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Redheaded Girl in Evening Dress ☲ Modigliani ☳ Art PrintRedheaded Girl in Evening Dress (1918) by Amadeo Modigliani depicts a young woman in a strapless dress, representative of bold new fashions that emerged as women experienced new freedom in the early 20th century. Draping her shoulder over the chair, she addresses ➵
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Redheaded Girl in Evening Dress ☲ Modigliani ☳ CanvasRedheaded Girl in Evening Dress (1918) by Amadeo Modigliani depicts a young woman in a strapless dress, representative of bold new fashions that emerged as women experienced new freedom in the early 20th century. Draping her shoulder over the chair, she addresses ➵
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Salvator Mundi ☷ Da Vinci ☰ Art PrintSalvator Mundi (1510) by Leonardo da Vinci, is Latin for "Savior of the World." Thought to be a copy of a lost original veiled with overpainting, it was rediscovered, restored, and included in an exhibition of Leonardo's work at the National Gallery, ➵
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Salvator Mundi ☷ Da Vinci ☰ CanvasSalvator Mundi (1510) by Leonardo da Vinci, is Latin for "Savior of the World." Thought to be a copy of a lost original veiled with overpainting, it was rediscovered, restored, and included in an exhibition of Leonardo's work at the National Gallery, ➵
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Sea of Ice ☵ Friedrich ☵ Art PrintThe Sea of Ice (1824, Das Eismeer) by Caspar David Friedrich depicts a vast Arctic ice floe, formed from layers of crushed ice. Although Friedrich never traveled to the Arctic, he conducted extensive studies of ice on the River Elbe near Dresden ➵
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Sea of Ice ☵ Friedrich ☵ CanvasThe Sea of Ice (1824, Das Eismeer) by Caspar David Friedrich depicts a vast Arctic ice floe, formed from layers of crushed ice. Although Friedrich never traveled to the Arctic, he conducted extensive studies of ice on the River Elbe near Dresden ➵
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Self-Portrait (Blue) ☶ Van Gogh ☴ Art PrintSelf-Portrait (1889) by Vincent van Gogh is possibly his last self-portrait, painted shortly before he left Saint-Rémy-de-Provence in southern France. One of about 32 produced over a 10 year period, these portraits were an important part of his work as a painter ➵
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Self-Portrait (Blue) ☶ Van Gogh ☴ CanvasSelf-Portrait (1889) by Vincent van Gogh is possibly his last self-portrait, painted shortly before he left Saint-Rémy-de-Provence in southern France. One of about 32 produced over a 10 year period, these portraits were an important part of his work as a painter ➵
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Self-Portrait (Green) ☴ Van Gogh ☶ Art PrintSelf-Portrait (1887) by Vincent van Gogh is one of about 32 produced over a 10 year period, an important part of his work as he often lacked the money to pay models. He painted his first known self-portrait in 1886, following the ➵
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Self-Portrait (Green) ☴ Van Gogh ☶ CanvasSelf-Portrait (1887) by Vincent van Gogh is one of about 32 produced over a 10 year period, an important part of his work as he often lacked the money to pay models. He painted his first known self-portrait in 1886, following the ➵
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Self-Portrait with Bandaged Ear ☳ Van Gogh ☵ Art PrintSelf-Portrait with Bandaged Ear (1889) by Vincent van Gogh is a self-portrait in a blue cap with black fur, a green overcoat, with a bandage covering his ear. The portrait makes it appear his right ear is bandaged, as he used a ➵
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Self-Portrait with Bandaged Ear ☳ Van Gogh ☵ CanvasSelf-Portrait with Bandaged Ear (1889) by Vincent van Gogh is a self-portrait in a blue cap with black fur, a green overcoat, with a bandage covering his ear. The portrait makes it appear his right ear is bandaged, as he used a ➵
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Self-Portrait with Beret ☴ Rembrandt ☷ Art PrintSelf-Portrait with Beret and Turned-Up Collar (1659) by Rembrandt van Rijn is one of over 40 self-portraits he created. Rembrandt is seated, wearing a fur cloak, his hands clasped in his lap. His face is well lit with detailed brushwork, while his ➵
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Self-Portrait with Beret ☴ Rembrandt ☷ CanvasSelf-Portrait with Beret and Turned-Up Collar (1659) by Rembrandt van Rijn is one of over 40 self-portraits he created. Rembrandt is seated, wearing a fur cloak, his hands clasped in his lap. His face is well lit with detailed brushwork, while his ➵
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Self-Portrait ☶ Whistler ☰ Art PrintArrangement in Gray, Portrait of the Painter (1872) by James McNeill Whistler depicts the artist in his painters smock holding brushes. His signature butterfly is prominently featured, first developed in the 1860s out of his interest in Asian art. The stylized butterfly ➵
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Self-Portrait ☶ Whistler ☰ CanvasArrangement in Gray, Portrait of the Painter (1872) by James McNeill Whistler depicts the artist in his painters smock holding brushes. His signature butterfly is prominently featured, first developed in the 1860s out of his interest in Asian art. The stylized butterfly ➵
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Self-Portrait ☷ Gauguin ☰ Art PrintSelf-Portrait with Halo and Snake (1889) by Paul Gauguin is one of more than 40 self-portraits he completed during his lifetime. This portrait demonstrates his use of religious symbolism, and the influence of Japanese wood-block prints. Gauguin divides the canvas in half, ➵
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Self-Portrait ☷ Gauguin ☰ CanvasSelf-Portrait with Halo and Snake (1889) by Paul Gauguin is one of more than 40 self-portraits he completed during his lifetime. This portrait demonstrates his use of religious symbolism, and the influence of Japanese wood-block prints. Gauguin divides the canvas in half, ➵
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Shaded Path ☷ Renoir ☶ Art PrintShaded Path (1872, Le chemin ombragé) by Pierre-Auguste Renoir depicts a painter at work in the forest of Fontainebleau. Paths with overhanging trees allowed painters to explore light and shadow by rendering the effects of sunlight through thick foliage. The forest of ➵
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Shaded Path ☷ Renoir ☶ CanvasShaded Path (1872, Le chemin ombragé) by Pierre-Auguste Renoir depicts a painter at work in the forest of Fontainebleau. Paths with overhanging trees allowed painters to explore light and shadow by rendering the effects of sunlight through thick foliage. The forest of ➵
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Ship in the Storm ☵ Rousseau ☳ Art PrintShip in the Storm (1899, Navire dans la Tempête) by Henri Rousseau appears to be based on a combination of different ships, featuring portholes like an ocean liner, and a cutwater like a battleship. Rough gray waves and darkened sky contrast with ➵
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Ship in the Storm ☵ Rousseau ☳ CanvasShip in the Storm (1899, Navire dans la Tempête) by Henri Rousseau appears to be based on a combination of different ships, featuring portholes like an ocean liner, and a cutwater like a battleship. Rough gray waves and darkened sky contrast with ➵
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Skeleton with Cigarette ☷ Van Gogh ☲ Art PrintSkull of a Skeleton with Burning Cigarette (1886) by Vincent van Gogh is self descriptive. He depicted skeletons and skulls only a few times in his career. It is considered a memento mori, a reminder of death, at a time when he ➵
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Skeleton with Cigarette ☷ Van Gogh ☲ CanvasSkull of a Skeleton with Burning Cigarette (1886) by Vincent van Gogh is self descriptive. He depicted skeletons and skulls only a few times in his career. It is considered a memento mori, a reminder of death, at a time when he ➵
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Skeleton with Cigarette ☷ Van Gogh ☲ Woven Art BlanketSkull of a Skeleton with Burning Cigarette (1886) by Vincent van Gogh is self descriptive. He depicted skeletons and skulls only a few times in his career. It is considered a memento mori, a reminder of death, at a time when he ➵
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Soir Bleu ☳ Hopper ☵ Art PrintSoir Bleu (1914) by Edward Hopper was painted in Paris, and titled in French (Blue Evening). It depicts an assortment of people gathered on a terrace, sitting around small tables with Chinese lanterns overhead. On the far left, a man smokes a ➵
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Soir Bleu ☳ Hopper ☵ CanvasSoir Bleu (1914) by Edward Hopper was painted in Paris, and titled in French (Blue Evening). It depicts an assortment of people gathered on a terrace, sitting around small tables with Chinese lanterns overhead. On the far left, a man smokes a ➵
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Starry Night Over the Rhône ☵ Van Gogh ☰ Art PrintStarry Night Over the Rhône (1888) by Vincent van Gogh was painted on the bank of the river a short walk from the Yellow House. Intrigued by the challenge of painting at night, the night sky and lighting effects became the subject ➵
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Starry Night Over the Rhône ☵ Van Gogh ☰ CanvasStarry Night Over the Rhône (1888) by Vincent van Gogh was painted on the bank of the river a short walk from the Yellow House. Intrigued by the challenge of painting at night, the night sky and lighting effects became the subject ➵
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Starry Night ☲ Van Gogh ☰ Art PrintThe Starry Night (1889) by Vincent van Gogh is one of the most recognizable paintings in Western art. It depicts the view from his asylum room at Saint-Rémy-de-Provence. Van Gogh voluntarily admitted himself to the asylum after the breakdown that resulted in ➵
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Starry Night ☲ Van Gogh ☰ CanvasThe Starry Night (1889) by Vincent van Gogh is one of the most recognizable paintings in Western art. It depicts the view from his asylum room at Saint-Rémy-de-Provence. Van Gogh voluntarily admitted himself to the asylum after the breakdown that resulted in ➵
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Starry Night ☲ Van Gogh ☰ Woven Art BlanketThe Starry Night (1889) by Vincent van Gogh is one of the most recognizable paintings in Western art. It depicts the view from his asylum room at Saint-Rémy-de-Provence. Van Gogh voluntarily admitted himself to the asylum after the breakdown that resulted in ➵
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Storm on the Sea ☵ Rembrandt ☳ Art PrintChrist in the Storm on the Sea of Galilee (1633) by Rembrandt van Rijn is among the largest and earliest of his works, and his only seascape. It represents the biblical event in which Jesus calmed the storm on the Sea of ➵
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Storm on the Sea ☵ Rembrandt ☳ CanvasChrist in the Storm on the Sea of Galilee (1633) by Rembrandt van Rijn is among the largest and earliest of his works, and his only seascape. It represents the biblical event in which Jesus calmed the storm on the Sea of ➵
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Sunday Afternoon ☷ Seurat ☵ Art PrintA Sunday Afternoon on the Island of La Grande Jatte (1886) by Georges Seurat is his most famous painting, and a major example of pointillism. The painting depicts Parisians at a park on the banks of the River Seine. Some of the ➵
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Sunday Afternoon ☷ Seurat ☵ CanvasA Sunday Afternoon on the Island of La Grande Jatte (1886) by Georges Seurat is his most famous painting, and a major example of pointillism. The painting depicts Parisians at a park on the banks of the River Seine. Some of the ➵
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Sunday Afternoon ☷ Seurat ☵ Woven Art BlanketA Sunday Afternoon on the Island of La Grande Jatte (1886) by Georges Seurat is his most famous painting, and a major example of pointillism. The painting depicts Parisians at a park on the banks of the River Seine. Some of the ➵
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Sunflowers ☲ Van Gogh ☴ Art PrintSunflowers (1889) by Vincent van Gogh is one of a series, which are among his most famous works. He painted a total of five large canvases with sunflowers in a vase, and several repetitions of the same, depicting sunflowers in all stages ➵
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Sunflowers ☲ Van Gogh ☴ CanvasSunflowers (1889) by Vincent van Gogh is one of a series, which are among his most famous works. He painted a total of five large canvases with sunflowers in a vase, and several repetitions of the same, depicting sunflowers in all stages ➵
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Sunset at Douarnenez ☲ Renoir ☵ Art PrintSunset at Douarnenez (1883, Coucher de soleil à Douarnenez) by Pierre-Auguste Renoir depicts the setting sun off the Breton coast in France. Reminiscent of Monet's Impression, Sunrise, Renoir displays a strong impressionistic influence, capturing a scene of the natural world in a ➵
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Sunset at Douarnenez ☲ Renoir ☵ CanvasSunset at Douarnenez (1883, Coucher de soleil à Douarnenez) by Pierre-Auguste Renoir depicts the setting sun off the Breton coast in France. Reminiscent of Monet's Impression, Sunrise, Renoir displays a strong impressionistic influence, capturing a scene of the natural world in a ➵
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Symphony in White No. 1 ☴ Whistler ☲ Art PrintSymphony in White No. 1 (1862) by James McNeill Whistler, was originally called The White Girl. Whistler later called it Symphony in White, No. 1 to emphasize his "art for art's sake" philosophy. The painting was created as a simple study in ➵
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Symphony in White No. 1 ☴ Whistler ☲ CanvasSymphony in White No. 1 (1862) by James McNeill Whistler, was originally called The White Girl. Whistler later called it Symphony in White, No. 1 to emphasize his "art for art's sake" philosophy. The painting was created as a simple study in ➵
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Terrestrial Paradise ☷ Bosch ☷ Art PrintVisions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵
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Terrestrial Paradise ☷ Bosch ☷ CanvasVisions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, ➵
◰ Canvas Reproductions
⧈ Framed Art Prints