Collection: Artwork

351 Results

Medium
0 selected Reset
Art Movement
0 selected Reset
Nationality
0 selected Reset
Filter and sort

Filter and sort

351 Results

Medium
Art Movement
Nationality
351 Results
  • The Allegory of Faith ☷ Vermeer ☰ Art Print

    The Allegory of Faith

    Johannes Vermeer (1672)

    The Allegory of Faith (1672) by Johannes Vermeer, also known as Allegory of the Catholic Faith, is rich in symbolism, sharing several elements with The Art of Painting, both differing greatly in style and purpose from his other works that depict everyday ➵

    Canvas Reproductions
    Framed Art Prints

  • The Allegory of Faith ☷ Vermeer ☰ Canvas

    The Allegory of Faith

    Johannes Vermeer (1672)

    The Allegory of Faith (1672) by Johannes Vermeer, also known as Allegory of the Catholic Faith, is rich in symbolism, sharing several elements with The Art of Painting, both differing greatly in style and purpose from his other works that depict everyday ➵

    Canvas Reproductions
    Framed Art Prints

  • The Arnolfini Portrait ☷ Van Eyck ☲ Art Print

    Arnolfini Portrait

    Jan van Eyck (1434)

    The Arnolfini Portrait (1434) by Jan van Eyck is considered one of the most original and complex paintings in Western art due to its stunning detail, complex iconography, geometric perspective, and expansion of space with the use of a mirror. It is ➵

    Canvas Reproductions
    Framed Art Prints

  • The Arnolfini Portrait ☷ Van Eyck ☲ Canvas

    Arnolfini Portrait

    Jan van Eyck (1434)

    The Arnolfini Portrait (1434) by Jan van Eyck is considered one of the most original and complex paintings in Western art due to its stunning detail, complex iconography, geometric perspective, and expansion of space with the use of a mirror. It is ➵

    Canvas Reproductions
    Framed Art Prints

  • The Art of Painting ☰ Vermeer ☷ Art Print

    The Art of Painting

    Johannes Vermeer (1668)

    The Art of Painting (1668) by Johannes Vermeer, also known as The Allegory of Painting, or Painter in his Studio, depicts an artist painting a woman dressed in blue. Rich in iconography, it is considered his most complex work. The model is ➵

    Canvas Reproductions
    Framed Art Prints

  • The Art of Painting ☰ Vermeer ☷ Canvas

    The Art of Painting

    Johannes Vermeer (1668)

    The Art of Painting (1668) by Johannes Vermeer, also known as The Allegory of Painting, or Painter in his Studio, depicts an artist painting a woman dressed in blue. Rich in iconography, it is considered his most complex work. The model is ➵

    Canvas Reproductions
    Framed Art Prints

  • The Astronomer ☶ Vermeer ☷ Art Print

    The Astronomer

    Johannes Vermeer (1668)

    The Astronomer (1668) by Johannes Vermeer depicts an astronomer looking at a globe. It is closely paired with The Geographer, which used the same model, and canvas from the same bolt of material. The astronomer's profession is indicated by the celestial globe ➵

    Canvas Reproductions
    Framed Art Prints

  • The Astronomer ☶ Vermeer ☷ Canvas

    The Astronomer

    Johannes Vermeer (1668)

    The Astronomer (1668) by Johannes Vermeer depicts an astronomer looking at a globe. It is closely paired with The Geographer, which used the same model, and canvas from the same bolt of material. The astronomer's profession is indicated by the celestial globe ➵

    Canvas Reproductions
    Framed Art Prints

  • The Blanket Signal ☴ Remington ☷ Art Print

    The Blanket Signal

    Frederic Remington (1896)

    The Blanket Signal (1896) by Frederic Remington depicts an Indian scout on horseback, holding a rifle and using a large, colorful blanket, to signal fellow tribesmen. The attention to detail in clothing and artifacts, and the dramatic composition against the land and ➵

    Canvas Reproductions
    Framed Art Prints

  • The Blanket Signal ☴ Remington ☷ Canvas

    The Blanket Signal

    Frederic Remington (1896)

    The Blanket Signal (1896) by Frederic Remington depicts an Indian scout on horseback, holding a rifle and using a large, colorful blanket, to signal fellow tribesmen. The attention to detail in clothing and artifacts, and the dramatic composition against the land and ➵

    Canvas Reproductions
    Framed Art Prints

  • The Bonaventure Pine ☰ Signac ☷ Art Print

    Bonaventure Pine

    Paul Signac (1893)

    Opus 239, The Bonaventure Pine (1893) by Paul Signac depicts an umbrella pine in Saint-Tropez, France. Painted in the pointillist style developed by Signac and Georges Seurat, it is his most famous painting, one of many he painted of the seaside town. ➵

    Canvas Reproductions
    Framed Art Prints

  • The Bonaventure Pine ☰ Signac ☷ Canvas

    Bonaventure Pine

    Paul Signac (1893)

    Opus 239, The Bonaventure Pine (1893) by Paul Signac depicts an umbrella pine in Saint-Tropez, France. Painted in the pointillist style developed by Signac and Georges Seurat, it is his most famous painting, one of many he painted of the seaside town. ➵

    Canvas Reproductions
    Framed Art Prints

  • The Buffalo Signal ☴ Remington ☳ Art Print

    The Buffalo Signal

    Frederic Remington (1900)

    The Buffalo Signal (1900) by Frederic Remington, also known as If Skulls Could Speak, depicts an Indian buffalo scout on horseback signaling his tribesmen. The horse rears in alarm as he has been pulled to an abrupt halt to wave the buffalo ➵

    Canvas Reproductions
    Framed Art Prints

  • The Buffalo Signal ☴ Remington ☳ Canvas

    The Buffalo Signal

    Frederic Remington (1900)

    The Buffalo Signal (1900) by Frederic Remington, also known as If Skulls Could Speak, depicts an Indian buffalo scout on horseback signaling his tribesmen. The horse rears in alarm as he has been pulled to an abrupt halt to wave the buffalo ➵

    Canvas Reproductions
    Framed Art Prints

  • The Church at Auvers ☳ Van Gogh ☶ Art Print

    The Church at Auvers

    Vincent van Gogh (1890)

    The Church at Auvers (1890) by Vincent van Gogh depicts the Église Notre-Dame-de-l'Assomption (Church of Our Lady of the Assumption) in Auvers, 17 miles northwest of Paris. The foreground is a brightly lit intersection of two paths, while the church sits in ➵

    Canvas Reproductions
    Framed Art Prints

  • The Church at Auvers ☳ Van Gogh ☶ Canvas

    The Church at Auvers

    Vincent van Gogh (1890)

    The Church at Auvers (1890) by Vincent van Gogh depicts the Église Notre-Dame-de-l'Assomption (Church of Our Lady of the Assumption) in Auvers, 17 miles northwest of Paris. The foreground is a brightly lit intersection of two paths, while the church sits in ➵

    Canvas Reproductions
    Framed Art Prints

  • The Circus ☳ Seurat ☰ Art Print

    The Circus

    Georges Seurat (1891)

    The Circus (1891, Le Cirque) by Georges Seurat is his third major work on the theme of the circus, and his last painting, unfinished at his death in March 1891 at age 31. It depicts a female acrobat performing on a horse ➵

    Canvas Reproductions
    Framed Art Prints

  • The Circus ☳ Seurat ☰ Canvas

    The Circus

    Georges Seurat (1891)

    The Circus (1891, Le Cirque) by Georges Seurat is his third major work on the theme of the circus, and his last painting, unfinished at his death in March 1891 at age 31. It depicts a female acrobat performing on a horse ➵

    Canvas Reproductions
    Framed Art Prints

  • The Conjurer ☵ Bosch ☴ Art Print

    The Conjurer

    Hieronymus Bosch (1502)

    The Conjurer (1502) by Hieronymus Bosch is a notably secular painting whereas he is generally known for religious depictions. It is one of five versions of the painting, and one engraving, made when scenes of everyday life were becoming more popular. Bosch ➵

    Canvas Reproductions
    Framed Art Prints

  • The Conjurer ☵ Bosch ☴ Canvas

    The Conjurer

    Hieronymus Bosch (1502)

    The Conjurer (1502) by Hieronymus Bosch is a notably secular painting whereas he is generally known for religious depictions. It is one of five versions of the painting, and one engraving, made when scenes of everyday life were becoming more popular. Bosch ➵

    Canvas Reproductions
    Framed Art Prints

  • The Cowboy ☷ Remington ☳ Art Print

    The Cowboy

    Frederic Remington (1902)

    The Cowboy (1902) by Frederic Remington depicts cowboy riding a horse down a steep, rocky incline. A solitary, heroic figure, symbol of the American West, the cowboy is attired in a wide-brimmed hat, chaps, and boots. Remington's fluid brushwork and focus on ➵

    Canvas Reproductions
    Framed Art Prints

  • The Cowboy ☷ Remington ☳ Canvas

    The Cowboy

    Frederic Remington (1902)

    The Cowboy (1902) by Frederic Remington depicts cowboy riding a horse down a steep, rocky incline. A solitary, heroic figure, symbol of the American West, the cowboy is attired in a wide-brimmed hat, chaps, and boots. Remington's fluid brushwork and focus on ➵

    Canvas Reproductions
    Framed Art Prints

  • The Dream ☱ Rousseau ☷ Art Print

    The Dream

    Henri Rousseau (1910)

    The Dream (1910, Le Rêve) by Henri Rousseau is one of more than 25 jungle scenes he painted. It is a surreal portrait of Yadwigha, Rousseau's Polish mistress from his youth, lying naked on a divan. She gazes over a landscape of ➵

    Canvas Reproductions
    Framed Art Prints

  • The Dream ☱ Rousseau ☷ Canvas

    The Dream

    Henri Rousseau (1892)

    The Dream (1910, Le Rêve) by Henri Rousseau is one of more than 25 jungle scenes he painted. It is a surreal portrait of Yadwigha, Rousseau's Polish mistress from his youth, lying naked on a divan. She gazes over a landscape of ➵

    Canvas Reproductions
    Framed Art Prints

  • The Fall of the Cowboy ☰ Remington ☶ Art Print

    The Fall of the Cowboy

    Frederic Remington (1895)

    The Fall of the Cowboy (1895) by Frederic Remington depicts two cowboys at the gate of a barbed wire fence, a ranching technology that beginning in the 1870s signaled the end of cowboy life. It divides the painting in half, symbolically fencing ➵

    Canvas Reproductions
    Framed Art Prints

  • The Fall of the Cowboy ☰ Remington ☶ Canvas

    The Fall of the Cowboy

    Frederic Remington (1895)

    The Fall of the Cowboy (1895) by Frederic Remington depicts two cowboys at the gate of a barbed wire fence, a ranching technology that beginning in the 1870s signaled the end of cowboy life. It divides the painting in half, symbolically fencing ➵

    Canvas Reproductions
    Framed Art Prints

  • The Falling Rocket ☰ Whistler ☲ Art Print

    The Falling Rocket

    James McNeill Whistler (1877)

    Nocturne in Black and Gold: The Falling Rocket (1877) by James McNeill Whistler depicts a fireworks display in the foggy night sky, inspired by Cremorne Gardens, a celebrated resort in Chelsea, London. John Ruskin, a leading art critic of the Victorian era, ➵

    Canvas Reproductions
    Framed Art Prints

  • The Falling Rocket ☰ Whistler ☲ Canvas

    The Falling Rocket

    James McNeill Whistler (1877)

    Nocturne in Black and Gold: The Falling Rocket (1877) by James McNeill Whistler depicts a fireworks display in the foggy night sky, inspired by Cremorne Gardens, a celebrated resort in Chelsea, London. John Ruskin, a leading art critic of the Victorian era, ➵

    Canvas Reproductions
    Framed Art Prints

  • The Geographer ☷ Vermeer ☶ Art Print

    The Geographer

    Johannes Vermeer (1669)

    The Geographer (1669) by Johannes Vermeer is one of only three paintings Vermeer signed and dated (the other two are The Astronomer and The Procuress). It is closely paired with The Astronomer, which used the same model in the same dress, and ➵

    Canvas Reproductions
    Framed Art Prints

  • The Geographer ☷ Vermeer ☶ Canvas

    The Geographer

    Johannes Vermeer (1669)

    The Geographer (1669) by Johannes Vermeer is one of only three paintings Vermeer signed and dated (the other two are The Astronomer and The Procuress). It is closely paired with The Astronomer, which used the same model in the same dress, and ➵

    Canvas Reproductions
    Framed Art Prints

  • The Golden Horn, Constantinople ☰ Signac ☲ Art Print
    The Golden Horn, Constantinople (1907, La Corne d'Or, Constantinople) by Paul Signac depicts the Golden Horn, the inlet that historically separated Constantinople (present day Istanbul) and kept the peninsula strategically safe from invaders. The harbor is filled with boats, and skyline filled ➵

    Canvas Reproductions
    Framed Art Prints

  • The Golden Horn, Constantinople ☰ Signac ☲ Canvas
    The Golden Horn, Constantinople (1907, La Corne d'Or, Constantinople) by Paul Signac depicts the Golden Horn, the inlet that historically separated Constantinople (present day Istanbul) and kept the peninsula strategically safe from invaders. The harbor is filled with boats, and skyline filled ➵

    Canvas Reproductions
    Framed Art Prints

  • The Goldfish ☱ Matisse ☵ Art Print

    The Goldfish

    Henri Matisse (1912)

    The Goldfish (1912) by Henri Matisse is part of a series that he produced between the spring and early summer of 1912. Goldfish became a recurring subject after his visit to Tangier, Morocco, where he noted how locals would day-dream while gazing ➵

    Canvas Reproductions
    Framed Art Prints

  • The Goldfish ☱ Matisse ☵ Canvas

    The Goldfish

    Henri Matisse (1912)

    The Goldfish (1912) by Henri Matisse is part of a series that he produced between the spring and early summer of 1912. Goldfish became a recurring subject after his visit to Tangier, Morocco, where he noted how locals would day-dream while gazing ➵

    Canvas Reproductions
    Framed Art Prints

  • The Good Samaritan ☰ Rembrandt ☷ Art Print

    The Good Samaritan

    Rembrandt van Rijn (1638)

    Landscape with the Good Samaritan (1638) by Rembrandt van Rijn depicts the biblical parable of the Good Samaritan, a compassionate figure tending to a wounded traveler on the side of a road. The scene shows the Samaritan bandaging the man's wounds while ➵

    Canvas Reproductions
    Framed Art Prints

  • The Good Samaritan ☰ Rembrandt ☷ Canvas

    The Good Samaritan

    Rembrandt van Rijn (1638)

    Landscape with the Good Samaritan (1638) by Rembrandt van Rijn depicts the biblical parable of the Good Samaritan, a compassionate figure tending to a wounded traveler on the side of a road. The scene shows the Samaritan bandaging the man's wounds while ➵

    Canvas Reproductions
    Framed Art Prints

  • The Great Wave ☶ Hokusai ☵ Art Print

    The Great Wave

    Katsushika Hokusai (1831)

    The Great Wave off Kanagawa (1831) by Katsushika Hokusai, also known as Under the Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki Nami Ura) is a Japanese ukiyo-e woodblock print, and possibly the most reproduced image in the history of art. The print depicts a ➵

    Canvas Reproductions
    Framed Art Prints Blankets

  • The Great Wave ☶ Hokusai ☵ Canvas

    The Great Wave

    Katsushika Hokusai (1831)

    The Great Wave off Kanagawa (1831) by Katsushika Hokusai, also known as Under the Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki Nami Ura) is a Japanese ukiyo-e woodblock print, and possibly the most reproduced image in the history of art. The print depicts a ➵

    Canvas Reproductions
    Framed Art Prints Blankets

  • The Great Wave ☶ Hokusai ☵ Woven Art Blanket

    The Great Wave

    Katsushika Hokusai (1831)

    The Great Wave off Kanagawa (1831) by Katsushika Hokusai, also known as Under the Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki Nami Ura) is a Japanese ukiyo-e woodblock print, and possibly the most reproduced image in the history of art. The print depicts a ➵

    Canvas Reproductions
    Framed Art Prints Blankets

  • The Green Wave ☵ Monet ☳ Art Print

    The Green Wave

    Claude Monet (1867)

    The Green Wave (1867, La vague verte) by Claude Monet depicts sailboats on the ocean, capturing the movement and energy of the waves in relation to the ships. An ocean of greens and blues dominates the scene, with a high horizon line ➵

    Canvas Reproductions
    Framed Art Prints

  • The Green Wave ☵ Monet ☳ Canvas

    The Green Wave

    Claude Monet (1867)

    The Green Wave (1867, La vague verte) by Claude Monet depicts sailboats on the ocean, capturing the movement and energy of the waves in relation to the ships. An ocean of greens and blues dominates the scene, with a high horizon line ➵

    Canvas Reproductions
    Framed Art Prints

  • The Hungry Lion ☵ Rousseau ☳ Art Print

    The Hungry Lion

    Henri Rousseau (1905)

    The Hungry Lion Throws Itself on the Antelope (1905, Le lion ayant faim se jette sur l'antilope) by Henri Rousseau depicts a jungle scene of thick green foliage lit by a deep red setting sun. In the foreground, a lion bites into ➵

    Canvas Reproductions
    Framed Art Prints

  • The Hungry Lion ☵ Rousseau ☳ Canvas

    The Hungry Lion

    Henri Rousseau (1905)

    The Hungry Lion Throws Itself on the Antelope (1905, Le lion ayant faim se jette sur l'antilope) by Henri Rousseau depicts a jungle scene of thick green foliage lit by a deep red setting sun. In the foreground, a lion bites into ➵

    Canvas Reproductions
    Framed Art Prints

  • The Kiss ☲ Klimt ☰ Art Print

    The Kiss

    Gustav Klimt (1908)

    The Kiss (1908) by Gustav Klimt is considered to be one of Klimt's most important works, and is certainly the most well known. The painting depicts a couple embracing under intricate rectangular and floral patterned robes that reflect Art Nouveau as well ➵

    Canvas Reproductions
    Framed Art Prints Blankets

  • The Kiss ☲ Klimt ☰ Canvas

    The Kiss

    Gustav Klimt (1908)

    The Kiss (1908) by Gustav Klimt is considered to be one of Klimt's most important works, and is certainly the most well known. The painting depicts a couple embracing under intricate rectangular and floral patterned robes that reflect Art Nouveau as well ➵

    Canvas Reproductions
    Framed Art Prints Blankets