wheat Field with Reaper ☰ Van Gogh ☲ Canvas
Wheat Field with Reaper (1889) by Vincent van Gogh is the second in a series of three paintings of a man reaping a wheat field under the bright early-morning sun. His bedroom window at the asylum at Saint-Rémy looked out upon the ➵◰ Canvas Reproductions
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Wheat Field with Cypresses ☰ Van Gogh ☷ Canvas
A Wheat Field with Cypresses (1889) by Vincent van Gogh was painted shortly after The Starry Night, when he was fascinated by the cypress seen from his window at the Saint-Rémy-de-Provence asylum. A large cypress towers over a wheat field and nearby ➵◰ Canvas Reproductions
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Twelve Sunflowers ☴ Van Gogh ☲ Canvas
Twelve Sunflowers (1889) by Vincent van Gogh is one of a series, which are among his most famous works. He painted a total of five large canvases with sunflowers in a vase, with both gold backgrounds and blue backgrounds, and several repetitions ➵◰ Canvas Reproductions
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Sunflowers ☲ Van Gogh ☴ Canvas
Sunflowers (1889) by Vincent van Gogh is one of a series, which are among his most famous works. He painted a total of five large canvases with sunflowers in a vase, and several repetitions of the same, depicting sunflowers in all stages ➵◰ Canvas Reproductions
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Self-Portrait (Blue) ☶ Van Gogh ☴ Canvas
Self-Portrait (1889) by Vincent van Gogh is possibly his last self-portrait, painted shortly before he left Saint-Rémy-de-Provence in southern France. One of about 32 produced over a 10 year period, these portraits were an important part of his work as a painter ➵◰ Canvas Reproductions
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Country Road in Provence ☰ Van Gogh ☲ Canvas
Country Road in Provence by Night (1890) by Vincent van Gogh, also known as Road with Cypress and Star, is the last painting he made in Saint-Rémy-de-Provence. The painting is one of several that feature large cypresses, in this case extending beyond ➵◰ Canvas Reproductions
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The Church at Auvers ☳ Van Gogh ☶ Canvas
The Church at Auvers (1890) by Vincent van Gogh depicts the Église Notre-Dame-de-l'Assomption (Church of Our Lady of the Assumption) in Auvers, 17 miles northwest of Paris. The foreground is a brightly lit intersection of two paths, while the church sits in ➵◰ Canvas Reproductions
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Starry Night Over the Rhône ☵ Van Gogh ☰ Canvas
Starry Night Over the Rhône (1888) by Vincent van Gogh was painted on the bank of the river a short walk from the Yellow House. Intrigued by the challenge of painting at night, the night sky and lighting effects became the subject ➵◰ Canvas Reproductions
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Portrait of Dr. Gachet ☶ Van Gogh ☰ Canvas
Portrait of Dr. Gachet (1890) by Vincent van Gogh depicts Dr. Paul Gachet, a homeopathic doctor with whom he resided following his time in the asylum at Saint-Rémy-de-Provence. Gachet took care of him during the final months of his life. Van Gogh ➵◰ Canvas Reproductions
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The Red Vineyard ☲ Van Gogh ☷ Canvas
The Red Vineyards near Arles (1888) by Vincent van Gogh is the only painting that he sold in his lifetime, bought for 400 francs by Anna Boch (1848-1936). It depicts workers under the evening sun in a vineyard during autumn. The day ➵◰ Canvas Reproductions
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Salvator Mundi ☷ Da Vinci ☰ Canvas
Salvator Mundi (1510) by Leonardo da Vinci, is Latin for "Savior of the World." Thought to be a copy of a lost original veiled with overpainting, it was rediscovered, restored, and included in an exhibition of Leonardo's work at the National Gallery, ➵◰ Canvas Reproductions
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The Yellow House ☰ Van Gogh ☶ Canvas
The Yellow House (1888) by Vincent van Gogh depicts 2 Place Lamartine, Arles, France, where van Gogh rented four rooms in 1888 with the dream of starting an artists' studio. Two large rooms on the ground floor served as a workshop and ➵◰ Canvas Reproductions
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The Fall of the Cowboy ☰ Remington ☶ Canvas
The Fall of the Cowboy (1895) by Frederic Remington depicts two cowboys at the gate of a barbed wire fence, a ranching technology that beginning in the 1870s signaled the end of cowboy life. It divides the painting in half, symbolically fencing ➵◰ Canvas Reproductions
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The Outlier ☰ Remington ☳ Canvas
The Outlier (1909) by Frederic Remington is one of the last works he completed before his death in 1909. It depicts a Native American man alone in the wilderness on horseback, rifle in hand, with the sun setting behind him. The United ➵◰ Canvas Reproductions
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Madonna ☴ Munch ☱ Canvas
Madonna (1894) by Edvard Munch depicts a nude female figure, interpreted as a possible representation of the Virgin Mary, though he is not known for religious artwork. Munch created two other versions and a lithograph, and used both Loving Woman and Madonna ➵◰ Canvas Reproductions
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The Scream (1893) ☵ Munch ☲ Canvas
The Scream (1893) by Edvard Munch is one of the most iconic images in art, symbolizing anxiety, surprise, shock, terror and despair. The Norwegian name is Skrik (Scream), and the German title when first exhibited was Der Schrei der Natur (The Scream ➵◰ Canvas Reproductions
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Dance at Le Moulin ☱ Renoir ☲ Canvas
Dance at Le Moulin de la Galette (1876, Bal du Moulin de la Galette) by Pierre-Auguste Renoir is an everyday scene of real life, and one of his most celebrated masterpieces. It depicts a Sunday afternoon at the Moulin de la Galette ➵◰ Canvas Reproductions
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